Memories of Lincoln

Horace Traubel

The main effect of this poem is of strong solemn, and varied music; and it involves in its construction a principle after which perhaps the great composers most work--namely, spiritual auricular analogy. At first it would seem to defy analysis, so rapt is it, and so indirect. No reference whatever is made to the mere fact of Lincoln's death; the poet does not even dwell upon its unprovoked atrocity, and only occasionally is the tone that of lamentation; but, with the intuitions of the grand art, which is the most complex when it seems most simple, he seizes upon three beautiful facts of nature, which he weaves into a wreath for the dead President's tomb. The central thought is of death, but around this he curiously twines, first, the early-blooming lilacs which the poet may have plucked the day the dark shadow came; next the song of the hermit thrush, the most sweet and solemn of all our songsters, heard at twilight in the dusky cedars; and with these the evening star, which, as many may remember, night after night in the early part of that eventful spring, hung low in the west with unusual and tender brightness. These are the premises whence he starts his solemn chant.

The attitude, therefore, is not that of being bowed down and weeping hopeless tears, but of singing a commemorative hymn, in which the voices of nature join, and fits that exalted condition of the soul which serious events and the presence of death induce.

When lilacs last in the dooryard bloom'd, And the great star early droop'd in the western sky in the night, I mourn'd, and yet shall mourn with ever-returning spring. Ever-returning spring, trinity sure to me you bring, Lilac blooming perennial and drooping star in the west, And thought of him I love.

O powerful western fallen star! O shades of night--O moody, tearful night! O great star disappear'd--O the black murk that hides the star! O cruel hands that hold me powerless-- O helpless soul of me! O harsh surrounding cloud that will not free my soul.

In the dooryard fronting an old farmhouse near the white-wash'd palings, Stands the lilac-bush tall-growing with heart-shaped leaves of rich green, With many a pointed blossom rising delicate, with the perfume strong I love, With every leaf a miracle--and from this bush in the dooryard, With delicate-color'd blossoms and heart-shaped leaves of rich green, A sprig with its flower I break.

Song of the bleeding throat, Death's outlet song of life, (for well dear brother I know, If thou wast not granted to sing thou would'st surely die.)

Over the breast of the spring, the land, amid cities, Amid lanes and through old woods, where lately the violets peep'd from the ground, spotting the gray debris, Amid the grass in the fields each side of the lanes, passing the endless grass, Passing the yellow-spear'd wheat, every grain from its shroud in the dark-brown fields uprisen, Passing the apple-tree blows of white and pink in the orchards, Carrying a corpse to where it shall rest in the grave, Night and day journeys a coffin.

Coffin that passes through lanes and streets, Through day and night with the great cloud darkening the land, With the pomp of the inloop'd flags with the cities draped in black, With the show of the States themselves as of crape-veil'd women standing, With processions long and winding and the flambeaus of the night, With the countless torches lit, with the silent sea of faces and the unbared heads, With the waiting depot, the arriving coffin, and the sombre faces, With dirges through the night, with the thousand voices rising strong and solemn, With all the mournful voices of the dirges pour'd around the coffin, The dim-lit churches and the shuddering organs--where amid these you journey, With the tolling, tolling bell's perpetual clang, Here, coffin that slowly passes, I give you my sprig of lilac.

(Nor for you, for one alone, Blossoms and branches green to coffins all I bring, For fresh as the morning, thus would I chant a song for you O sane and sacred death. All over bouquets of roses, O death, I cover you over with roses and early lilies, But mostly and now the lilac that blooms the first, Copious I break, I break the sprigs from the bushes, With loaded arms I come, pouring for you, For you and the coffins all of you O death.)

O western orb sailing the heaven, Now I know what you must have meant as a month since I walk'd, As I walk'd in silence the transparent shadowy night, As I saw you had something to tell as you bent to me night after night, As you droop'd from the sky low down as if to my side, (while the other stars all look'd on,) As we wander'd together the solemn night, (for something I know not what kept me from sleep,) As the night advanced, and I saw on the rim of the west how full you were of woe, As I stood on the rising ground in the breeze in the cool transparent night, As I watch'd where you pass'd and was lost in the netherward black of the night, As my soul in its trouble dissatisfied sank, as where you sad orb. Concluded, dropt in the night, and was gone.

Sing on there in the swamp, O singer bashful and tender, I hear your notes, I hear your call, I hear, I come presently, I understand you, But a moment I linger, for the lustrous star has detain'd me, The star my departing comrade holds and detains me.

O how shall I warble myself for the dead one there I loved? And how shall I deck my song for the large sweet soul that has gone? And what shall my perfume be for the grave of him I love?

Sea-winds blown from east and west, Blown from the Eastern sea and blown from the Western sea, till there on the prairies meeting, These and with these and the breath of my chant, I'll perfume the grave of him I love.

O what shall I hang on the chamber walls? And what shall the pictures be that I hang on the walls, To adorn the burial-house of him I love?

Pictures of growing spring and farms and homes, With the Fourth-month eve at sundown, and the gray smoke lucid and bright, With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air, With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific, In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there, With ranging hills on the banks, with many a line against the sky, and shadows, And the city at hand with dwellings so dense, and stacks of chimneys, And all the scenes of life and the workshops, and the workmen homeward returning.

Lo, body and soul--this land, My own Manhattan with spires, and the sparkling and hurrying tides, and the ships, The varied and ample land, the South and the North in the light, Ohio's shores and flashing Missouri, And ever the far-spreading prairies cover'd with grass and corn.

Lo, the most excellent sun so calm and haughty, The violet and purple morn with just-felt breezes, The gentle soft-born measureless light. The miracle spreading bathing all, the fulfill'd noon, The coming eve delicious, the welcome night and the stars, Over my cities shining all, enveloping man and land.

Song on, sing on you gray-brown bird, Sing from the swamps, the recesses, pour your chant from the bushes, Limitless out of the dusk, out of the cedars and pines. Sing on dearest brother, warble your reedy song, Loud human song, with voice of uttermost woe.

O liquid and free and tender! O wild and loose to my soul--O wondrous singer! You only I hear--yet the star holds me, (but will soon depart,) Yet the lilac with mastering odor holds me.

Now while I sat in the day and look'd forth, In the close of the day with its light and the fields of spring, and the farmers preparing their crops, In the large unconscious scenery of my land with its lakes and forests, In the heavenly aerial beauty, (after the perturb'd winds and the storms,) Under the arching heavens of the afternoon swift passing, and the voices of children and women, The many-moving sea-tides, and I saw the ships how they sail'd, And the summer approaching with richness, and the fields all busy with labor, And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages, And the streets how their throbbings throbb'd, and the cities pent--lo, then and there, Falling upon them all and among them all, enveloping me with the rest, Appear'd the cloud, appear'd the long black trail, And I knew death, its thought, and the sacred knowledge of death.