Storieta
English
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About this book

This volume is a curated anthology of essays and articles on the history, craft, and aesthetics of books and printing, assembled by Paul A. Bennett and issued by The World Publishing Company in 1963. It opens with a practical note about the limited font families used in the digital transcription, then moves into a formal acknowledgment page that lists the many typographers, scholars, and publishers whose works have been reprinted with permission. The introductory material explains the editor’s intent to balance “introductory” and “prefatory” commentary, while the table of contents reveals a broad sweep of topics, from the origins of the alphabet and the development of type to debates over modern versus traditional design, illustrated by contributions from figures such as W. A. Dwiggins, Beatrice Warde, and Otto Ege.

The voice is scholarly yet conversational, reflecting mid‑century American typographic discourse. Its prose is peppered with occasional humor and a reverence for both historical documents and contemporary debate. Readers who appreciate the minutiae of type design, the evolution of book production, or the cultural role of printers will find it rewarding; it especially suits collectors, design students, and anyone interested in the dialogue between tradition and innovation in the printed word.

Who appears in Books and Printing

  • W. A. DwigginsMiddle‑aged man in a dark suit, round spectacles, neatly trimmed beard
  • Beatrice WardeElegant woman with bobbed hair, pearl necklace, tailored 1930s dress, glasses
  • Otto EgeMid‑century gentleman, crisp shirt, tie, thin moustache, Germanic features

The opening · free to read

Not all the font families used for the different articles included in the book were available for the HTML version. The font families that could be used for the transcription are Times New Roman, Gill Sans, Garamond, Bodoni MT (instead of Bodoni Book), Baskerville, Centaur, Perpetua and Bell. Most of the currently available browsers are compatible with those fonts. However, it is not certain that the currently available hand-held devices would be able to reproduce the text with those fonts.

Punctuation and other printing errors have been corrected. Nevertheless, there are some portions where the author quotes text written in ancient style in which the punctuation rules applicable nowadays were not followed. Those have been left unchanged.

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