Public-domain ebook
Down and Out in the Magic Kingdom
Language: en1,118 downloads on Project Gutenberg
Subjects
In: Science Fiction·Science-Fiction & Fantasy·Novels
Public-domain ebook sourced from Project Gutenberg #8086.
Public-domain ebook
Language: en1,118 downloads on Project Gutenberg
Subjects
In: Science Fiction·Science-Fiction & Fantasy·Novels
Public-domain ebook sourced from Project Gutenberg #8086.
Down and Out in the Magic Kingdom is a science‑fiction tale that folds the glitter of Walt Disney World into a near‑future society where death has been cured and money no longer exists. The story opens with a narrator who likens the novel to a guidebook, urging readers to wander through Tomorrowland, Frontierland and the Haunted Mansion, while the “haunted heart” of the book pulses in the eerie corridors of the Mansion itself. In this crumbling city of dreams, a man named Julius returns to the original Disney park to defend its fading human spirit against post‑human inheritors who live in a world where any desire can be simulated.
Doctorow’s voice is razor‑sharp and playful, echoing Beat‑era confidence while weaving in contemporary tech‑culture slang. The prose crackles with the same kinetic energy found in early‑2000s cyber‑punk, mixing black comedy with earnest social critique. Readers who enjoy speculative fiction that interrogates reputation economies, transhumanism, and the cultural fallout of a hyper‑connected world, especially those who appreciate a Disney‑themed backdrop, will find this novel both a thrilling ride and a thought‑provoking detour.
The opening · free to read
Imagine you woke up one day and Walt Disney had taken over the world. Not only that, but money's been abolished and somebody's developed the Cure for Death. Welcome to the Bitchun Society--and make sure you're strapped in tight, because it's going to be a wild ride. In a world where everyone's wishes can come true, one man returns to the original, crumbling city of dreams--Disney World. Here in the spiritual center of the Bitchun Society he struggles to find and preserve the original, human face of the Magic Kingdom against the young, post-human and increasingly alien inheritors of the Earth. Now that any experience can be simulated, human relationships become ever more fragile; and to Julius, the corny, mechanical ghosts of the Haunted Mansion have come to seem like a precious link to a past when we could tell the real from the simulated, the true from the false.
Cory Doctorow--cultural critic, Disneyphile, and ultimate Early Adopter --uses language with the reckless confidence of the Beat poets. Yet behind the dazzling prose and vibrant characters lie ideas we should all pay heed to. The future rushes on like a plummeting roller coaster, and it's hard to see where we're going. But at least with this book Doctorow has given us a map of the park.
Cory Doctorow is the most interesting new SF writer I've come across in years.Ê He starts out at the point where older SF writers' speculations end.Ê It's a distinct pleasure to give him some Whuffie.
Cory Doctorow rocks! I check his blog about ten times a day, because he's always one of the first to notice a major incursion from the social-technological-pop-cultural future, and his voice is a compelling vehicle for news from the future. Down and Out in The Magic Kingdom is about a world that is visible in its outlines today, if you know where to look, from reputation systems to peer-to-peer adhocracies. Doctorow knows where to look, and how to word-paint the rest of us into the picture.
Doctorow is more than just a sick mind looking to twist the perceptions of those whose realities remain uncorrupted - though that should be enough recommendation to read his work. Down and Out in the Magic Kingdom is black comedic, sci-fi prophecy on the dangers of surrendering our consensual hallucination to the regime. Fun to read, but difficult to sleep afterwards.
Douglas Rushkoff Author of Cyberia and Media Virus!
"Wow! Disney imagineering meets nanotechnology, the reputation economy, and Ray Kurzweil's transhuman future. As much fun as Neal Stephenson's Snow Crash, and as packed with mind bending ideas about social changes cascading from the frontiers of science."
Tim O'Reilly Publisher and Founder, O'Reilly and Associates
Doctorow has created a rich and exciting vision of the future, and then wrote a page-turner of a story in it. I couldn't put the book down.
Cory Doctorow is one of our best new writers: smart, daring, savvy, entertaining, ambitious, plugged-in, and as good a guide to the wired world of the twenty-first century that stretches out before us as you're going to find.
Cory Doctorow's "Down and Out in the Magic Kingdom" tells a gripping, fast-paced story that hinges on thought-provoking extrapolation from today's technical realities. This is the sort of book that captures and defines the spirit of a turning point in human history when our tools remake ourselves and our world.
Mitch Kapor Founder, Lotus, Inc., co-founder Electronic Frontier Foundation
I'm releasing the entire text of this book as a free, freely redistributable e-book. You can download it, put it on a P2P net, put it on your site, email it to a friend, and, if you're addicted to dead trees, you can even print it.
Why am I doing this thing? Well, it's a long story, but to shorten it up: first-time novelists have a tough row to hoe. Our publishers don't have a lot of promotional budget to throw at unknown factors like us. Mostly, we rise and fall based on word-of-mouth. I'm not bad at word-of- mouth. I have a blog, Boing Boing (http://boingboing.net), where I do a lot of word-of-mouthing. I compulsively tell friends and strangers about things that I like.
And telling people about stuff I like is way, way easier if I can just send it to 'em. Way easier.
What's more, P2P nets kick all kinds of ass. Most of the books, music and movies ever released are not available for sale, anywhere in the world. In the brief time that P2P nets have flourished, the ad-hoc masses of the Internet have managed to put just about everything online. What's more, they've done it for cheaper than any other archiving/revival effort ever. I'm a stone infovore and this kinda Internet mishegas gives me a serious frisson of futurosity.
Yeah, there are legal problems. Yeah, it's hard to figure out how people are gonna make money doing it. Yeah, there is a lot of social upheaval and a serious threat to innovation, freedom, business, and whatnot. It's your basic end-of-the-world-as-we-know-it scenario, and as a science fiction writer, end-of-the-world-as-we-know-it scenaria are my stock-in- trade.
I'm especially grateful to my publisher, Tor Books (http://www.tor.com) and my editor, Patrick Nielsen Hayden (http://nielsenhayden.com/electrolite) for being hep enough to let me try out this experiment.
All that said, here's the deal: I'm releasing this book under a license developed by the Creative Commons project (http://creativecommons.org/). This is a project that lets people like me roll our own license agreements for the distribution of our creative work under terms similar to those employed by the Free/Open Source Software movement. It's a great project, and I'm proud to be a part of it.
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