Storieta
English
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About this book

This volume collects the later correspondence of Ludwig van Beethoven, spanning the years 1790‑1826, and opens with a series of letters that reveal the composer’s relentless involvement in the practicalities of his musical life. The first entry is a brisk, almost comic note to a “musical friend in Silesia” requesting the purchase of Mozart scores, followed by a succession of missives to friends, patrons, and servants concerning everything from the price of printed works to the education of a young violinist, the logistics of housing a pupil, and the procurement of a piano treatise. The documents are interspersed with footnotes that identify the individuals named, such as Carl Maria Bocklet, Carl Czerny, and the baroness Dorothea von Ertmann, providing a vivid snapshot of Beethoven’s network and his often demanding, humor‑tinged style of communication.

The letters are written in Beethoven’s own German, translated into English, and retain the informal, urgent tone of a man who mixes business, personal affection, and occasional sarcasm. Their style ranges from terse directives (“presto, prestissimo!”) to more elaborate, reflective passages that hint at his artistic philosophy and personal insecurities. Readers with an interest in music history, 19th‑century cultural exchange, or the everyday realities behind a great composer’s genius will find these documents especially rewarding, as they illuminate the human side of a figure usually known only for his monumental scores.

Who appears in Beethoven's Letters 1790-1826, Volume 2

  • Ludwig van BeethovenMiddle‑aged man with wild hair, intense eyes, wearing a dark frock coat and cravat, early 19th‑century German attire
  • Carl CzernyYoung pianist with tidy sideburns, neat hair, in a light tailcoat and waistcoat, holding a sheet of music
  • Baroness Dorothea von ErtmannElegant aristocratic woman, hair styled in an updo, wearing a high‑necked empire dress with delicate lace trim

The opening · free to read

No. 3--I mean the enclosed note--is from a musical friend in Silesia, not a rich man, for whom I have frequently had my scores written out. He wishes to have these works of Mozart in his library; as my servant, however, has the good fortune, by the grace of God, to be one of the greatest blockheads in the world (which is saying a good deal), I cannot make use of him for this purpose. Be so kind therefore as to send to Herr ---- (for the Generalissimus can have no dealings with a petty tradesman), and desire him to write down the price of each work and send it to me with my two scores in A, and also an answer to my injunction about Ertmann, as early to-day as you can (presto, prestissimo!)--_nota bene_, the finale to be a march in double-quick time. I recommend the best execution of these orders, so that no further obstacle may intervene to my recovery.

The Lieutenant-General is requested to send his Diabolum, that I may tell him myself my opinion of the "Battle," which is printed in the vilest manner. There is much to be altered.

THE G----S.

218.

TO TOBIAS HASLINGER.

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