His darling sin

"That small, small, imperceptible Small talk! that cuts like powdered glass Ground in Tophana,--who can tell Where lurks the power the poison has?"

There is the desolation of riches as well as the desolation of poverty--the empty splendour of a large house in which there is no going and coming of family life, no sound of light footsteps and youthful laughter--only spacious rooms and fine furniture, and one solitary figure moving silently amidst the vacant grandeur. This sense of desolation, of a melancholy silence and emptiness, came upon Lady Perivale on her return to the mansion in Grosvenor Square, which was among the numerous good things of this world that had fallen into her lap, seven years ago, when she made one of the best matches of the season.

She had not sold herself to an unloved suitor. She had been sincerely attached to Sir Hector Perivale, and had sincerely mourned him when, after two years of domestic happiness, he died suddenly, in the prime of life, from the consequences of a chill caught on his grouse moor in Argyleshire, where he and his young wife, and a few chosen pals, made life a perpetual picnic, and knew no enemy but foul weather.

This time the enemy was Death. A neglected cold turned to pneumonia, and Grace Perivale was a widow.

"It does seem hard lines," whispered Hector, when he knew that he was doomed. "We have had such a good time, Grace; and it's rough on me to leave you."

No child had been born of that happy union, and Grace found herself alone in the world at one and twenty, in full possession of her husband's fortune, which was princely, even according to the modern standard by which incomes are measured--a fortune lying chiefly underground, in Durham coalfields, secure from change as the earth itself, and only subject to temporary diminution from strikes, or bad times. She needed a steady brain to deal with such large responsibilities, for she had not been born or reared among the affluent classes. In her father's East Anglian Rectory the main philosophy of life had been to do without things.

Her husband had none but distant relations, whom he had kept at a distance; so there were no interfering brothers or sisters, no prying aunts or officious uncles to worry her with good advice. She stood alone, with a castle on the Scottish border, round whose turrets the seamews wheeled, and at whose base the German Ocean rolled in menacing grandeur, one of the finest houses in Grosvenor Square, and an income that was described by her friends and the gossiping Press at anything you like between twenty and fifty thousand a year.

So rich, so much alone, Lady Perivale was naturally capricious. One of her caprices was to hate her castle in Northumberland, and to love a hill-side villa on the Italian Riviera, two or three miles from a small seaport, little known to travellers, save as a ragged line of dilapidated white houses straggling along the sea front, past which the Mediterranean express carried them, indifferent and unobservant, on their journey between Marseilles and Genoa.

It was Lady Perivale's whim to spend her winters in a spot unknown to Rumpelmeyer and fashion--a spot where smart frocks were out of place; where royalty-worship was impossible, since not the smallest princeling had ever been heard of there; and where for the joy of life one had only the sapphire sea and the silvery grey of the olive woods, perpetual roses, a lawn carpeted with anemones, sloping banks covered with carnations, palms, and aloes, orange and lemon trees, hedges of pale pink geranium, walls tapestried with the dark crimson of the Bougainvilliers, the delicate mauve of the wistaria; and balmy winds which brought the scent of the flowers and the breath of the sea through the open windows.

Lady Perivale came back to London in April, when the flower-girls were selling bunches of purple lilac, and Bond Street seemed as full of lemon-coloured carriages and picture-hats as if it were June. It was the pleasant season after Easter, the season of warm sunshine and cold winds, when some people wore sables and others wore lace, the season of bals blancs and friendly dinners, before the May Drawing Room and the first State concert, before the great entertainments which were to be landmarks in the history of the year.

How empty the three drawing-rooms looked, in a perspective of white and gold; how black and dismal the trees in the square, as Grace Perivale stood at one of the front windows, looking out at the smooth lawns and well-kept shrubbery, in the pale English sunlight. She thought of the ineffable blue of the Mediterranean, the grey and green and gold and purple of the olive wood, and the orange and lemon grove sloping down to the sea from her verandah, where the Safrano roses hung like a curtain of pale yellow blossom over the rustic roof.

"And yet there are people who like London better than Italy," she thought.

Two footmen came in with the tables for tea.

"In the little drawing-room," she said, waving them away from the accustomed spot.

The spaciousness of the room chilled her. The Louis Seize furniture was all white and gold and silvery blue--not too much gold. An adept in the furniture art had made the scheme of colour, had chosen the pale blues and greys of the Aubusson carpet, the silvery sheen of the satin curtains and sofa-covers. It was all pale and delicate, and intensely cold.

"My letters?" she asked, when the men were retiring.

She had slept at Dover, and had come to London by an afternoon train. She liked even the hotel at Dover better than this great house in Grosvenor Square. There she had at least the sea to look at, and not this splendid loneliness.

"Well," she thought, with a long-drawn sigh, "I must plunge into the vortex again, another mill-round of lunches and dinners, theatres and dances, park and Princes', Ranelagh and Hurlingham--the same things over and over and over and over again. But, after all, I enjoy the nonsense while I am in it, enjoy it just as much as the other people do. We all go dancing round the fashionable maypole, in and out, left hand here, right hand there, smiling, smiling, smiling, and quite satisfied while it lasts. We only pretend to be bored."

The little drawing-room--twenty feet by fifteen--looked almost comfortable. There was a bright fire in the low grate, reflected dazzlingly in turquoise tiles, and the old-fashioned bow window was filled with a bank of flowers, which shut out the view of the chimneys and the great glass roof over the stable-yard.

Lady Perivale sank into one of her favourite chairs, and poured out a cup of tea.

"Toujours cet azur banal," she said to herself, as she looked at the pale blue china, remembering a line of Coppée's. "Poor Hector chose this turquoise because he thought it suited my complexion, but how ghastly it will make me look when I am old--to be surrounded by a child-like prettiness--_vouée au bleu_, like a good little French Catholic!"

The butler came in with her letters. Three, on a silver salver that looked much too large for them.

"These cannot possibly be all, Johnson," she said; "Mrs. Barnes must have the rest."

"Mrs. Barnes says these are all the letters, my lady."

"All! There must be some mistake. You had better ask the other servants."

Her butler and her maid had been with her in Italy--no one else; the butler, elderly and devoted, a man who had grown up in the Perivale family; her maid, also devoted, a native of her father's parish, whom she had taught as a child in the Sunday school, when scarcely more than a child herself, not a very accomplished attendant for a woman of fashion, but for a parson's daughter, who wore her own hair and her own eyebrows, the country-bred girl was handy enough, nature having gifted her with brains and fingers that enabled her to cope with the complicated fastenings of modern frocks, changing every season.

Lady Perivale's letters had been accumulating for nearly a fortnight, and her intended arrival in London had been announced in the Times and a score of papers. She expected a mountain of letters and invitations, such as had always greeted her return to civilization.

Of the three letters, two were circulars from fashionable milliners. The third was from her old friend and singing mistress, Susan Rodney:--

"So glad you are coming back to town, my dear Grace. I shall call in Grosvenor Square on Wednesday afternoon on the chance of finding you.

"Ever yours affectionately,

"Sue."

Miss Rodney answered every correspondent by return of post, and never wrote a long letter.

Wednesday was Lady Perivale's afternoon at home, and this was Wednesday. A double knock resounded through the silence of the hall and staircase; and three minutes later the butler announced Miss Rodney.

"My sweet old Sue," cried Grace, "now this is really too good of you. Words can't say how glad I am to see you."

They kissed each other like sisters, and then Susan seated herself opposite her friend, and looked at her with a countenance that expressed some strong feeling, affection mingled with sorrow--or was it pity?

She was Grace's senior by more than ten years. She was good-looking in her strong and rather masculine way--her complexion of a healthy darkness, unsophisticated by pearl-powder, her features rugged, but not ugly, her eyes bright and shrewd, but capable of tenderness, her gown and hat just the right gown and hat for a woman who walked, or rode in an omnibus or a hansom.

"Well, Sue, what's the news?" asked Grace, pouring out her visitor's tea. "Is it a particularly dull season? Is nobody entertaining?"

"Oh, much as usual, I believe. I can only answer for my own friends and patronesses--mostly Bayswater way--who are as anxious as ever to get a little after-dinner music for nothing. They have to ask me to dinner, though. No nonsense about that!"

"It isn't the songs only, Sue. They want an agreeable woman who can talk well."

"Oh, I can chatter about most things; but I don't pretend to talk. I can keep the ball rolling."