Storieta
English
Sign up

The opening · free to read

THE BOUDOIR.

The boudoir of a woman of fashion exhibits in its history, if faithfully recorded, a picture of the manners, modes, and morals of the times; and, however little such things in themselves might deserve to be handed down, or registered as objects of imitation, yet to chronicle them for the day would not be without its use. The sensible part of mankind would laugh at the follies, and wonder at the extravagance, which the page of such ephemeral history unfolded; while the actors in the scene might possibly view in the mirror held up to them their own lives, and their own actions, in a new and truer light.

Lady Tilney's boudoir,--the boudoir par excellence,--was not in fact a boudoir, according to the old legitimate meaning of the word. Indeed, Lady Tilney herself, the presiding deity of the sanctuary, professed her contempt of legitimacy in boudoirs, as well as in sovereigns; at least she did so in words, though, like many other professors, her words and actions frequently contradicted each other; and it may be questioned if there are any greater despots, than those who inveigh most against despotism.

But to return from this digression to the boudoir. Lady Tilney's boudoir was destined to the reception of far other votaries than those of the old rabattu god of love. No: her boudoir was visited by persons of a very different character from those who were formerly the frequenters of such a scene. Authors, poets, political intriguers, artists, and committees for the management of the state of society, formed the chief personages among those who figured there, and their business was of a very different complexion from that of the supposed use, or original meaning ascribed to a boudoir.

In the former, of old, the painted harpsichord, the huge cabinet, the gigantic chimney-piece, the tapestried wall, were suited to the silken garb, and bag and sword, that formed the attire of the male part of its visitants; as well as to the hoop and fly-cap of the ladies who presided there. In this modern temple of idolatry, only a few of the ancient decorations were allowed a place, such as the marquetry cabinet, the or-moulu clock, or vase of China; but for the rest, what a change!

Volumes of worth, and works of merit and deep learning, were now covered by the novels of the day, or hidden by trivial elegancies newly imported from Paris; while on the walls, the rare productions of Titian or Vandyck were intermingled with some chalky portrait of the modern school, tricked out in the millinery geer of the fashion of the day. Scattered on the tables, however, there was a redeeming feature in the character of the decorative objects which met the eye, for there lay some richly chased gold ornaments, the works of Benvenuto Cellini, or some one not less skilful, though it may be of forgotten name; and while these ornamented the apartment, they served the double purpose of affording Lady Tilney an opportunity, not only to discourse on their beauty, but to enter into all the particulars of Cellini's strange life.

Add to this description of the boudoir and its visitants, the occasional presence of Lady Tilney's beautiful children, and its portraiture is closed; but not so the genius and history of all the transactions, councils, and cabals which took place there. These will be best understood, by passing from the boudoir to Lady Tilney's own character and pursuits; if to describe these by any means were indeed possible: but it would be an endless, hopeless task, to enumerate all that Lady Tilney did, or fancied _she did_--still more what she said; for to do her justice, her's was no vapid existence of the mere routine of a London lady's life.

No--indolence was not the besetting sin, insipidity was not the vice of her morale or her physique. But as to enumerating severally the subjects which employed her care, and the various branches of these subjects into which she diverged, that indeed would be difficult. Her life and occupations may, perhaps, be best delineated by representing them as one vast bazar of interests, all equally claiming her attention--"the court, the camp, the senate, and the field:" certainly the field of Newmarket, where it is said she regulated her husband's calculations and interests with great success.

These objects, and many more than these, which, as the charlatans say at the end of their lists, are too tedious to mention, filled up the life of this laborious and distinguished lady. Nor were her labours less onerous in managing the government of the society of ton. Her rule was there despotic--her word was law;--and if some few persons pretended to step aside, not following the fashionable multitude in bowing the knee to Baal, or ventured to think for themselves in the circle in which she moved, immediately, as though by an enchanter's wand, they were banished thence, and some more amalgamating spirit was chosen to fill up the vacancy. There was a kind of air-gun fired, which was sure to hit the mark, without betraying the hand that drew the trigger: a sort of lettre-de-cachet, as effectual as those promulgated in the times of Louis le Grand, which consigned to oblivion the offending persons, while the victims themselves could not fathom any cause or assign any particular reason for the sentence.

Nevertheless, in the very midst of this ruling and reigning, this despotic sway in the court of ton, a secret dissatisfaction existed in the breast of Lady Tilney. She, indeed, was one of those haughty liberals who affect to despise kings and courts; not because they dislike those necessary evils, as they call them, but because they are themselves, or would be if they could, the greatest of all sovereigns.

Notwithstanding, therefore, the high ground of rank and situation on which she stood, it rankled at her heart to have offended her sovereign, and to feel herself an object of just dislike to him; for, however great the magnanimity shewn to her on the occasion of her offence, still to be aware that, under circumstances, she could no longer be considered a favourite at court, was in itself a source of the deepest mortification. Impressed with this consciousness, what was to be done? Why, render all courts the subject of flippant raillery; vote them and their sovereigns old-fashioned bores; erect herself into a queen, and have a court of her own. In truth, this plan agreed better with her self-love than any other; because sovereigns and courts, in as far as regards the outward decorum of forms, regulate and keep society in its proper course; whereas, under the sham dynasty of ton, caprice bears rule, and tyranny in its worst sense marks the conduct of those who sit on its ephemeral throne.

Connected with this system, the pride of ancestry too was necessarily another subject of ridicule with Lady Tilney, who thought that those who, on such grounds, pretended to take any lead in the world of fashion, had much better retire to their castles, and there indulge in dreams of their greatness.

Nor did Lady Tilney's thirst for power end with her effort for universal dominion in matters of _ton_--she had another ambition, that of leading and controlling the political party to which she had attached herself. Here, however, her sway was more imaginary than real; and often the long-headed politician, or crafty diplomate, as they listened with apparent complacency to her advice, allowed her words to fall unheeded on their ear, or laughed at her in secret. With the young and uninformed aspirants in the career of political life, Lady Tilney had, perhaps, more success; and many a rising scion of a noble house has been known to adopt, under the influence of her smiles, and from a foolish vanity of being noticed by her, a line of conduct quite at variance with the wishes of their parents, and to the sacrifice of their own best interests.

In this grasp at power, however successfully achieved, Lady Tilney felt herself ill at ease--her mind was continually harassed by reflections on the tottering and uncertain tenure of ton, and the possibility, nay, probability, of some younger, newer person, climbing to the envied seat which she then possessed. The fear of a certain Duchess of Hermanton was constantly before her imagination, as the embodied object of her alarm; and she considered it as a measure little short of self-preservation, to secure her influence, if possible, on a still firmer basis, by some decided act, or the invention of some fresh folly. As to Almack's, that circle of exclusiveness had been polluted; its brief course was run, and its brightness on the decline.

The more Lady Tilney reflected on the subject, the more she became convinced of the expediency of her intentions; and determined, therefore, to mature her plan immediately. Having despatched her notes to the Comtesse Leinsengen, Lady Tenderden, and Lady Ellersby, she commanded that no one should be admitted to her presence but themselves.

"Yet stay, Destouches," she added to the page, as she issued her orders; "Prince Luttermanne by all means, should he call." And then, having given audience to three cooks, four painters, two authors, an authoress, and several milliners, she finished with advice to a poet and a critique upon his work.

Lady Tilney, before the arrival of the personages she had written to (for Lady Tilney knew the value of intervals), arranged her list of engagements; tossing some into the fire--with the velocity of one well practised in the weight, measure, and value of names; and examining others of more importance. She determined to mar all that might interfere with her own views in society.--"Mrs. Annesly, truly what a griffin! and the Countess of Delamere, and Lady Melcombe!--but the Marchioness of Borrowdale! that indeed requires attention." Lady Tilney rang the bell--Destouches appeared in a minute--the peculiar hasty touch of call was known to the well-appointed page. "Send Arquimbeaud here!" and the distinguished Arquimbeaud soon obeyed the summons. "I have determined to have a party, Arquimbeaud, next Thursday; see that cards are issued for that day, according to this list."

As he withdrew, Comtesse Leinsengen was announced. The immense bonnet and deep veil--the splendid cashmere and still long petticoats (although they were generally worn very much shortened), afforded a favourable costume to the lady who now advanced; certain defects were thus concealed, and imagination might lend that delicacy of slimness and form to the feet and ancles which pervaded the rest of the person, but which did not characterize those of the Comtesse.

The rapid volubility of the one lady, and the sharp short sentences of the other, began the conference. Lady Tilney placed the most luxurious of all the luxurious chairs close to the fire, pushed forward the screen, and with the eagerness of apparent friendship, seemed to wish to make her visitor quite at home: or, as she expressed it, "deliciously comfortable." "You have learned that word now, dear Comtesse,--indeed you have adopted it; and there is no one who understands the thing so perfectly as yourself."

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from Alice's Adventures in WonderlandIllustrated scene from The Adventures of Sherlock HolmesIllustrated scene from Frankenstein

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.