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About this book

The work is a polemical essay that sets out to “vindicate” woman by dissecting what its author, Anthony M. Ludovici, calls the “positive” and “negative” types of women. From the very first page he positions himself among anti‑feminists while insisting that he harbors no prejudice against women, claiming instead a passionate admiration that refuses to reduce them to mere sweetness. He argues that the failure of earlier thinkers such as Weininger, Schopenhauer and even contemporary feminists to distinguish between women of differing vitality, health and temperament has led to unfair judgments. The opening passage maps out a sweeping critique of modern “safety‑first” attitudes, links the perceived decline of masculinity to women’s current discontent, and promises a rigorous, health‑based classification that will both indict and defend various female types.

Ludovici writes in a dense, nineteenth‑century‑influenced prose that blends philosophical argument with a literary flourish reminiscent of Hobbes, Nietzsche and Stendhal. His tone is unapologetically confrontational, peppered with long, clause‑laden sentences that demand careful reading. Readers who enjoy rigorous, historically situated gender debates, particularly those interested in early‑20th‑century anti‑feminist thought, the history of sexology, or the intellectual climate that preceded modern feminist theory, will find this text engaging. It appeals to scholars and curious general readers alike who appreciate a challenging, erudite style that refuses to soften its critique.

Opening lines

Seeing, however, that among the mal-adaptations which cause Woman’s best to manifest itself as her worst, I include lack of guidance and control from the quarter of her menfolk, I range myself naturally among the Anti-Feminists, though at the same time I most emphatically disclaim all anti-feminine prejudices. Indeed, so far from this being the case, I am a deep and passionate admirer and lover of Woman. In order to love her, however, I do not find it necessary to exalt her to a plane on which all her sturdier, more vital, and more “dangerous” characteristics are whittled down to mere sweetness.

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