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The opening · free to read

Illustrated by GIUNTA

There was madness in Manhattan when Queerpants came to town!

[Transcriber's Note: This etext was produced from Infinity Science Fiction, June 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]

My wife don't believe me. That's why she made me come here, and I don't think you're gonna believe me, either, but it's the God's honest truth--and the money's mine.

Hell, I wouldn't never steal. I know there's a lotta fellas in my fix that do, but not me. I always been honest, and always got along okay.

Excuse me, but are you takin' this down just the way I'm tellin' it? Cuz I can't talk so good, ain't had much schoolin', and I want this took down just like I'm tellin' it, cuz it's gonna he hard enough to believe.

Okay, thanks.

The whole thing started yesterday mornin'. I went out early cuz my wife was sick and I wanted to try and get as much as I could by myself, in case there gonna be doctor bills. And it's a lot tougher goin' it alone, counta my wife plays the banjo, and that's a big help.

Well, the subway take on the way up from Brooklyn was pretty poor, so I got off at Columbus Circle and headed for the Park. I figgered, it bein' the Fourth of July holiday, there'd be pretty good pickin's there.

But hell, I never figgered it was gonna be that good!

I had a little trouble gettin' acrost Fifty-ninth Street--you know, where they been doin' all that diggin'?--and I took a bad spill there. My crutches slipped on that damn gravel they got spread all over the place. I don't usu'ly have trouble navigatin' that way, but this mornin' I was still kinda sleepy and wasn't watchin' myself enough.

Yeah, I went right on my ear--that's how I got this cut here. As if I ain't had enough trouble there.

This real nice guy come runnin' over and helps me up. He talked real funny, sorta with his teeth, like. I couldn't make out a thing he said. A furriner, I figgered.

Then when we get to the curb, he takes off like a bat outta hell into the park. That's when I noticed he was dressed kinda funny, too. Like the creases on his pants was on the sides, and his jacket was on backwards, and he didn't have no shoes on. Just some kinda floppy red socks, it looked like, with a lotta yella tassels on 'em.

Must be a character from the Village, I figgered. I seen a lotta queer ducks down there in my time.

Then I forgot about him, cuz I spotted a coupla young kids sittin' on the stone bench near the gate, and they looked like a good touch. So I dusts off my hat and gives 'em a try.

But they was still lookin' pop-eyed towards the park where the funny character went, and didn't give me a tumble atall. So I moved along into the park, and to hell with 'em.

There was only a coupla bums sleepin' on the benches near the gate, and I went on up the grade and around the bend. It was slow goin' uphill, and my leg was hurtin', but when I fin'ly got there, all the benches on both sides of the walk was empty.

I thought, Hell, I'm too early. But I kept on goin', even though my shoulders was startin' to hurt now. I didn't wanna grab a rest till I took in a coupla bucks, at least.

The ground levels off there, and it was easier goin', so I tried to get up a little speed, rememberin' there was a place up ahead where people always sit on the grass and get the sun.

And all the way, the benches was empty and not a soul in sight nowheres. I was thinkin' maybe there was some kinda celebratin' goin' on and I oughta been goin' up towards the Mall. But I knew it was too early for anythin' like that, so I kept on goin'.

And a damn good thing I did. Cuz when I reached that big field--you know, where the road cuts off?--there was a fair-sized crowd standin' around there.

They was all lookin' off towards the middle of the field. But I couldn't make out from where I was what was goin' on, and I didn't care much, anyways, cuz I don't care nothin' 'bout them parades and stuff. So I just started makin' my rounds.

Well, it was the damndest thing I ever seen! All them people started shellin' out soon as I came up to 'em--without even lookin' at me! I thought I was gonna pass out right there, seein' all them green-backs floppin' into my hat.

One guy threw in wallet and all!

Lookin' at these crazy people, I seen they was all talkin'. And they looked like they was talkin' to theirselves, cuz nobody turned a head, just kept starin', all glassy-eyed, like they was doped up.

The old guy that threw in his whole wallet was sayin' somethin' like: "This is the finest performance of scar-laddy I've ever heard. Positively brilliant!" There was a skinny kid standin' next to the old gent, and his lips was movin' fast. "Jeepers!" he was sayin', "real dixieland." And his buddy was standin' there, tappin' his feet and yellin', "_Hear_ that boogie beat! Man! That's Albert Ammons and Pete Johnson at their best!"

A little ways in, a fat guy, standin' on somebody's panama hat, says, "Show-pan! I just love show-pan." His big, flabby lips was slappin' together hard. The big, chesty old lady with him had one o' them little wrinkled-up mouths, and I could hardly make out what she was sayin', cuz her lips didn't hardly move at all when she talked, but it was somethin' like, "Chambah music, my deah. So lovely."

Ev'rybody's mouth was goin'--ev'rybody I looked at was sayin' somethin' about music. And they all looked like they was havin' the time of their life.

And they kept right on shellin' out as I moved along through 'em!

Then I gets to the edge of the crowd, and I spot what they're all starin' at--it's nobody but my old friend, Queerpants, the nice guy that helped me on Fifty-ninth Street when I took that spill!

He's standin' out there in the middle o' the field with his back to the crowd, wavin' his arms around like crazy. Looked just like he was leadin' a band. Queerest thing I ever seen--cuz there ain't nothin' in front o' him, exceptin' trees and grass.

A coupla minutes later, he throws his hands down, like he's stoppin' somethin', and then he turns around towards the crowd and bends over real low.

And the crowd goes nuts. Their mouths are wide open, screamin' and yellin', and they're clappin' their hands like they was at a circus or somethin'.

Queerpants bends over a couple times more, then he swings around again, sorta taps the air in front o' him, stretches his arms up over his head for a second, and then starts slingin' 'em around again.

Right away, everybody shuts their traps and goes to starin' again. They all look like they been cryin'--but happy like.

I'm standin' there, tryin' to figger how maybe it's some kinda gag, and there's maybe a band hidin' back in the trees or somethin' like that, when outta the corner o' my eye I spots this cop comin' towards me.

I ducks back into the crowd real fast and starts stuffin' all the dough into my pockets. Soon's the hat's empty, I takes a peek back through the crowd, and there's the blue-coat, rockin' back on his heels with a big grin spread on his fat face.

This, I hadda see, so I moves over, real quiet like, and his mouth is goin' like sixty. "It's the old Killarney," he's sayin', "Bejasus! Oi've niver heard the like. Me poor old mither should be here now. God bless the man!"

And all the time, the crowd's gettin' bigger and bigger. Cars stop along the road, a couple people ride over on horses, two women with baby carriages pushes in, and a big guy with glasses, carryin' about ten books, drops them on the grass and starts clenchin' his fists.

Now I see Queerpants is takin' a bow again, and ev'rybody's beatin' their hands.

The book keeps going

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