Storieta
English
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About this book

Enquire Within Upon Everything is a Victorian‑era handbook of wordplay, presenting a sprawling collection of riddles, charades, cryptograms and related puzzles. The book opens with a terse list of seemingly random syllables, “H alibu t, A llegr o, V er b…”, which quickly gives way to a detailed explanation of how to construct a “poetical charade”: a word whose individual syllables each serve as separate nouns, then recombine into a new meaning. An illustrative example follows, guiding the reader through a lyrical riddle that resolves to the word “ear‑ring.” After the charade, the author expands the discussion to acted charades, offers a massive alphabetical inventory of admissible words, and proceeds to sections on chronograms, conundrums, cryptography, decapitations and other verbal tricks. The text is organized as a practical reference, each entry accompanied by concise rules and occasional literary quotations, making it a self‑contained manual for anyone who wishes to generate or solve such puzzles.

The voice is unmistakably Victorian, marked by formal diction, exhaustive enumeration, and a didactic tone that assumes a cultured, middle‑class readership. Its style blends instructional prose with occasional poetic excerpts, reflecting the period’s fascination with intellectual amusement and genteel salon entertainment. Readers who enjoy the meticulous logic of 19th‑century puzzle compendia, lovers of antiquarian games, or anyone curious about the era’s approach to wordcraft will find this volume both a useful resource and an entertaining glimpse into the pastime of the drawing‑room.

The opening · free to read

The following brief rules are suggested, in a hope to show the way to a more constant, easy, and friendly intercourse amongst friends, the writer feeling convinced that society is equally beneficial and requisite--in fact, that mankind in seclusion, like the sword in the scabbard, often loses polish, and gradually rusts.

RULE I. That meetings be held in rotation at each member's house, for the enjoyment of conversation; music, grave and gay; dancing, gay only; and card-playing at limited stakes.

RULE II. That such meetings commence at seven and end about or after twelve, and that members and guests be requested to remember that punctuality has been called the politeness of kings.

RULE III. That as gentlemen are allowed for the whole season to appear, like the raven, in one suit, ladies are to have the like privilege; and that no lady be allowed to quiz or notice the habits of another lady; and that demi-toilette in dress be considered the better taste in the family circle; not that the writer wishes to raise or lower the proper standard of ladies' dress, which ought to be neither too high nor too low, but at a happy medium.

RULE IV. That any lady infringing the last rule be liable to reproof by the oldest lady present at the meeting, if the oldest lady, like the oldest inhabitant, can be discovered.

RULE V. That every member or guest, be requested to bring with them their own vocal, instrumental, or dance music, and take it away with them, if possible, to avoid loss and confusion.

RULE VI. That no member or guest, able to sing, play, or dance, refuse, unless excused by medical certificate; and that no cold or sore throat be allowed to last more than a week.

RULE VII. That as every member or guest known to be able to sing, play, or dance, is bound to do so if requested, the performer (especially if timid) is to be kindly criticized and encouraged; it being a fact well known, that the greatest masters of an art are always the most lenient critics, from their deep knowledge of the feeling, intelligence, and perseverance required to at all approach perfection.

RULE VIII. That gentlemen present do pay every attention to ladies, especially visitors; but such attention is to be general, and not particular--for instance, no gentleman is to dance more than three times with one lady during the evening, except in the case of lovers, privileged to do odd things during their temporary lunacy, and also married couples, who are expected to dance together at least once during the evening, and oftener if they please.

RULE IX. That to avoid unnecessary expense, the refreshments be limited to cold meat, sandwiches, bread, cheese, butter, vegetables, fruits, tea, coffee, negus, punch, malt liquors, &c., &c.

RULE X. That all personal or face-to-face laudatory speeches (commonly called toasts, or, as may be, roasts) be for the future forbidden, without permission or inquiry, for reasons following:--That as the family circle includes bachelors and spinsters, and he, she, or they may be secretly engaged, it will be therefore cruel to excite hopes that may be disappointed; and that as some well-informed Benedick of long experience may after supper advise the bachelor to find the way to woman's heart--_vice versa_, some deep-feeling wife or widow, by "pity moven," may, perhaps, after supper advise the spinster the other way, which, in public, is an impropriety manifestly to be avoided.

RULE XI. (suggested by a lady). That any lady, after supper, may (if she please) ask any gentleman apparently diffident, or requiring encouragement, to dance with her, and that no gentleman can of course refuse so kind a request.

RULE XII. That no gentleman be expected to escort any lady home on foot beyond a distance of three miles, unless the gentleman be positive and the lady agreeable.

RULE THE LAST. That as the foregoing remarks and rules are intended, in perfect good faith and spirit, to be considered general and not personal, no umbrage is to be taken, and the reader is to bear in mind the common and homely saying,--

"Always at trifles scorn to take offence, It shows great pride and very little sense."

P.S.--To save trouble to both parties, this invitation be deemed accepted, without the necessity to reply, unless refused within twenty-four hours.

46. Evening Pastimes.

Among the innocent recreations of the fireside, there are few more commendable and practicable than those afforded by what are severally termed Anagrams, Arithmorems, Single and Double Acrostics, Buried Cities, &c., Charades, Conundrums, Cryptographs, Enigmas, Logogriphs, Puzzles, Rebuses, Riddles, Transpositions, &c. Of these there are such a variety, that they are suited to every capacity; and they present this additional attraction, that ingenuity may be exercised in the invention of them, as well as in their solution. Many persons who have become noted for their literary compositions may date the origin of their success to the time when they attempted the composition of a trifling enigma or charade.

47. Acrostics.

The acrostic is a short poem in which the first letters of each line, read collectively, form a name, word, or sentence. The word comes from the Greek akros, extreme, and stichos, order or line. The acrostic was formerly in vogue for valentine and love verses. When employed as a riddle it is called a Rebus, which see.

[AS A MAN LIVES, SO SHALL HE DIE.]

48. Acrostics (Double).

This very fashionable riddle is a double Rebus, the initial and final letters of a word or words selected making two names or two words. The usual plan is to first suggest the foundation words, and then to describe the separate words, whose initials and finals furnish the answer to the question. Thus:

A Party to charm the young and erratic-- But likely to frighten the old and rheumatic.

1 The carriage in which the fair visitants came:

2 A very old tribe with a very old name;

3 A brave Prince of Wales free from scandal or shame.

The answer is Picnic.

49. Acrostics (Triple)

are formed on the same plan, three names being indicated by the initial, central, and final letters of the selected words.

Words Transpositions

Astronomers............ No more stars. Catalogues..............Got as a clue. Elegant ................Neat leg. Impatient...............Tim in a pet. Immediately.............I met my Delia. Masquerade .............Queer as mad. Matrimony...............Into my arm. Melodrama...............Made moral. Midshipman..............Mind his map. Old England.............Golden land. Parishioners............I hire parsons. Parliament..............Partial men. Penitentiary............Nay I repeat it. Presbyterian............Best in prayer. Radical Reform..........Rare mad frolic. Revolution..............To love ruin. Sir Robert Peel.........Terrible poser. Sweetheart..............There we sat. Telegraphs..............Great helps.

51. Arithmorems.

This class of riddle is of recent introduction. The Arithmorem is made by substituting figures in a part of the word indicated, for Roman numerals. The nature of the riddle--from the Greek arithmos, number, and the Latin remanere, back again--will be easily seen from the following example, which is a double Arithmorem:

H 51 and _a tub_--a fine large fish. A 100 and _gore_--a sprightly movement in music. R 5 and _be_--a part of speech. U 551 and _as and_--a Spanish province. To 201 and _ran_--a stupefying drug. R 102 and _nt_--an acid. OU 250 and _pap_--a Mexican town.

The answer is Havanna--Tobacco. _H_alibu_t_, _A_llegr_o_, _V_er_b_, _A_ndalusi_a_, _N_arcoti_c_, _N_itri_c_, _A_capulc_o_.

The breath of the morning is sweet; The earth is bespangled with flowers, And buds in a countless array Have ope'd at the touch of the showers. The birds, whose glad voices are ever A music delightful to hear, Seem to welcome the joy of the morning, As the hour of the bridal draws near. What is that which now steals on my first, Like a sound from the dreamland of love, And seems wand'ring the valleys among, That they may the nuptials approve? 'Tis a sound which my second explains, And it comes from a sacred abode, And it merrily trills as the villagers throng To greet the fair bride on her road. How meek is her dress, how befitting a bride So beautiful, spotless, and pure! When she weareth my second, oh, long may it be Ere her heart shall a sorrow endure. See the glittering gem that shines forth from her hair-- 'Tis my whole, which a good father gave; Twas worn by her mother with honour before-- But she sleeps in peace in her grave. Twas her earnest request, as she bade them adieu, That when her dear daughter the altar drew near, She should wear the same gem that her mother had worn When she as a bride full of promise stood there.

The answer is Ear-ring. The bells ring, the sound steals upon the ear, and the bride wears an ear ring. Charades may be sentimental or humorous, in poetry or prose; they may also be acted, in which manner they afford considerable amusement.

53. Charades (Acted).

A drawing room with folded doors is the best for the purpose. Various household appliances are employed to fit up something like a stage, and to supply the fitting scenes. Characters dressed in costumes made up of handkerchiefs, coats, shawls, table-covers, &c., come on and perform an extempore play, founded upon the parts of a word, and its whole, as indicated already. For instance, the events explained in the poem given might be _acted_--glasses might be rung for bells--something might be said in the course of the dialogues about the sound of the bells being delightful to the ear; there might be a dance of the villagers, in which a ring might be formed; a wedding might be performed, and so on: but for acting charades there are many better words, because Ear-ring could with difficulty be represented without at once betraying the meaning. There is a little work entitled "Philosophy and Mirth united by Pen and Pencil," and another work, "Our Charades; and How we Played Them," [1] by Jean Francis, which supply a large number of these Charades. But the following is the most extensive list of words ever published upon which Charades may be founded:

[Note: hyphen added to Art less, Bar rack]

[Footnote 1: "Philosophy and Mirth, united by Pen and Pencil," One Shilling.

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