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About this book

Friedrich Schiller’s “Mary Stuart” is a historical tragedy that dramatizes the final months of the Scottish queen’s captivity in England. The play opens in the bleak chambers of Fotheringay Castle, where the keeper Hannah Kennedy and the gaoler Paulet argue over hidden jewels and secret papers, setting a tone of intrigue and confinement. Their exchange quickly introduces Mary herself, veiled and clutching a crucifix, as she petitions for a letter to her sister Elizabeth and for the comfort of a Catholic priest. The dialogue foregrounds the clash between political power and personal dignity, while the cast list, featuring Elizabeth, Robert Dudley, William Cecil and other Tudor figures, signals the broader conflict between Scotland and England that will drive the drama.

Written in the late‑18th‑century German Romantic style and rendered into English by Joseph Mellish, the text retains the elevated rhetoric and poetic cadence of its original language. Its rich, formal diction and frequent philosophical asides appeal to readers who relish classic stagecraft, historical dialogue, and the moral complexity of power struggles. Those interested in early modern European history, Shakespearean‑type tragedies, or Schiller’s exploration of liberty and conscience will find this work especially rewarding.

Characters in Mary Stuart

  • Mary StuartYoung Scottish queen, dark hair under a veil, pale skin, simple black mourning dress, clutching a crucifix
  • ElizabethQueen of England, fiery red hair, white ruff, elaborate jeweled gown, pearl necklace, regal bearing
  • Robert DudleyHandsome Tudor courtier, auburn curls, trimmed beard, fine doublet with lace cuffs, confident expression

The opening · free to read

By Frederich Schiller

NOTE: The translation of MARY STUART is that by the late Joseph Mellish, who appears to have been on terms of intimate friendship with Schiller. His version was made from the prompter's copy, before the play was published, and, like Coleridge's Wallenstein, contains many passages not found in the printed edition. These are distinguished by brackets. On the other hand, Mr. Mellish omitted many passages which now form part of the printed drama, all of which are now added. The translation, as a whole, stands out from similar works of the time (1800) in almost as marked a degree as Coleridge's Wallenstein, and some passages exhibit powers of a high order; a few, however, especially in the earlier scenes, seemed capable of improvement, and these have been revised, but, in deference to the translator, with a sparing hand.

DRAMATIS PERSONAE.

ELIZABETH, Queen of England. MARY STUART, Queen of Scots, a Prisoner in England. ROBERT DUDLEY, Earl of Leicester. GEORGE TALBOT, Earl of Shrewsbury. WILLIAM CECIL, Lord Burleigh, Lord High Treasurer. EARL OF KENT. SIR WILLIAM DAVISON, Secretary of State. SIR AMIAS PAULET, Keeper of MARY. SIR EDWARD MORTIMER, his Nephew. COUNT L'AUBESPINE, the French Ambassador. O'KELLY, Mortimer's Friend. COUNT BELLIEVRE, Envoy Extraordinary from France. SIR DRUE DRURY, another Keeper of MARY. SIR ANDREW MELVIL, her House Steward. BURGOYNE, her Physician. HANNAH KENNEDY, her Nurse. MARGARET CURL, her Attendant. Sheriff of the County. Officer of the Guard. French and English Lords. Soldiers. Servants of State belonging to ELIZABETH. Servants and Female Attendants of the Queen of Scots.

ACT I.

SCENE I.

A common apartment in the Castle of Fotheringay.

HANNAH KENNEDY, contending violently with PAULET, who is about to break open a closet; DRURY with an iron crown.

KENNEDY. How now, sir? what fresh outrage have we here? Back from that cabinet!

PAULET. Whence came the jewel? I know 'twas from an upper chamber thrown; And you would bribe the gardener with your trinkets. A curse on woman's wiles! In spite of all My strict precaution and my active search, Still treasures here, still costly gems concealed! And doubtless there are more where this lay hid.

[Advancing towards the cabinet.

KENNEDY. Intruder, back! here lie my lady's secrets.

PAULET. Exactly what I seek. [Drawing forth papers.

KENNEDY. Mere trifling papers; The amusements only of an idle pen, To cheat the dreary tedium of a dungeon.

PAULET. In idle hours the evil mind is busy.

KENNEDY. Those writings are in French.

PAULET. So much the worse! That tongue betokens England's enemy.

KENNEDY. Sketches of letters to the Queen of England.

PAULET. I'll be their bearer. Ha! what glitters here?

[He touches a secret spring, and draws out jewels from a private drawer.

A royal diadem enriched with stones, And studded with the fleur-de-lis of France.

[He hands it to his assistant.

Here, take it, Drury; lay it with the rest.

[Exit DRURY.

[And ye have found the means to hide from us Such costly things, and screen them, until now, From our inquiring eyes?]

KENNEDY. Oh, insolent And tyrant power, to which we must submit.

PAULET. She can work ill as long as she hath treasures; For all things turn to weapons in her hands.

KENNEDY (supplicating). Oh, sir! be merciful; deprive us not Of the last jewel that adorns our life! 'Tis my poor lady's only joy to view This symbol of her former majesty; Your hands long since have robbed us of the rest.

PAULET. 'Tis in safe custody; in proper time 'Twill be restored to you with scrupulous care.

KENNEDY. Who that beholds these naked walls could say That majesty dwelt here? Where is the throne? Where the imperial canopy of state? Must she not set her tender foot, still used To softest treading, on the rugged ground? With common pewter, which the lowliest dame Would scorn, they furnish forth her homely table.

PAULET. Thus did she treat her spouse at Stirling once; And pledged, the while, her paramour in gold.

KENNEDY. Even the mirror's trifling aid withheld.

PAULET. The contemplation of her own vain image Incites to hope, and prompts to daring deeds.

KENNEDY. Books are denied her to divert her mind.

PAULET. The Bible still is left to mend her heart.

KENNEDY. Even of her very lute she is deprived!

PAULET. Because she tuned it to her wanton airs.

KENNEDY. Is this a fate for her, the gentle born, Who in her very cradle was a queen? Who, reared in Catherine's luxurious court, Enjoyed the fulness of each earthly pleasure? Was't not enough to rob her of her power, Must ye then envy her its paltry tinsel? A noble heart in time resigns itself To great calamities with fortitude; But yet it cuts one to the soul to part At once with all life's little outward trappings!

PAULET. These are the things that turn the human heart To vanity, which should collect itself In penitence; for a lewd, vicious life, Want and abasement are the only penance.

KENNEDY. If youthful blood has led her into error, With her own heart and God she must account: There is no judge in England over her.

PAULET. She shall have judgment where she hath transgressed.

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