Reminiscent Poems Part 3 From Volume II of The Works of John Greenleaf Whittier

A beautiful and happy girl, With step as light as summer air, Eyes glad with smiles, and brow of pearl, Shadowed by many a careless curl Of unconfined and flowing hair; A seeming child in everything, Save thoughtful brow and ripening charms, As Nature wears the smile of Spring When sinking into Summer's arms.

A mind rejoicing in the light Which melted through its graceful bower, Leaf after leaf, dew-moist and bright, And stainless in its holy white, Unfolding like a morning flower A heart, which, like a fine-toned lute, With every breath of feeling woke, And, even when the tongue was mute, From eye and lip in music spoke.

How thrills once more the lengthening chain Of memory, at the thought of thee! Old hopes which long in dust have lain Old dreams, come thronging back again, And boyhood lives again in me; I feel its glow upon my cheek, Its fulness of the heart is mine, As when I leaned to hear thee speak, Or raised my doubtful eye to thine.

I hear again thy low replies, I feel thy arm within my own, And timidly again uprise The fringed lids of hazel eyes, With soft brown tresses overblown. Ah! memories of sweet summer eves, Of moonlit wave and willowy way, Of stars and flowers, and dewy leaves, And smiles and tones more dear than they!

Ere this, thy quiet eye hath smiled My picture of thy youth to see, When, half a woman, half a child, Thy very artlessness beguiled, And folly's self seemed wise in thee; I too can smile, when o'er that hour The lights of memory backward stream, Yet feel the while that manhood's power Is vainer than my boyhood's dream.

Years have passed on, and left their trace, Of graver care and deeper thought; And unto me the calm, cold face Of manhood, and to thee the grace Of woman's pensive beauty brought. More wide, perchance, for blame than praise, The school-boy's humble name has flown; Thine, in the green and quiet ways Of unobtrusive goodness known.

And wider yet in thought and deed Diverge our pathways, one in youth; Thine the Genevan's sternest creed, While answers to my spirit's need The Derby dalesman's simple truth. For thee, the priestly rite and prayer, And holy day, and solemn psalm; For me, the silent reverence where My brethren gather, slow and calm.

Yet hath thy spirit left on me An impress Time has worn not out, And something of myself in thee, A shadow from the past, I see, Lingering, even yet, thy way about; Not wholly can the heart unlearn That lesson of its better hours, Not yet has Time's dull footstep worn To common dust that path of flowers.

Thus, while at times before our eyes The shadows melt, and fall apart, And, smiling through them, round us lies The warm light of our morning skies,-- The Indian Summer of the heart! In secret sympathies of mind, In founts of feeling which retain Their pure, fresh flow, we yet may find Our early dreams not wholly vain 1841.

RAPHAEL.

Suggested by the portrait of Raphael, at the age of fifteen.

I shall not soon forget that sight The glow of Autumn's westering day, A hazy warmth, a dreamy light, On Raphael's picture lay.

It was a simple print I saw, The fair face of a musing boy; Yet, while I gazed, a sense of awe Seemed blending with my joy.

A simple print,--the graceful flow Of boyhood's soft and wavy hair, And fresh young lip and cheek, and brow Unmarked and clear, were there.

Yet through its sweet and calm repose I saw the inward spirit shine; It was as if before me rose The white veil of a shrine.

As if, as Gothland's sage has told, The hidden life, the man within, Dissevered from its frame and mould, By mortal eye were seen.

Was it the lifting of that eye, The waving of that pictured hand? Loose as a cloud-wreath on the sky, I saw the walls expand.

The narrow room had vanished,--space, Broad, luminous, remained alone, Through which all hues and shapes of grace And beauty looked or shone.

Around the mighty master came The marvels which his pencil wrought, Those miracles of power whose fame Is wide as human thought.

There drooped thy more than mortal face, O Mother, beautiful and mild Enfolding in one dear embrace Thy Saviour and thy Child!

The rapt brow of the Desert John; The awful glory of that day When all the Father's brightness shone Through manhood's veil of clay.

And, midst gray prophet forms, and wild Dark visions of the days of old, How sweetly woman's beauty smiled Through locks of brown and gold!

There Fornarina's fair young face Once more upon her lover shone, Whose model of an angel's grace He borrowed from her own.

Slow passed that vision from my view, But not the lesson which it taught; The soft, calm shadows which it threw Still rested on my thought:

The truth, that painter, bard, and sage, Even in Earth's cold and changeful clime, Plant for their deathless heritage The fruits and flowers of time.

We shape ourselves the joy or fear Of which the coming life is made, And fill our Future's atmosphere With sunshine or with shade.

The tissue of the Life to be We weave with colors all our own, And in the field of Destiny We reap as we have sown.

Still shall the soul around it call The shadows which it gathered here, And, painted on the eternal wall, The Past shall reappear.

Think ye the notes of holy song On Milton's tuneful ear have died? Think ye that Raphael's angel throng Has vanished from his side?

Oh no!--We live our life again; Or warmly touched, or coldly dim, The pictures of the Past remain,--- Man's works shall follow him! 1842.

EGO.

WRITTEN IN THE ALBUM OF A FRIEND.

On page of thine I cannot trace The cold and heartless commonplace, A statue's fixed and marble grace.

For ever as these lines I penned, Still with the thought of thee will blend That of some loved and common friend,

Who in life's desert track has made His pilgrim tent with mine, or strayed Beneath the same remembered shade.

And hence my pen unfettered moves In freedom which the heart approves, The negligence which friendship loves.

And wilt thou prize my poor gift less For simple air and rustic dress, And sign of haste and carelessness?

Oh, more than specious counterfeit Of sentiment or studied wit, A heart like thine should value it.

Yet half I fear my gift will be Unto thy book, if not to thee, Of more than doubtful courtesy.

A banished name from Fashion's sphere, A lay unheard of Beauty's ear, Forbid, disowned,--what do they here?