The Last Laugh

There was a little snow on the ground, and the church clock had just struck midnight. Hampstead in the night of winter for once was looking pretty, with clean, white earth and lamps for moon, and dark sky above the lamps.

A confused little sound of voices, a gleam of hidden yellow light. And then the garden door of a tall, dark Georgian house suddenly opened, and three people confusedly emerged. A girl in a dark-blue coat and fur turban, very erect; a fellow with a little dispatch case, slouching; a thin man with a red beard, bareheaded, peering out of the gateway down the hill that swung in a curve downward toward London.

“Look at it! A new world!” cried the man in the beard ironically, as he stood on the step and peered out.

“No, Lorenzo! It’s only whitewash!” cried the young man in the overcoat. His voice was handsome, resonant, plangent, with a weary, sardonic touch.

As he turned back, his face was dark in shadow.

The girl with the erect, alert head, like a bird, turned back to the two men.

“What was that?” she asked, in her quick, quiet voice.

“Lorenzo says it’s a new world. I say it’s only whitewash,” cried the man in the street.

She stood still and lifted her woolly, gloved finger. She was deaf and was taking it in.

Yes, she had got it. She gave a quick, chuckling laugh, glanced very quickly at the man in the bowler hat, then back at the man in the stucco gateway, who was grinning like a satyr and waving good-by.

“Good-by, Lorenzo!” came the resonant, weary cry of the man in the bowler hat.

“Good-by!” came the sharp, night-bird call of the girl.

The green gate slammed, then the inner door. The two were alone in the street, save for the policeman at the corner. The road curved steeply downhill.

“You’d better mind how you step!” shouted the man in the bowler hat, leaning near the erect, sharp girl, and slouching in his walk. She paused a moment, to make sure what he had said.

“Don’t mind me, I’m quite all right. Mind yourself!” she said quickly. At that very moment he gave a wild lurch on the slippery snow, but managed to save himself from falling. She watched him, on tiptoes of alertness. His bowler hat bounced away in the thin snow. They were under a lamp near the curve. As he ducked for his hat he showed a bald spot, just like a tonsure, among his dark, thin, rather curly hair. And when he looked up at her, with his thick, black brows sardonically arched, and his rather hooked nose self-derisive, jamming his hat on again, he seemed like a satanic young priest. His face had beautiful lines, like a faun, and a doubtful, martyred expression. A sort of faun on the cross, with all the malice of the complication.

“Did you hurt yourself?” she asked, in her quick, cool, unemotional way.

“No!” he shouted derisively.

“Give me the machine, won’t you?” she said, holding out her woolly hand. “I believe I’m safer.”

“Do you want it?” he shouted.

“Yes, I’m sure I’m safer.”

He handed her the little brown dispatch case, which was really a Marconi listening machine for her deafness. She marched erect as ever. He shoved his hands deep in his overcoat pockets and slouched along beside her, as if he wouldn’t make his legs firm. The road curved down in front of them, clean and pale with snow under the lamps. A motor car came churning up. A few dark figures slipped away into the dark recesses of the houses, like fishes among rocks above a sea bed of white sand. On the left was a tuft of trees sloping upward into the dark.

He kept looking around, pushing out his finely shaped chin and his hooked nose as if he were listening for something. He could still hear the motor car climbing on to the Heath. Below was the yellow, foul-smelling glare of the Hampstead tube station. On the right the trees.

The girl, with her alert, pink-and-white face, looked at him sharply, inquisitively. She had an odd, nymphlike inquisitiveness, sometimes like a bird, sometimes a squirrel, sometimes a rabbit; never quite like a woman. At last he stood still, as if he would go no farther. There was a curious, baffled grin on his smooth, cream-colored face.

“James,” he said loudly to her, leaning toward her ear. “Do you hear somebody laughing?”

“Laughing?” she retorted quickly. “Who’s laughing?”

“I don’t know. _Somebody!_” he shouted, showing his teeth at her in a very odd way.

“No, I hear nobody,” she announced.

“But it’s most extraordinary!” he cried, his voice slurring up and down. “Put on your machine.”

“Put it on?” she retorted. “What for?”

“To see if you can hear it,” he cried.

“Hear what?”

“The laughing. Somebody laughing. It’s most extraordinary.”

She gave her odd little chuckle and handed him her machine. He held it while she opened the lid and attached the wires, putting the band over her head and the receivers at her ears, like a wireless operator. Crumbs of snow fell down the cold darkness. She switched on; little yellow lights in glass tubes shone in the machine. She was connected, she was listening. He stood with his head ducked, his hands shoved down in his overcoat pockets.

Suddenly he lifted his face and gave the weirdest, slightly neighing laugh, uncovering his strong, spaced teeth and arching his black brows, and watching her with queer, gleaming, goatlike eyes.

She seemed a little dismayed.

“There!” he said. “Didn’t you hear it?”

“I heard you!” she said, in a tone which conveyed that that was enough.

“But didn’t you hear it?” he cried, unfurling his lips oddly again.

“No!” she said.

He looked at her vindictively, and stood again with ducked head. She remained erect, her fur hat in her hand, her fine bobbed hair banded with the machine band and catching crumbs of snow, her odd, bright-eyed, deaf nymph’s face lifted with blank listening.