Storieta
English
Save & sign up

About this book

Tales of Old Japan is a collection of Japanese legends, folk tales, and moral sermons assembled by Lord Redesdale, a former British diplomat who spent several years in the Japanese legation in the 1860s. The volume opens with a detailed preface in which Redesdale explains his aim to preserve a “curious and fast disappearing civilization” by translating stories that span the social spectrum, from samurai and gōshi to eta maidens and humble artisans. He notes that the illustrations are genuine Japanese wood‑cuts, and that the work includes both well‑known narratives such as the Forty‑seven Rōnin and more obscure episodes like the tale of the Foxes’ Wedding. The introductory material also situates the stories within the recent upheavals of the Meiji Restoration, suggesting that the book captures a moment when the old feudal order was still vivid in everyday life.

The voice is that of a Victorian‑era scholar‑traveler, earnest and occasionally self‑conscious about the difficulty of rendering Japanese names and customs for a Western audience. The prose is formal, rich in descriptive detail, and interspersed with footnotes that explain cultural terms. Readers who enjoy immersive historical anthologies, especially those interested in early Western interpretations of Japanese folklore and the social hierarchy of the Edo period, will find this work rewarding. Its blend of narrative variety and scholarly commentary appeals to lovers of comparative mythology, cultural history, and the romantic aura of 19th‑century travel literature.

The opening · free to read

In the Introduction to the story of the Forty-seven Rônins, I have said almost as much as is needful by way of preface to my stories.

Those of my readers who are most capable of pointing out the many shortcomings and faults of my work, will also be the most indulgent towards me; for any one who has been in Japan, and studied Japanese, knows the great difficulties by which the learner is beset.

For the illustrations, at least, I feel that I need make no apology. Drawn, in the first instance, by one Ôdaké, an artist in my employ, they were cut on wood by a famous wood-engraver at Yedo, and are therefore genuine specimens of Japanese art. Messrs. Dalziel, on examining the wood blocks, pointed out to me, as an interesting fact, that the lines are cut with the grain of the wood, after the manner of Albert Dürer and some of the old German masters,--a process which has been abandoned by modern European wood-engravers.

It will be noticed that very little allusion is made in these Tales to the Emperor and his Court. Although I searched diligently, I was able to find no story in which they played a conspicuous part.

Another class to which no allusion is made is that of the Gôshi. The Gôshi are a kind of yeomen, or bonnet-lairds, as they would be called over the border, living on their own land, and owning no allegiance to any feudal lord. Their rank is inferior to that of the Samurai, or men of the military class, between whom and the peasantry they hold a middle place. Like the Samurai, they wear two swords, and are in many cases prosperous and wealthy men claiming a descent more ancient than that of many of the feudal Princes. A large number of them are enrolled among the Emperor's body-guard; and these have played a conspicuous part in the recent political changes in Japan, as the most conservative and anti-foreign element in the nation.

With these exceptions, I think that all classes are fairly represented in my stories.

The feudal system has passed away like a dissolving view before the eyes of those who have lived in Japan during the last few years. But when they arrived there it was in full force, and there is not an incident narrated in the following pages, however strange it may appear to Europeans, for the possibility and probability of which those most competent to judge will not vouch. Nor, as many a recent event can prove, have heroism, chivalry, and devotion gone out of the land altogether. We may deplore and inveigh against the Yamato Damashi, or Spirit of Old Japan, which still breathes in the soul of the Samurai, but we cannot withhold our admiration from the self-sacrifices which men will still make for the love of their country.

The first two of the Tales have already appeared in the Fortnightly Review, and two of the Sermons, with a portion of the Appendix on the subject of the Hara-Kiri, in the pages of the Cornhill Magazine. I have to thank the editors of those periodicals for permission to reprint them here.

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from The Adventures of Sherlock HolmesIllustrated scene from FrankensteinIllustrated scene from The Great Gatsby

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.