
Public-domain ebook
The Life of Ludwig van Beethoven, Volume III
Language: en1,374 downloads on Project Gutenberg
Subjects
In: Biographies·History - European·History - Modern (1750+)
Public-domain ebook sourced from Project Gutenberg #43593.

Public-domain ebook
Language: en1,374 downloads on Project Gutenberg
Subjects
In: Biographies·History - European·History - Modern (1750+)
Public-domain ebook sourced from Project Gutenberg #43593.
The work is a scholarly biography of Ludwig van Beethoven by Alexander Wheelock Thayer, presented in a multi‑chapter format that chronicles the composer’s later years in meticulous detail. The opening sections already map out a dense itinerary of legal battles, publishing negotiations, and personal crises, from the costly victory over his nephew’s guardianship to the tangled finances surrounding the Mass in D and the Ninth Symphony. Thayer’s narrative is anchored in primary documents, court records, letters, diary entries, and proceeds chronologically, offering readers a granular view of Beethoven’s professional and domestic entanglements as they unfolded between 1819 and his final days.
Thayer writes in the measured, documentary style of mid‑19th‑century American scholarship, blending factual exposition with occasional interpretive commentary. His prose is dense but clear, reflecting the era’s penchant for exhaustive footnotes and a reverent tone toward its subject. Readers who relish rigorous historical research, enjoy primary‑source immersion, and have a patience for lengthy, detail‑rich accounts of a composer’s life will find this biography rewarding.
The opening · free to read
The Contest for the Guardianship of Nephew Karl--The Conversation Books--A Wedding Song--In Travail with the Mass--The Year 1819.
The key-note for much that must occupy us in a survey of the year 1819 is sounded by A New Year’s Greeting to Archduke Rudolph. Beethoven invokes all manner of blessings on the head of his pupil and patron and, begging a continuance of gracious benevolences for himself, sets forth a picture of his unhappy plight.
A terrible occurrence has recently taken place in my family affairs which for a time robbed me of all my reasoning powers; and to this must be charged the circumstance that I have not called upon Y. R. H. in person nor made mention of the masterly Variations of my highly honored and exalted pupil, the favorite of the Muses. I do not dare to express either by word of mouth or in writing my thanks for the surprise and favor with which I have been honored, inasmuch as I occupy much too humble a position, nor dare I, much as I would like and ardently as I long to do so, requite like with like.
A little boy of eleven years runs away from his uncle to his indulgent mother whom he, for months at a time, has not been allowed to see, although both live within the same city limits. What else could be expected than that this should now and then occur? What should be thought of the child’s heart if it did not? And when it did, who but Beethoven would have felt more than a passing disturbance of his equanimity at an offense so natural under the circumstances? But to him it was a “terrible occurrence” which for a space robbed him of his reason. No one of ordinary sensibilities can read the story without strong feelings of compassion for him--not that the boy’s freak was in any sense in itself a grievous misfortune, but because the uncle’s sufferings occasioned by it were so real and intense.
There is no reason to doubt the mother’s assertion that she sent the child back through the intervention of the police, for this was clearly her best policy, more especially because she and her advisers found in the incident a wished-for occasion to renew her petition to have her son admitted into the R. I. Convict. It was this petition, enforced by Hotschevar’s long paper and its accompanying documents, which had led to the question of Beethoven’s right to have his case tried by the tribunal of the nobility, and the negative decision which transferred the whole matter to the City Magistracy. At this point a few official data are wanting, and the suspension of Beethoven from the guardianship of his nephew can only be stated as having been determined by the magistrates immediately after the beginning of the new year, and that, in consequence of this, the boy was for a few weeks with his mother. On January 10, Fanny Giannatasio writes in her diary: “What Müller tells me about Beethoven pains me deeply. The wicked woman has finally succeeded in triumphing over him. He has been removed from the guardianship[1] and the wicked son returns to the source of his wickedness. I can imagine Beethoven’s grief. It is said that since yesterday he has been entirely alone and eats apart from the others. He ought to know that Karl is glad to be with his mother; it would ease the pain of the separation.”
[Sidenote: BEETHOVEN’S APPEAL TO THE MAGISTRACY]
On January 7 the magistrates summoned Beethoven (who still lived in the Gärtnergasse), the boy, the mother, Hotschevar and the curator, Dr. Schönauer, to appear before them on January 11. Of what action was taken that day there is no record, but Hotschevar’s attack brought out a vigorous defense in the shape of a letter sent by Beethoven to the Magistracy,[2] in which he maintained the superiority of the educational plan which he was pursuing over that which had been proposed by the mother, proclaimed the magnanimity and virtuousness of all his acts and discharged a broadside of accusation and insinuation against Madame van Beethoven and the priest who had come to her help. We can make room for only a few passages:
His exceptional capacity, and partly also his peculiarities, call for exceptional measures; and I never did a more beneficial or magnanimous act than when I took my nephew to myself and personally assumed charge of his education. Seeing that (according to Plutarch) a Philip did not think it beneath his dignity to direct the education of his son Alexander and give him the great Aristotle for a teacher because he did not consider the ordinary teachers suitable, and a Laudon looked after the education of his son himself, why should not such beautiful and sublime examples be followed by others? Already during his lifetime his father entrusted my nephew to me and I confess that I feel myself better fitted than anybody else to incite my nephew to virtue and industry by my own example.
Had the mother been able to subdue her wicked disposition and permitted my plans to take their quiet development a very favorable result would have followed; but when a mother of this sort seeks to involve her child in the secrets of her own vulgar and evil surroundings, and in his tender years (a plague for children!!!) leads aim astray to deception, to bribery of my servants, to untruthfulness, by laughing at him when he tells the truth, yes, even giving him money to awaken in him lusts and desires which are harmful, tells him that things are trifles which in me and others would be accounted grave faults, the already difficult task becomes more difficult and dangerous.
Gifts of fortune may be acquired; morality must be implanted early, particularly when a child has had the misfortune to suck in such mother’s milk, was in her care for several years, was put to thoroughly bad uses, even had to help deceive his father. Furthermore he will inherit from me and even now I could leave him enough to keep him from want while continuing his studies until he should receive an appointment. We need only quiet and no more interference from the mother, and the beautiful goal which I have set will be attained.
Ought I now to reply to the intrigues of a Mr. Courtscrivener Hotschowa [Hotschevar] against me, or to the priest of Mödling, who is despised by his congregation, who is suspected of being guilty of illicit intercourse, who lays his pupils military fashion on a form to be thrashed and could not forgive me because I kept watch on him and would not permit my nephew to be caned like a _brute_--ought I? No; the association of these men with Madame van Beethoven bears witness against them both, and only such could make common cause with Madame van Beethoven against me.
Beethoven accompanied this address with a private letter presumably to Dr. Tschiska (or Tschischka), an official of the Magistracy, in which he said:
I am not a guardian from self-interest, but I want to rear a new monument to myself in my nephew. I do not need my nephew, but he needs me. Gossip, calumny, are beneath the dignity of a man who is raising himself up! What is to be done when they even touch the laundry!?!? I might be very sensitive, but the just man must be able to endure injustice without departing an iota from the right. In this sense I shall endure every trial, nothing shall shake my resolution. A great responsibility would be incurred were my nephew to be wholly withdrawn from me; moral and even political consequences would follow to him. I commend him to you and appeal to your heart for his welfare. My actions must commend me for his sake, not mine.
We do not know the particulars, but for the present Beethoven retained the right to look after the further education of the boy; the right, at least, was not judicially taken away from him or given to another. He did not send him again to a public school, but engaged a private tutor under whose care he continued his studies in an institute conducted by Joseph Kudlich, of whom he spoke in great praise. Besides the ordinary subjects, he received instruction in French, drawing and music; his religious training was entrusted to a priest. This state of affairs lasted till the end of March, when he announced a desire to resign the guardianship--persuaded to take this step, it is fair to presume, by the magistrates who, in the end, would have been obliged to remove him. Karl was living with his mother at the time. According to the court records, Beethoven left the matter of education “entirely to Kudlich,” with whom (if a passage in one of the Conversation Books is read correctly) he seems also to have lived temporarily, and it was given to him to propose the name of a guardian, either in place of himself or as an associate. He consulted earnestly with his friends as to what was to be done with the boy and who should be his guardian, and those friends were sorely tried by his constitutional indecision. In these consultations, the project of sending the boy away from Vienna, and the name of Sailer, were mooted.[3] “What must be done,” Bernard says, “is to select as guardian a man who has your entire confidence both as respects morality and pedagogical skill, and with whom you may always remain on friendly terms concerning the affair. Since Kudlich has more influence on Karl than Giannatasio, it is my opinion that you seek no further for someone who would meet every requirement.--It would merely be very troublesome for you.” Beethoven seems to be in doubt; he had a preference for his friend the magisterial Councillor Tuscher, and the project of sending him to Sailer in Landshut appealed to him. Bernard says again: “If you want peace of mind I think it wise that you name a guardian as you were willing to do yesterday. But if it is possible to send the boy to Sailer at Landshut,[4] it would, of course, be better still, since then you could feel assured that he was in the best of hands. Even if you have Tuscher as co-guardian, your case will not be bettered, inasmuch as all cares will still rest on you. Perhaps Tuscher and Kudlich might jointly assume the guardianship--this might be very advantageous. All the same, everything will remain as heretofore, even if you send him away he will remain with Kudlich until a change has been made. So long as you are guardian and Karl remains here, you will not only have all the cares as heretofore, but also be compelled to fight the mother and all her intrigues. Have Karl sent for the present again to Kudlich, meanwhile the matter may be straightened out.”[5]
[Sidenote: A NEW GUARDIAN FOR KARL APPOINTED]
Beethoven seems to have expressed a doubt as to Tuscher’s willingness to serve as guardian. Bernard continues: “Perhaps he might be more easily persuaded if a co-guardian like Kudlich were appointed.--It is not necessary to settle everything by to-morrow. If we go to Omeyer to-morrow morning, then to Tuscher and Kudlich, we can come to an understanding as to what will be the best thing to do.” Tuscher, if we are correct in recognizing his handwriting, permitted himself to be persuaded, though a bit under protest; he foresaw difficulties. The Magistracy at the suggestion of Beethoven thereupon appointed the Magisterial Councillor Matthias von Tuscher guardian of the boy on March 26. He was commanded to place his ward, then “living with his mother, Johanna van Beethoven,” in another place for bringing up and education under proper care, and submit his opinion touching the proposition of the mother and Hotschevar that he be entered in a public institute of learning before the expiration of the second school semester, that Beethoven contribute to the cost and that the share of the mother’s pension and the interest on the money deposited for the boy be applied to this end. Tuscher was decidedly of the opinion that the boy must be sent away for a time and was agreed with the plan of placing him with Prof. Sailer in Landshut after it had been broached to him. For this the consent of the Magistracy and the police authorities and a passport were necessary. In the opinion of one of Beethoven’s advisers (Bach) Tuscher was to be informed of the plan only after the passport had been obtained, but before the mother, who had already found “a channel,” could take steps to communicate with Tuscher. Beethoven applied to the city authorities for a passport for two years for his ward. On April 23, the authorities asked of the Magistracy if there were any objections to the proposed step. The Magistracy objected to the boy’s being sent into a foreign country, but asked Tuscher if he were not willing to withdraw his application and name an institute in Austria. Tuscher declined and set forth the great hopes which he placed in the training to be had of a man like Sailer, who, “because of his reverence for the talents of the composer, Beethoven, was especially bound to him,” and hence would bestow upon his charge the strictest oversight and care, which was of great importance in the case of a boy who was “extremely cunning and an adept in every sort of craftiness.” In replying to the municipal authorities the Magistracy (on May 7) conceded the necessity of withdrawing the boy from his mother’s influence, but thought it unnecessary to send him out of the country on this account, against which the mother had protested and the curator of the ward, Dr. Schönauer, had declared himself. The passport was therefore refused. Beethoven had taken a step which seems to have been made to prevent the widow from securing help for her plans from a source higher than any that had yet been invoked and to enlist that higher power in his own behalf. He appealed to Archduke Rudolph to use his influence with Archduke Ludwig, the youngest brother of Emperor Franz I, to aid him in his project of sending his nephew far away from the mother’s influence. In the letter written to the Archduke[6] he states that it had been his intention to petition Archduke Ludwig in the premises, but there had thitherto appeared to be no occasion for so doing for the reason that all the authorities who had jurisdiction in the matter were convinced of the advisability of the step, viz.: the Police, the Supervisory Guardianship Court and the guardian. He had heard, however, that the mother intended to seek an audience of Archduke Ludwig to prevent the execution of his plan. Convinced that she would stop at nothing in the way of calumination, he expressed the hope that his reputation for morality would suffice as a refutation of her slanders, and that Archduke Rudolph would bear testimony in his behalf.
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