The Bellamy trial

The red-headed girl sank into the seat in the middle of the first row with a gasp of relief. Sixth seat from the aisle—yes, that was right; the label on the arm of the golden-oak chair stared up at her reassuringly. Row A, seat 15, Philadelphia Planet. The ones on either side of her were empty. Well, it was a relief to know that there were four feet of space left unoccupied in Redfield, even if only temporarily. She was still shaken into breathless stupor by the pandemonium in the corridors outside—the rattling of regiments of typewriters, of armies of tickers, the shouts of infuriated denizens of telephone booths, the hurrying, frantic faces of officials, the scurrying and scampering of dozens of rusty-haired freckled-faced insubordinate small boys, whose olive-drab messenger uniforms alone saved them from extermination; the newspaper men—you could spot them at once, looking exhausted and alert and elaborately bored; the newspaper women, keen and purposeful and diverted; and above and around and below all these licensed inhabitants, the crowd—a vast, jostling, lunging beast, with one supreme motive galvanizing it to action—an immense, a devouring curiosity that sent it surging time and time again against the closed glass doors with their blue-coated guardians, fragile barriers between it and the consummation of its desire. For just beyond those doors lay the arena where the beast might slake its hunger at will, and it was not taking its frustration of that privilege amiably.

The red-headed girl set her little black-feathered hat straight with unsteady fingers. She wasn’t going to forget that crowd in a hurry. It had growled at her—actually growled—when she’d fought her way through it, armed with the magic of the little blue ticket that spelled open sesame as well as press section. Who could have believed that even curiosity would turn nice old gray-headed ladies and mild-looking gentlemen with brown moustaches and fat matrons with leather bags and thin flappers with batik scarfs into one huge ravenous beast? She panted again, reminiscently, at the thought of the way they’d shoved and squashed and kneaded—and then settled down to gratified inspection.

So this was a courtroom!

Not a very large or very impressive room, looked at from any angle. It might hold three hundred people at a pinch, and there were, conservatively, about three thousand crowding the corridors and walking the streets of Redfield in their efforts to expand its limits. Fan-shaped, with nine rows of the golden-oak seats packed with grimly triumphant humanity, the first three neatly tagged with the little white labels that metamorphosed them into the press section. Golden-oak panelling half-way up the walls, and then whitewashed plaster—rather dingy, smoky plaster, its defects relentlessly revealed by the pale autumnal sunshine flooding in through the great windows and the dome of many-coloured glass, lavish and heartening enough to compensate for much of the grimness and the grime.

Near enough for the red-headed girl to touch was a low rail, and beyond that rail a little empty space, like a stage—empty of actors, but cluttered with chairs and tables. At the back was a small platform with a great high-backed black leather chair, and a still smaller platform on a slightly lower level, with a rail about it and a much more uncomfortable-looking chair. The judge’s seat, the witness box—she gave a little sigh of pure uncontrollable excitement, and a voice next to her said affably:

“Hi! Greetings, stranger, or hail, friend, as the case may be. Can I get by you into the next seat without damaging you and those feet of yours materially?”

The red-headed girl scrambled guiltily to the offending feet, unobtrusive enough in themselves, but most obtrusively extended across the narrow passage, and turned a flushed and anxious countenance on her cheerful critic, now engaged in folding himself competently into the exiguous space provided by the golden-oak chair. A tall lanky young man, with a straight nose, mouse-coloured hair, shrewd gray eyes, and an expression that was intended to be that of a hard-boiled cynic, and that worked all right unless he grinned. He wore a shabby tweed suit, a polka-dotted tie, had three very sharp pencils, and a good-sized stack of telegraph blanks clasped to his heart. Obviously a reporter—a real reporter. The red-headed girl attempted to conceal her gold pencil and leather-bound notebook, smiling tentatively and ingratiatingly.

“Covering it for a New York paper?” inquired the Olympian one graciously.

“No,” said the red-headed girl humbly; “a Philadelphia one—the Philadelphia Planet. Is yours New York?”

“M’m—h’m—_Sphere_. Doing colour stuff?”

“Oh, I hope so,” replied the red-headed girl so fervently that the reporter looked somewhat startled. “You see, I don’t know whether it will have colour or not. I’m not exactly a regular reporter.”

“Oh, you aren’t, aren’t you? Well, if it’s no secret, just exactly what are you? A finger-print expert?”

“I’m a—a writer,” said the red-headed girl, looking unusually small and dignified. “This is my first as—assignment.” It was frightful to stammer just when you particularly wanted not to.

The real reporter eyed her severely. “A writer, hey? A real, honest-to-goodness, walking-around writer, with a fountain pen and a great big vocabulary and a world of promise and everything? Well, I’ll bet you a hot dog to a soup plate of fresh caviar that about four days from now you’ll be parading through these marble halls telling the cockeyed world that you’re a journalist.”

“Oh, I wouldn’t dare. Do all of you call yourselves journalists?”

The reporter looked as though he were about to suffocate. “Get this,” he said impressively: “The day that you hear me call myself a journalist you have my full and free permission to call me a —— Well, no, on second thought, a lady couldn’t. But if you ever call me a journalist, smile. And if you solemnly swear never to call yourself one I’ll show you the ropes a bit, because you’re a poor ignorant little writing critter that doesn’t know any better than to come to a murder trial—and besides that you have red hair. Want to know anything?”

“Oh,” cried the red-headed girl, “I didn’t know that anyone so horrid could be so nice. I want to know everything. Let’s begin at the beginning.”

“Well, in case you don’t know where you are, this is the courtroom of Redfield, county seat of Bellechester, twenty-five miles from the great metropolis of New York. And in case you’d like to know what it’s all about, it’s the greatest murder trial of the century—about every two years another one of ’em comes along. This particular one is the trial of the People versus Susan Ives and Stephen Bellamy for the wilful, deliberate, and malicious murder of Madeleine Bellamy.”

“A murder trial,” said the red-headed girl softly. “Well, I should think that ought to be about the most tremendous thing in the world.”

“Oh, you do, do you?” remarked the reporter, and for a moment it was no effort at all for him to look cynical. “Well, I’ll have you called at about seven to-morrow morning, though it’s a pity ever to wake anyone up that can have such beautiful dreams as that. The most tremendous thing in the world, says she. Well, well, well!”

The red-headed girl eyed him belligerently. “Well, yourself! Perhaps you’ll be good enough to tell me what’s more tremendous than murder.”

“Oh, you tell me!” urged the reporter persuasively.

“All right, I’ll tell you that the only story that you’re going to be able to interest every human being in, from the President of the United States to the gentleman who takes away the ashes, is a good murder story. It’s the one universal solvent. The old lady from Dubuque will be at it the first thing in the morning, and the young lady from Park Avenue will be at it the last thing at night. And if it’s a love story too, you’re lucky, because then you’ve got the combination that every really great writer that ever lived has picked out to wring hearts and freeze the marrow in posterity’s bones.”

“Oh, come! Aren’t you getting just a dash over-wrought? Every great writer? What about Wordsworth?”

“Oh, pooh!” said the red-headed girl fiercely. “Wordsworth! What about Sophocles and Euripides and Shakespeare and Browning? Do you know what ‘The Ring and the Book’ is? It’s a murder trial! What’s ‘Othello’ but a murder story? What’s ‘Hamlet’ but five murder stories? What’s ‘Macbeth’? Or ‘The Cenci’? Or ‘Lamia’? Or ‘Crime and Punishment’? Or ‘Carmen’? Or——”

“I give up,” said the reporter firmly—“or, no, wait a moment—can it be that they are murder stories? Quite a little reader in your quiet way, aren’t you?”

The red-headed girl ignored him sternly. “And do you want me to tell you why it’s the most enthralling and absorbing theme in the world? Do you?”

“No,” replied the reporter hastily. “Yes—or how shall I put it? Yes and no, let’s say.”

“It’s because it’s real,” said the red-headed girl, with a sudden startling gravity. “It’s the only thing that’s absolutely real in the world, I think. Something that makes you reckless enough not to care a tinker’s dam for your own life or another’s—that’s something to think about, isn’t it?”

“Well, yes,” said the reporter slowly. “Now that you put it that way, that’s something to think about.”

“It’s good for us, too,” said the girl, “We’re all so everlastingly canny and competent and sophisticated these days, going mechanically through a mechanical world, sharpening up our little emotions, tuning up our little sensations—and suddenly there’s a cry of ‘Murder!’ in the streets, and we stop and look back, shuddering, over our shoulder—and across us falls the shadow of a savage with a bloodstained club, and we know that it’s good and dangerous and beautiful to be alive.”

“I rather get you,” said the reporter thoughtfully. “And, strangely enough, there’s just a dash in what you say. It’s the same nice, creepy, luxurious feeling that you get when you pull up closer to a good roaring fire with carpet slippers on your feet and a glass of something hot and sweet in your hand and listen to the wind yowling outside and see the rain on the black windowpanes. Nothing in the world to make you feel warm and safe and sheltered and cozy like a good storm or a good murder—what?”

“Nothing in the world,” agreed the red-headed girl; and she added pensively, “It’s always interested me more than anything else.”

“Has it indeed? Well, don’t let it get you. I’d just keep it as a hobby if I were you. At your present gait you’re going to make some fellow an awfully happy widow one of these days. Are you a good marksman?”

“You think that murder’s frightfully amusing, don’t you?” The red-headed girl’s soft voice had a sudden edge to it.

The real reporter’s face changed abruptly. “No, I don’t,” he said shortly. “I think it’s rotten—a dirty, bloody, beastly business that used to keep me awake nights until I grew a shell over my skin and acquired a fairly workable sense of humour to use on all these clowns called human beings. Of course, I’m one of them myself, but I don’t boast about it. And if you’re suffering from the illusion that nothing shocks me, I’ll tell you right now that it shocks me any amount that a scrap of a thing like you, with all that perfectly good red hair and a rather nice arrangement in dimples, should be practically climbing over that rail in your frenzy to find out what it’s all about.”