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OTTAWA: A. S. WOODBURN.

Entered according to Act of Parhament of Canada, in the year one thousand eight hundred and eighty-two, by A S WOODBURN, in the Office of the Minister of Agriculture and Statistics at Ottawa.

PREFACE.

In these days of plenty, when books of every subject and nature have become as commonly familiar to men as the blades of grass by the roadside, it seems superfluous to say any word of introduction or explanation on ushering a volume into the world of letters; but, lest the question arise as regards the direct intention or motive of an author, it is always safer that he make a plain statement of his object, in the preface page of his work, thus making sure that he will be rightly interpreted by his readers.

In the unpretending volume entitled "Honor Edgeworth," or "Ottawa's Present Tense," the writer has not proposed to make any display of the learning she has acquired by a few years' study, and she would therefore seek to remove, in anticipation, any impression the reader may be inclined to harbor, of her motives having been either selfish or uncharitable.

The world of art and science is already aglow with the dazzling beauty of the genius of her many patrons,--the world of letters has in our day a population as thick as the stars in the heavens, or the grains of sand on the beach--and hence it is that rivalry is almost a passé stimulant in this sphere; the heroes and heroines of the pen aim at individual, independent and not comparative, merit. In nine cases out of ten, the author of a work, apart from the gratification it gives himself to indulge his faculties, and whatever influence for better or worse his opinions may have, in the political social or religious world, knows no other aim.

In "Honor Edgeworth" the sole and sincere motive of the authoress has been to hold up to the mass the little picture of society, in one of its most marked phases, that she has sketched, as she watched its freaks and caprices from behind the scenes.

Ottawa, in this work, is taken merely as a representative of all other fashionable cities, for the simple reason that it is better known to the writer than any other city of social repute. Her object in publishing the volume at all, if not clearly defined throughout the work, may be discovered here: it is primarily, to attract the attention of those who, if they wished, could exercise a beneficial influence over the sphere in which they live, to the moral depravities that at present are allowed so passively to float on the surface of the social tide. It would with the same word appeal to the minds and hearts of those women who are satisfied to remain slaves to the exactions of an unscrupulous society, at the sacrifice of their most womanly impulses, and their noblest energies; and would also remind some reckless sons of Ottawa, of how miserably they are contributing towards the future prosperity of their country, by adopting, as the only aim of their lives, the paltry ambition of an unworthy self-indulgence.

The predominant feeling throughout the entire composition has been one of pure philanthropy, as the authoress desires to benefit her fellow-creatures, in as far as it lies in her very limited power. The book has not been composed with any other ambition than the one mentioned; it aspires to no position on the scroll as a literary work of merit; it is going forth clad in its humble garment of deficiencies and faults, to perform, if possible, the little mission appointed it. When it falls into the hands of an impartial reader, it asks only the reception and appreciation it merits, in proportion to that given by one another to society's patrons,--in other words, it would ask to be dealt with as generously as the world's sycophants deal with the faults and foibles of their fashionable friends.

Any imaginative person, choosing to use his pen, knows full well that the sensational department of letters, in our day, affords a freer and fuller scope than has ever been tolerated before; it is therefore left to the author's own choice to secure his favorites, numerously and easily, if he but pay attention to give his work the exact tinge of the "_couleur locale_" which predominates in the spot where his plot is laid; but because the eye of the critic has become familiar with such unworthy productions as these, it must scan with more eager justice any pages which are a happy exception to this miserable reality; it must not hesitate to discern whether the motive has been merely to arouse emotional tendencies, by clothing life's dangerous forms in unreal fascinations, or (where the author's hand, guided by his unsullied heart, has taken up the quill as a mighty weapon) to preserve or defend the morals of his country.

Let not the over-sinister reader censure the writer of "Honor Edgeworth" because she has appeared to him to subject to a merciless criticism, society in several of her moods; her object has not been to dwell upon the good points of her subject, for she knows too well that they will never be neglected; it is the drawbacks and the failings of the pampered goddess, Society, that need to be borne in mind and carefully dealt with, and unfortunately, in our day, her enamored victims voluntarily blindfold themselves to her evil influence, and extravagantly magnify the extent of her good.

Without another word of justification, therefore, does the authoress of this little work, send out her simple, humble donation towards the social refornation that is so sorely needed in our day.

Whether the seed be sown on fertile or on barren ground, time alone, the unraveler of all hidden truths, will tell; coming years will break the secret to the authoress as she would want to know it, in the meantime she makes her most respectful curtsey to the world of readers, wishing her humble effort a bon voyage.

It is night! Not the cold, wet, chilly night, that is settling down on the forlorn-looking city outside; not the cheerless night, that makes the news-boy gather his rags more closely about him, and stand under the projecting doorway of some dilapidated, tenantless building, as he cries "_Free Press_, only two cents:" not the awful night on which the gaunt haggard children, who thrive on starvation, crouch shiveringly around the last hissing fagot on the fire-place, with big, hungry eyes wandering over the low ceiling and the mouldy walls, or resting perchance on the wet, dirty panes, with their stuffings of tattered clothing, or gazing in a wilder longing still, on the bare shelves and the empty bread-box: Oh no! There are no such nights as these in reality; such a scene never existed out of the imaginations of men; there are no cries rending the very heavens this night for bread while handfuls are being flung to pet poodles or terriers. There are no benumbed limbs aching in the dingy corners of half-tumbled down houses, no wrinkled, aged jaws chattering, no infants moaning at their mother's breasts with cold, while many a pampered lady grows peevish and irritated, if Dobbs forgets the jars of warm water for the end of her cosy bed. Merciful God! and this is to live! But no! this is to dream!

I said it was night, so it was, but the heavy curtains were drawn, the gas was lighted, the grate-fire roared up the chimney, the lounge was supplied with its cushions, the fauteuil was drawn up to the fender-stool, the decanter and glass stood on the silver salver and in his velvet slippers and embroidered cap, Henry Rayne smoked the "pipe of peace" before his cheerful fire. As we intrude upon him in his sanctuary, he lays down his meerschaum, stretches his toasted limbs, and extending his hand touches the little silver bell on the table beside him; simultaneously, good old Mrs. Potts' slippers clap up the basement stairs, and her head popping in at the door, betrays her face full of broad smiles as she utters her well learned words of announcement.

"Is't annything ye'd be wantin sur?"

"Yes Potts," Rayne answers, still lying back among his crimson cushions, "Go and ask Fitts if he called for the mail at my office to-day. He knows what his duty is when I am not well enough to be stirring"

"Och, doan't fret Misther Rayne sur, shure he did bring the little bundles, ivery wan o' them, an' it's meself jest knows whare to lay the palm o' me hand on 'em this very minit 'idout troubln Mr. Fitts at all, at all," and away she darted again on a clatter down the inlaid passage to the letter box, and gathering up the contents, brought them back to her master's sitting-room. She was eyeing them closely as she laid them down beside him, exclaiming half audibly as she did so "Well now thin: that I may niver die iv it isn't jest the quarest thing in life!"

"What is that, Potts?" Henry Rayne asked good naturedly. "Well, yer honor," began his confiding old servant shyly, "I larned to do many's the nate job in me day, but if gettin' th' inside o' these in, 'ithout tearin' th' outsides don't bang all iver I larnt, my name's not Johanna Potts," and as she spoke she looked curiously at the bundle of letters before her. Potts' good sayings were never lost on her generous master, and this was no exception; he leaned back on his chair and fairly shook with laughter. "Why Potts:" he said at last, "You don't mean to say you never saw envelopes before they were sealed, do you?"

"Faith it's not the only thing I've lived to this 'ithout seein" Potts answered resignedly.

"Well, I must show you Potts," her master said kindly, and there and then he took the trouble to explain to good ignorant Mrs. Potts how "th' insides were got in 'ithout tearin' th' outsides," and greatly satisfied with her new information, she clattered off down stairs, shaking her head all the while, and repeating absently to herself "Well now, there's nothin' can bate 'em, nothin' at all, at all."

As soon as Henry Rayne was alone again, he poked the now smouldering fire into a bright blaze, drew his chair close to the table and began in a business-like way to break the seals of his letters and packages and as he sits in his cosy room, with the gas light falling on his pleasing face, we will take the liberty to sketch his form and features in their most natural state. They are those of a stout, well built, good humored sort of man, of about fifty, with just enough of the "silver threads" among his curly black locks to show that he had met with a little of the tear and wear of life--just a few lines of sadness on his clean shaved face, but for all that, looking the jolly, good sort of fellow that everyone acknowledged him to be, with a tender heart and a ready hand for the unfortunate, always honest and upright, yet thoroughly practical and business-like in all his undertakings. Henry Rayne was descended from a good old English family, whose name he bore proudly and honorably, and many an interesting anecdote he was wont to tell at his dinner table of the "Stephens," "Edwards," and "Henrys," of the bygone generations of "Raynes."

With his private life was connected a sad little secret. He had been a young man in his day, and the charms of the weaker sex had not fallen vainly on his susceptible soul, oh dear no! Henry Rayne had loved once, earnestly and well, and had offered his proud name and comfortable fortune to the object of his devotion, but though he, to day, was the same hale hearty Henry Rayne of the past, the young bud he had cherished so fondly, lay withered in the churchyard far away in old England. Death had come between them, and in the grief that followed, Rayne outlived his susceptibilities, preferring to dwell fondly on the memory of the old tie, than to reopen his heart to any new appeal. But a day came when Henry Rayne had to incline his ear again to the winning voice of a woman, when his forced indifference had to give place to the old warmth and the old enthusiasm, when the withering heart revived and bloomed afresh under the tender influence of a woman's smile, a woman's care and a woman's sympathy. Of the causes of this happy revival we will have to deal in the course of our narrative. Let us return to the scene by the fireside where Henry Rayne sits opening his letters.

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