Madeleine: One of Love's Jansenists

In the middle of the seventeenth century a family called Troqueville came from Lyons to settle in Paris. Many years before, Monsieur Troqueville had been one of the four hundred procureurs of the Palais de Justice. There were malicious rumours of disgraceful and Bacchic scenes in Court which had led to his ejection from that respectable body. Whether the rumours were true or not, Monsieur Troqueville had long ceased to be a Paris procureur, and after having wandered about from town to town, he had at last settled in Lyons, where by ‘devilling’ for a lawyer, writing bombastic love-letters for shop apprentices, and playing Lasquinet with country bumpkins, he managed to earn a precarious livelihood. When, a few months before the opening of this story, he had been suddenly seized with a feverish craving to return to Paris ‘and once more wear the glove of my lady Jurisprudence in the tournay of the law-courts,’ as he put it, his wife had regarded him with a frigid and sceptical surprise, as she had long since given up trying to kindle in him one spark of ambition. However, Madeleine, their only child, a girl of seventeen, expressed such violent despair and disappointment when Madame Troqueville pronounced her husband’s scheme to be vain and impracticable, that finally to Paris they came—for to her mother, Madeleine’s happiness was the only thing of any moment.

They had taken rooms above a baker’s shop in the petite rue du Paon, in the East end of the University quarter—the Pays Latin, where, for many centuries, turbulent abstract youth had celebrated with Bacchic orgies the cherub Contemplation, and strutting, ragged and debonair on the razor’s edge of most unprofitable speculation, had demonstrated to the gaping, well-fed burghers, that the intellect had its own heroisms and its own virtues. At that time it was a neighbourhood of dark, winding little streets, punctuated by the noble fabrics of colleges and monasteries, and the open spaces of their fields and gardens—a symbol, as it were, of contemporary learning, where crabbed scholasticism still held its own beside the spacious theories of Descartes and Gassendi.

Madame Troqueville had inherited a small fortune from her father, which made it possible to tide over the period until her husband found regular employment.

She was by birth and upbringing a Parisian, her father having been a Président de la Chambre des Comptes. As the daughter of a Judge, she was a member of ‘la Noblesse de Robe,’ the name given to the class of the high dignitaries of the Parlement, who, with their scarlet robes, their ermine, and their lilies, their Latin periods and the portentous solemnity of their manner, were at once ridiculous and awful.

It cannot be wondered at that on her return to Paris she shrank from renewing relations with old friends whose husbands numbered their legal posts by the score and who drove about in fine coaches, ruthlessly bespattering humble pedestrians with the foul mud of Paris. But for Madeleine’s sake she put her pride in her pocket, and though some ignored her overtures, others welcomed her back with genial condescension.

The day that this story begins, the Troquevilles were going to dine with the celebrated Madame Pilou, famous in ‘la Cour et la Ville’ for her homespun wit and remarkably ill-favoured countenance—it would be difficult to say of which of these two distinctions she was most proud herself. Her career had been a social miracle. Though her husband had been only a small attorney, there was not a Princess or Duchess who did not claim her as an intimate friend, and many a word of counsel had she given to the Regent herself.

None of her mother’s old acquaintanceships did Madeleine urge her so eagerly to renew as the one with Madame Pilou. In vain her mother assured her that she was just a coarse, ugly old woman.

‘So also are the Three Fates,’ said Jacques Tronchet (a nephew of Madame Troqueville, who had come to live with them), and Madeleine had looked at him, surprised and startled.

Madame Pilou dined at midday, so Monsieur Troqueville and Jacques were to go to her house direct from the Palais de Justice independently of Madame Troqueville and Madeleine. Madeleine had been ready a full half-hour before it was time to start. She had sat in the little parlour for a quarter of an hour absolutely motionless. She was dressed in her best clothes, a bodice of crimson serge, and an orange petticoat of camelot de Hollande, the slender purse’s substitute for silk. A gauze neckerchief threw a transparent veil over the extreme décolletage of her bodice. On her head was one of the new-fashioned ténèbres, a square of black crape that tied under her chin, and took the place of a hat. She wore a velvet mask and patches, in spite of the Sumptuary Laws, which would reserve them for ladies of rank, and from behind the mask her clear gray eyes, that never smiled and seldom blinked, looked out straight in front of her. Her hands were folded on her lap. She had a remarkable gift for absolute stillness.

At the end of a quarter of an hour, she went to her mother, who was preparing a cress salad in the kitchen, and said in a quiet, tense voice:—

‘Maybe you would liefer not go to Madame Pilou’s this morning. If so, tell me, and I will abandon it,’ then, with a sudden access of fury, ‘You will make me hate you—you are for ever sacrificing matters of moment to trifles. An you were to weigh the matter rightly, my having some pleasure when I was young would seem of greater moment than there being a salad for supper!’

‘Madame Pilou dines at twelve, and it is but a bare half-hour from our house to hers, and it is now eleven,’ Madame Troqueville answered slowly, emphasising each word. ‘But we will start now without fail, if ’tis your wish, and arrive like true Provincials half an hour before we are due;’ irritation now made the words come tumbling out, one on the top of the other. Madeleine began to smile, and her mother went on with some heat, but no longer with irritation.

‘But why in the name of Jesus do you lash yourself into so strange a humour before going to old Madame Pilou’s? One would think you were off to the Palais Cardinal to wait on the Regent! She is but a plain old woman; now if she were very learned, or——’

‘Oh, mother, let her be, and go and make your toilette,’ and Madame Troqueville went off obediently to her room.

Madeleine paced about like a restive horse until her mother was ready, but did not dare to disturb her while she was dressing. It used to surprise Madeleine that she should take such trouble over such unfashionable toilettes.

It was not long before she came in quite ready. She began to put Madeleine’s collar straight, which, for some reason, annoyed Madeleine extremely. At last they were out of the house.

Madame Pilou lived on the other side of the river, in the rue Saint Antoine, so there was a good walk before Madeleine and her mother, and judging from Madeleine’s gloomy, abstracted expression, it did not promise to be a very cheerful one.

They threaded their way into the rue des Augustins, a narrow, cloistered street flanked on the left by the long flat walls of the Monastery, over which were wafted the sound of bells and the scent of early Spring. It led straight out on to the Seine and the peaceful bustle of its still rustic banks. They crossed it by the Pont-Neuf, that perennial Carnival of all that Paris held of most picturesque and most disreputable. The bombastic eloquence of the quacks extolling their panaceas and rattling their necklaces of teeth; the indescribable foulness of the topical songs in which hungry-looking bards celebrated to sweet ghostly airs of Couperin and Cambert the last practical joke played by the Court on the Town, or the latest extravagance of Mazarin; the whining litany of the beggars; the plangent shrieks of strange shrill birds caught in American forests—all these sounds fell unheard on at least one pair of ears.

On they hurried, past the booths of the jugglers and comedians and the stalls of the money-lenders, past the bronze equestrian statue of Henri IV., watching with saturnine benevolence the gambols of the Gothic vagabonds he had loved so dearly in life, cynically indifferent to the discreet threats of his rival the water-house of the Samaritaine, which, classical and chaste, hinted at a future little to the taste of the Vert Gallant and his vagabonds.

From time to time Madame Troqueville glanced timidly at Madeleine but did not like to break the silence. At last, as they walked down the right bank of the Seine, the lovely town at once substantial and aerial, taking the Spring as blithely as a meadow, filled her with such joy that she cried out:—

‘’Tis a delicate town, Paris! Are not you glad we came, my pretty one?’

‘Time will show if there be cause for gladness,’ Madeline answered gloomily.

‘There goes a fine lady! I wonder what Marquise or Duchesse she may be!’ cried Madame Troqueville, wishing to distract her. Madeleine smiled scornfully.

‘No one of any note. Did you not remark it was a hired coach? “_Les honnêtes gens_” do not sacrifice to Saint Fiacre.’

Madame Troqueville gave rather a melancholy little smile, but her own epigram had restored Madeleine, for the time being, to good humour. They talked amicably together for a little, and then again fell into silence, Madeleine wearing a look of intense concentration.

Madame Pilou’s house was on the first floor above the shop of a laundress. They were shown into her bedroom, the usual place of reception in those days. The furniture was of walnut, in the massive style of Henri IV., and covered with mustard-coloured serge. Heavy curtains of moquette kept out the light and air, and enabled the room to preserve what Madeleine called the ‘bourgeois smell.’ On the walls, however, was some fine Belgian tapestry, on which was shown, with macabre Flemish realism, the Seven Stations of the Cross. It had been chosen by the son Robert, who was fanatically devout.

Madame Pilou, dressed in a black dressing-gown lined with green plush, and wearing a chaperon (a sort of cap worn in the old days by every bourgeoise, but by that time rarely seen), was lying on the huge carved bed. Her face, with its thick, gray beard, looming huge and weather-beaten from under the tasselled canopy, was certainly very ugly, but its expression was not unpleasing. Monsieur Troqueville and Jacques had already arrived. Monsieur Troqueville was a man of about fifty, with a long beard in the doctor’s mode, a very long nose, and small, excited blue eyes, like a child’s. Jacques was rather a beautiful young man; he was tall and slight, and had a pale, pointed face and a magnificent chevelure of chestnut curls, and his light eyes slanting slightly up at the corners gave him a Faun-like look. He was a little like Madeleine, but he had a mercurial quality which was absent in her. Robert Pilou was there too, standing before the chimney-piece; he was dressed in a very rusty black garment, made to look as much like a priest’s cassock as possible. Jacques said that with his spindly legs and red nose and spectacles, he was exactly like old Gaultier-Garguille, a famous actor of farce at the theatre of the Hôtel de Bourgogne, and as the slang name for the Hôtel de Bourgogne was, for some unknown reason, the ‘Pois-Pilés,’ Jacques, out of compliment to Robert’s appearance and Madame Pilou’s beard, called their house the ‘Poil-Pilou.’