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About this book

This volume collects the sixth and final series of the Scammon Lectures, a public‑speaking program founded by the 1901 bequest of Mrs. Maria Sheldon Scammon to the Art Institute of Chicago. Delivered in March 1916 by Fitz Roy Carrington, a Boston Museum of Fine Arts specialist, the six talks trace the development of engraving and etching from their earliest surviving examples through the work of masters such as Martin Schongauer, Albrecht Dürer and later landscape etchers. The book opens with a formal statement of the lecture series’ purpose, followed by a detailed contents list that groups the material into German and Italian engraving histories, portrait masters, and a concluding survey of landscape etching. Illustrations accompany each lecture, and bibliographies prepared by the museum’s print department round out the scholarly apparatus.

Carrington’s voice is that of an early‑twentieth‑century educator: clear, modest, and intent on sharing the pleasure he finds in historic prints rather than constructing a definitive textbook. The prose is dense with art‑historical terminology, yet it remains accessible thanks to the author’s frequent references to specific plates and visual details. Readers with a keen interest in the technical evolution of printmaking, collectors of old master engravings, or students of Renaissance art will appreciate the careful blend of description, illustration, and contextual commentary that characterises these lectures.

Who appears in this book

  • Fitz Roy CarringtonMiddle‑aged male scholar in 1910s tweed jacket, round spectacles, neat beard, holding a print
  • Mrs. Maria Sheldon ScammonElegant late‑19th‑century woman in high‑necked gown, modest hat, pearls, seated with a ledger
  • Albrecht DürerRenaissance German artist, long dark hair and beard, wearing black doublet and white ruff, holding a sketch

The opening · free to read

The lectures presented in this volume comprise the twelfth series delivered at the Art Institute of Chicago on the Scammon Foundation. The Scammon Lectureship is established on an ample basis by bequest of Mrs. Maria Sheldon Scammon, who died in 1901. The will prescribes that these lectures shall be upon the history, theory, and practice of the Fine Arts (meaning thereby the graphic and plastic arts), by persons of distinction or authority on the subject on which they lecture, such lectures to be primarily for the benefit of the students of the Art Institute, and secondarily for members and other persons. The lectures are known as “The Scammon Lectures.”

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