Storieta
Sign up

The opening · free to read

The Man and the Money

“Well, my dear Gilsey, I rather think I can land him for you,” declared Nick Carter, with an odd smile lurking in the corners of his keen, gray eyes.

“But that will not do, Nick,” protested Mr. Raymond Gilsey, with an immediate display of apprehension.

“Not do, sir?”

“It may not be what I want.”

“Not what you want?”

“Not exactly, Nick,” and Mr. Raymond Gilsey decisively shook his head.

He was a venerable banker, with a remarkably gentle and benevolent countenance. He was the president of the Milmore Trust Company, a banking-institution located in Forty-second Street, the patrons of which consisted chiefly of business firms in the immediate neighborhood, and of wealthy women, to whom the up-town location of the bank was a convenience.

It was in Mr. Gilsey’s handsome private office that Nick Carter was seated, one afternoon early in May, in response to a telephone request from the banker about an hour before. Between the two there existed a friendship of long standing, and the celebrated detective had hastened to respond. As yet, however, he had received but a hint at the business for which he had been called, and he wondered a little at the banker’s obvious misgivings, as appeared in his remarks noted above.

“Please explain, Mr. Gilsey,” said Nick. “Certainly, if there is a deficit in your cash, and you suspect—— Ah, but stop a moment. Perhaps it will be just as well, my dear Gilsey, if our interview——”

The last, spoken with lowered voice, was considered with a significant glance in the direction of Gilsey’s private stenographer, who sat busily engaged near one of the office windows, and Nick’s glance was equivalent to a suggestion that the presence of a third party might wisely be dispensed with.

This third party was a young woman named Belle Braddon, apparently about twenty-five years of age. Certain features about her, however, which Nick’s keen eyes were quick to notice, indicated that Miss Braddon was in divers ways experienced beyond her years.

She was that type of girl quite properly termed dashing. Her figure was striking, her face handsome, with mobile red lips, alluring blue eyes, and cheeks with a soft tinge of color not entirely their own. She had, too, an unusual abundance of wavy auburn hair, which was then arranged in picturesque disorder. Regarded from top to toe, she was decidedly noticeable, and the style of girl to which most men are quick to respond.

Nick Carter, however, did not quite fancy the general appearance of Miss Braddon, and he abruptly decided that her absence was desirable. In response to the cue so quietly given him, the banker glanced at the girl, and asked:

“What are you now at work on, Belle?”

Miss Braddon started slightly, much as if her ears had been deaf to any preceding remarks, then turned with a gracious smile to her employer.

“On the quarterly reports which you dictated this morning,” she replied, with a peculiarly clear and penetrating voice.

“You may drop that for the present, Belle, as I may change some of the concluding pages,” said Mr. Gilsey.

“Very well, sir.”

“Are my letters ready for signing?”

“Yes, sir.”

“You may leave them on your table. As I shall be engaged with this gentleman for some time, and will not require you later, I will excuse you for the rest of the day.”

“Ah, thank you very much, Mr. Gilsey,” cried Miss Braddon, beaming gratefully as she arose from her table. “That will be very nice, sir. I can do a little shopping.”

The banker nodded and smiled, then reverted to Nick, and conversed with him upon casual matters while the girl prepared to go. Apparently, Nick did not notice her, but he nevertheless saw all that was worth noting.

As Miss Braddon put on a broad picture hat and her light wrap, her expression became more grave and her cheeks lost some of their color.

Twice she glanced furtively at the detective, with a certain resentful gleam in her pretty eyes. That it did not entirely please her, despite her effusive thanks, was evinced in the slight curl of her red lips; yet she presently bowed politely and departed, gently closing the office door.

“An attractive girl, Gilsey, your stenographer,” remarked Nick carelessly.

“Miss Braddon?” queried the banker, smiling complacently. “So she is, Nick, and as capable and charming as she is showy.”

“I did not say showy,” laughed Nick dryly. “I said attractive.”

“Much the same, Nick, when applied to a woman.”

“Has she been long in your employ?”

“About four months.”

“Of course, she came well recommended?”

“Decidedly so,” bowed Gilsey; then he added, with a smile and headshake: “You professional detectives are habitually suspicious of everybody, I really believe. That girl is all right, Nick, take my word for it. Her uncle, with whom she lives, is one of our largest depositors.”

“Ah, I see,” smiled Nick, a bit oddly. “Now, my dear Gilsey, why have you sent for me? What can I do for you?”

The banker became grave in an instant.

“There are two reasons, Nick, why I have appealed to you,” said he. “First, because we are old friends, and I know that you will do just what I require upon this case, and no more than I require.”

“And your second reason?”

“Because I know I can safely trust you, Nick, and that you will give no publicity to the case after having dropped it, providing your investigations warrant dropping it. That is more than I could expect or hope for from men of the central office, and so I have appealed to you, relying upon our long friendship to influence you to aid me.”

Nick nodded gravely for a moment, noting the profound anxiety now reflected in the banker’s venerable face.

“I certainly will do what I can for you, Gilsey, and you may depend upon me to be discreet,” said he warmly. “Now, what is the trouble here? You intimated that a deficit exists in your cash.”

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from The Adventures of Sherlock HolmesIllustrated scene from FrankensteinIllustrated scene from The Great Gatsby

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.