The Architectural Review and American Builders' Journal, Aug. 1869

TO REMOVE WRITING INK—To remove writing ink from paper, without scratching—apply with a camel’s hair brush pencil a solution of two drachms of muriate of tin in four drachms of water; after the writing has disappeared, pass the paper through the water and dry.

DESCRIPTIONS.

IRON STORE FRONTS, No. 5.

BY W. J. FRYER, JR., NEW YORK.

The elevation, shown in the accompanying page illustration, shows an iron front of five stories, having a pedimented centre frontispiece of three stories in alto relievo.

The style, though not in strict accordance with rule, is showy, without being objectionably so, and goes far to prove the capabilities of iron as a desirable material in commercial Architecture, where strength, display, and economy may be very well combined.

Such an elevation as this, now under consideration, could not be executed in cut stone, so as to produce the same appearance, without incurring a much greater expense, and in the event of a continuous block of such fronts, the balance of economy would be wonderfully in favor of the iron, for the moulds could be duplicated and triplicated with ease, whilst the same composition executed to a like extent in stone would not be a cent cheaper in proportion. Every capital and every truss, and every fillet, should be cut in stone independently of each other, no matter how many were called for.

It may be very well to say that stone is the proper material, according to the long-accepted notion of art judgment, and that iron has to be painted to give it even the semblance of that material, being, therefore, but a base imitation at best. All very true. But, nevertheless, iron, even as a painted substitute, possesses advantages over the original material of which it is a copy, rendering it a very acceptable medium in the constructive line, and one which will be sought after by a large class of the community who desire to have this cheap yet practical material, even though it be not that which it represents. As a representative it is in most respects the peer of stone though not it identically.

SUBURBAN RESIDENCE IN THE FRENCH STYLE.

BY CARL PFEIFFER, ESQ., ARCHITECT, N. Y.

This design is of one of those homes of moderate luxury wherein the prosperous man of business may enjoy in reason the fruits of his energetic toil. There is nothing about it to indicate presumptuous display, but rather the contented elegance of a mind at ease, surrounded with unostentatious comfort.

CARL PFEIFFER, ESQ., ARCHITECT, NEW YORK.]

On the westerly slope of the Palisades, and two miles to the west of the Hudson, this residence was built by one of New York’s retired merchants.

It is sixteen miles from Jersey City, in a town of but a few years growth, named “Terrafly,” in Bergen county, and stands on a hill commanding some of the most charming pieces of pastoral scenery, occupying about thirty acres laid out in lawns, walks, gardens, etc., and tastefully ornamented with shrubbery, having a fountain on the lawn in front of the house (as shown.)

The approach is from the public road, by a drive through a grove of about ten acres of stately trees, passing by the side of a pretty pond formed by the contributions of several streams and making a considerable sheet of water. About the middle of this pond the sides approach so near to each other as to be spanned by an artistic little stone arched bridge which leads to the garden.

From the house one looks on a lovely panorama of inland scenery. The Palisades towards the east, the Ramapo mountains to the northwest; and looking in a southerly direction the numerous suburban villages and elegant villas near New York may be seen.

The house is constructed of best Philadelphia pressed brick with water-table, quoins, and general trimmings of native brown stone neatly cut. It stands high on a basement of native quarry building stone and has for its foundation a permanent bed of concrete which likewise forms the basement floors, as well as a durable bedding for the blue flagging of Kitchen and Laundry hearths.

The arrangement of plan is admirably calculated to conduce to the comfort of the family. It is as follows:

Fig. 1 shows the plan of the basement. A, steps and passage leading from Yard. B, Servant’s Dining Room. C, C, C, Coal Cellar and Passages. D, Kitchen. E, Pantry. F. Laundry. G, G, Cellars. H, Water Closet. I, Wash tubs in Laundry. J, Dumb waiter. K, Wash-tray. L, Sink. M, Back stairs.

Fig. 2 shows the plan of the principal story. A, Dining Room. B, Drawing Room. C, and D, Parlors connected by sliding doors with the Drawing Room through the hall. E, Principal staircase. F, Back Hall. G, Butler’s Pantry with dumb waiter, plate closet, wash-trays, etc. H, Back stairs. J, Conservatory. K, Steps leading down to Yard. L, L, L, Verandahs. M, M, Piscinæ.

Fig. 3 shows the arrangement of the Chamber floor, or second story. A, the Hall. B, C, D, and E, Chambers. F. Boudoir. G, Closet. H, Passage to Boudoir. I, Half landing connected with rear addition. J, Back passage. K, Bath Room. L, M, N, Servant’s Bed Rooms. O, O, O, Clothes Closets. P, Water Closet, o, o, o, o, o, o, Wardrobes in the several Chambers. These occupy the angle enclosed by the slope of the Mansard, thus leaving the walls of the chambers plumb.

The roof is flat, and is embellished at the curb with a rich traceried iron balustrade, making a safe and desirable promenade platform. All the accessories that go to make a comfortable home are provided, and the whole forms a model retreat from busy life to Nature and her charms.

SUBURBAN RESIDENCE IN THE FRANCO-GOTHIC STYLE.

We here give a perspective view of a capacious suburban residence, showing the marked effects of light and shade produced by means of Gothic gables on a building of a square plan. A hipped roof on such a plain form would make a most uninteresting mass of heaviness. The judicious addition of bay windows is always desirable in such compositions; and the hooded gables give a pleasing quaintness to the whole. We present, on next page the principal floor plan, which is somewhat unusual in arrangement, but comfortable, as such form of house is always sure to be.

A, The Porch, pierced on each side with open lights. B, the Hall, in the form of an L, and receiving light from the roof. C, the Drawing Room, with its capacious bay window. D, a Parlor. E, Library and Study. F, Side Hall, with door, under stairs, communicating with passage leading to study; (or, there may be a door opening directly into the study from the side hall.) G, Private Stairs. H, Principal Stairs, under which is a door communicating with the passage to study. I, the Kitchen. J, Pantry. K, the Dining Room, with glass door leading out into the Conservatory L.

Few arrangements of plan can be more complete. Chimnies all in the inner walls retain the whole of the heating within the house in winter. And so thorough is the natural ventilation, by doors and windows, that coolness is secured in the summer time.

Executed in stone, either hammered or rough rubble, with cut-stone trimmings, this house would present a pleasing appearance. In pressed brick, with stone trimmings, though not so consonant to surrounds of shrubbery as in stone, it would yet be a neat object and tend much to the embellishment of the outskirts of a city or village.

DESIGNS FOR SMALL CHURCHES.

There is a great want of suitable designs calculated to meet the tastes and necessities of those communities whose funds are too limited to admit of anything approaching to architectural display. Our object, therefore, in presenting the two which illustrate our remarks, is to show the way to others to do likewise.

Churches of large dimension and assuming appearance call forth professional skill, because the expenditure will be commensurate with the expansive ideas of the wealthy for whose benefit such edifices are constructed. But a plainer class of erections, as much wanted, should draw out the efforts of our brethren, if only for the good they may do.

There are few architects who are not subject to the often occurring claims on their donative services in behalf of poor congregations, and, we say it with pride, that we have yet to hear of the first instance of those claims not being promptly attended to by even the busiest of our brethren. Although it too frequently happens that their liberality is severely and most thoughtlessly taxed; for there generally is in every community some spirit too restless to cease troubling even those whose time is very limited. In a serial like the ARCHITECTURAL REVIEW there is an opportunity presented to give, from time to time, sketches and instructions, by which the wants of the bodies we allude to may be met. The pastor in the backwoods, and the minister on the prairie, as well as the servant of God who teaches the poor in our crowded cities, and skill are freely given, not to them personally, but to the sacred cause they are supposed to have an interest in. But let that pass.

The illustrated works on Ecclesiastical Architecture, which come from the press, usually treat of a class of edifices altogether beyond the reach of the congregations whose means are limited—will each and all be benefitted by the information given, and a truly good work will thus be done. The two small churches here presented are now in course of construction in this city.

The one on the upper part of the page is a Chapel of Ease to the Calvary Presbyterian Church, now building on Locust street, west of Fifteenth street.

Its dimensions are fifty-seven feet front by ninety feet deep, outside measurement. It will be two stories high, with gallery.

The first story will be sixteen feet from floor to floor. This is to be the Lecture Room. The second story will be twenty-five feet at the walls, and thirty-nine feet to the apex of the ceiling in the centre. The Gallery will be six feet wide along the sides, circular on front, and the ends curved at the rear. Its floor will be level.

Besides the Lecture Room, the first floor will contain two class rooms and the ladies’ parlor. Immediately over the Lecture Room, and of the same size, will be the Sunday-school Rooms. And over the ladies’ parlor there will be the Infant School.

On the gallery are three class rooms on the front, two of which are over the Infant School Room, and one over the eastern stairway. There are two class rooms in the rear. The walls will be of rubble masonry. As high as the level of the first floor, and projecting two inches, with a wash, the exterior will be hammer-dressed. Above that, the superstructure will be all laid broken range, pointed off, except the rear wall, which will be rubble with rock face. The whole will be faced with Trenton Brown Stone.

All the dressings of the doors, windows, buttress, caps, cornices, pinnacle caps, etc., will be distinguished by a finer class of work.

The roof and its dormers will be covered with best Blue Mountain slate, of medium size, varied with green and red color.

The interior as well as exterior finish will be Gothic in style, inexpensive yet expressive.