Storieta
Sign up

About this book

The work is a scholarly compilation by George Thomas Clark that brings together a series of articles, originally printed over many decades in the Transactions of regional societies and in the newspaper Builder. Clark explains that each paper was intended as a self‑contained study, and the volume now assembles them without altering their original form. The bulk of the book consists of detailed, measured descriptions of England’s principal medieval castles, with a few representative examples from France and Scotland. It opens with a broad introduction to post‑Roman earthworks and the evolution of fortifications, then proceeds through chronological chapters that examine the political and architectural significance of castles from the Norman conquest to the late‑fourteenth century. Throughout, Clark intersperses extensive plans, sections and woodcut illustrations, such as the 1834 survey of Caerphilly, to give readers a precise visual record of each site.

Clark writes in a formal, nineteenth‑century academic voice, combining meticulous topographical observation with a narrative that links architecture to the social and military history of the period. The prose is dense but clear, reflecting the era’s emphasis on exhaustive detail rather than literary flourish. Readers with a keen interest in medieval architecture, military history, or historic‑preservation will appreciate the exhaustive catalog of plans and the author’s effort to contextualize each fortress within England’s feudal landscape. It is especially suited to scholars, heritage professionals and enthusiasts who enjoy a methodical, source‑driven exploration of how castles functioned as both defensive structures and symbols of power.

The opening · free to read

The articles comprehended in the present volumes were written at very long intervals of time, some half a century ago, and printed in the Transactions of various Societies in different and distant counties. Many also appeared in the Builder newspaper. Each paper was intended to be complete in itself, and was written with no expectation that they would ever be collected and reprinted as one work. This I mention to account for, and I hope in some degree to excuse, the occasioned iteration of certain views concerning the connexion between the banks and earthworks, the moated mounds of the ninth century, and the buildings in masonry afterwards placed upon them,—which the Author was the first to set forth, and which are explained at length in the Introduction.

The latter and greater part of the work is occupied by minute, and, it is hoped, generally accurate accounts of most of the principal castles of England, and of one or two of a typical character in France and Scotland. The account of Caerphilly was drawn up in 1834. It was, I believe, the first attempt to treat, in a scientific and accurate manner, the plans and details of a great mediæval fortress.

My cordial thanks are due to the editors of the various Archæological Journals in which the original papers appeared, and especially to the late editor of the Builder, Mr. Godwin. I have also especially to thank an old friend and school-fellow, Mr. Murray, of Albemarle Street, for leave to reprint the paper on the Tower of London, and for the use of the woodcuts with which he so liberally embellished the original in his “Old London.”

To Mr. Freeman my obligations are of a different and less personal character. Other historians have visited the scenes of events which they were about to describe, but no one has shown himself so familiar with the ancient divisions, civil, ecclesiastical, and military, of English ground, and with the buildings connected with them. His accomplishments as a topographer and as a master of mediæval architecture are peculiar to himself among historians, and materials which in their original form are dry and uninstructive give, in his hands, weight and substance to some of his most brilliant sketches. As a collector of some of these materials, I have often felt surprise and delight at the use to which they have been applied; and, although my work has been rather that of a quarryman or brickmaker, I am sometimes led almost to regard myself as sharing in the glory of the architect.

CONTENTS OF VOL. I.

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from The Great GatsbyIllustrated scene from Pride and PrejudiceIllustrated scene from Alice's Adventures in Wonderland

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.