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About this book

Much Ado about Nothing is a comedy of intrigue set in Messina, Italy, where the tangled lives of soldiers, nobles, and their families intersect in a series of witty exchanges. The opening scene introduces a messenger delivering news that provokes both joy and bitterness, while Leonato, his niece Beatrice, and the returning soldier Benedick spar over love, honor, and the “merry war” of their words. The dialogue quickly establishes the play’s focus on courtship, conspiracies, and the psychological sting of rejection, all framed by the bustling atmosphere of a post‑war gathering.

Shakespeare’s language is unmistakably Elizabethan, marked by rapid repartee, puns, and a lyrical blend of high‑flown metaphor with earthy humor. The characters speak in a rhythm that mirrors the social dances of the era, making the text both a study in period speech and a lively performance piece. Readers who relish sharp dialogue, clever wordplay, and the social dynamics of 16th‑century drama, especially those interested in themes of love, rivalry, and the subtleties of human pride, will find this play rewarding.

Characters in Much Ado about Nothing

  • BeatriceYoung noblewoman with dark hair, bright eyes, fine silk gown, delicate pearl jewelry
  • BenedickHandsome soldier in doublet, trimmed cape, trimmed beard, confident posture, sword at side
  • Don PedroRegal nobleman, graying hair, trimmed beard, embroidered doublet, jeweled sword, dignified bearing

The opening · free to read

MESSENGER. Much deserved on his part, and equally remembered by Don Pedro. He hath borne himself beyond the promise of his age, doing in the figure of a lamb the feats of a lion: he hath indeed better bettered expectation than you must expect of me to tell you how.

LEONATO. He hath an uncle here in Messina will be very much glad of it.

MESSENGER. I have already delivered him letters, and there appears much joy in him; even so much that joy could not show itself modest enough without a badge of bitterness.

LEONATO. Did he break out into tears?

MESSENGER. In great measure.

LEONATO. A kind overflow of kindness. There are no faces truer than those that are so washed; how much better is it to weep at joy than to joy at weeping!

BEATRICE. I pray you, is Signior Mountanto returned from the wars or no?

MESSENGER. I know none of that name, lady: there was none such in the army of any sort.

LEONATO. What is he that you ask for, niece?

HERO. My cousin means Signior Benedick of Padua.

MESSENGER. O! he is returned, and as pleasant as ever he was.

BEATRICE. He set up his bills here in Messina and challenged Cupid at the flight; and my uncle’s fool, reading the challenge, subscribed for Cupid, and challenged him at the bird-bolt. I pray you, how many hath he killed and eaten in these wars? But how many hath he killed? for, indeed, I promised to eat all of his killing.

LEONATO. Faith, niece, you tax Signior Benedick too much; but he’ll be meet with you, I doubt it not.

MESSENGER. He hath done good service, lady, in these wars.

BEATRICE. You had musty victual, and he hath holp to eat it; he is a very valiant trencher-man; he hath an excellent stomach.

MESSENGER. And a good soldier too, lady.

BEATRICE. And a good soldier to a lady; but what is he to a lord?

MESSENGER. A lord to a lord, a man to a man; stuffed with all honourable virtues.

BEATRICE. It is so indeed; he is no less than a stuffed man; but for the stuffing,—well, we are all mortal.

LEONATO. You must not, sir, mistake my niece. There is a kind of merry war betwixt Signior Benedick and her; they never meet but there’s a skirmish of wit between them.

BEATRICE. Alas! he gets nothing by that. In our last conflict four of his five wits went halting off, and now is the whole man governed with one! so that if he have wit enough to keep himself warm, let him bear it for a difference between himself and his horse; for it is all the wealth that he hath left to be known a reasonable creature. Who is his companion now? He hath every month a new sworn brother.

MESSENGER. Is’t possible?

BEATRICE. Very easily possible: he wears his faith but as the fashion of his hat; it ever changes with the next block.

MESSENGER. I see, lady, the gentleman is not in your books.

BEATRICE. No; and he were, I would burn my study. But I pray you, who is his companion? Is there no young squarer now that will make a voyage with him to the devil?

MESSENGER. He is most in the company of the right noble Claudio.

BEATRICE. O Lord, he will hang upon him like a disease: he is sooner caught than the pestilence, and the taker runs presently mad. God help the noble Claudio! If he have caught the Benedick, it will cost him a thousand pound ere he be cured.

MESSENGER. I will hold friends with you, lady.

BEATRICE. Do, good friend.

LEONATO. You will never run mad, niece.

BEATRICE. No, not till a hot January.

MESSENGER. Don Pedro is approached.

Enter Don Pedro, Don John, Claudio, Benedick, Balthasar and Others.

DON PEDRO. Good Signior Leonato, you are come to meet your trouble: the fashion of the world is to avoid cost, and you encounter it.

LEONATO. Never came trouble to my house in the likeness of your Grace, for trouble being gone, comfort should remain; but when you depart from me, sorrow abides and happiness takes his leave.

DON PEDRO. You embrace your charge too willingly. I think this is your daughter.

LEONATO. Her mother hath many times told me so.

BENEDICK. Were you in doubt, sir, that you asked her?

LEONATO. Signior Benedick, no; for then were you a child.

DON PEDRO. You have it full, Benedick: we may guess by this what you are, being a man. Truly the lady fathers herself. Be happy, lady, for you are like an honourable father.

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