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Wenceslaus Hollar--to whose engravings of Old St. Paul's we are indebted for our exceptional knowledge of the aspect of a building that has perished--was born in Prague in 1607, and was brought to England by the Earl of Arundel, who had seen some of his work at Cologne. He soon obtained profitable employment, producing engravings both of figures and views in rapid succession, and about 1639 he was appointed drawing-master to the Prince of Wales, afterwards Charles II. On the outbreak of the Civil War he served as a soldier in the Royalist ranks, and was taken prisoner at Basing House, but escaped to Antwerp. Obtaining very poor employment there, he returned to England in 1652, and was engaged upon the plates for Dugdale's History of St. Paul's and other works, for which, however, he is said by Vertue to have received very small pay, about fourpence an hour, "at his usual method by the hour-glass."

Some years later the Plague and the Fire again threw him out of employment, and he seems to have sunk deeper and deeper into poverty, dying in 1677, with an execution in his house, "of which he was sensible enough to desire only to die in his bed, and not to be removed till he was buried." He lies in the churchyard of St. Margaret's, Westminster, but there is no stone to his memory.

In the course of his industrious life he is said to have produced more than 2000 engravings and etchings. "He worked," says Redgrave, "with extraordinary minuteness of finish, yet with an almost playful freedom." His engravings of Old St. Paul's, though not entirely accurate, undoubtedly give a true general view of the Cathedral as it was in its last years, after the alterations and additions by Inigo Jones, and nearly a century after the fall of the spire.

OLD ST. PAUL'S FROM THE SOUTH. After W. Hollar.

OLD ST. PAUL'S FROM THE NORTH. After W. Hollar.

OLD ST. PAUL'S FROM THE EAST. After W. Hollar.

OLD ST. PAUL'S FROM THE WEST. After W. Hollar.

THE CHAPTER HOUSE AND CLOISTER. After W. Hollar.

THE NAVE, OR PAUL'S WALK. After W. Hollar.

THE CHOIR. After W. Hollar.

THE LADY CHAPEL. After W. Hollar.

THE ROSE WINDOW. From a Drawing by E.B. Ferrey.

GROUND PLAN OF OLD ST. PAUL'S. After W. Hollar.

THE SHRINE OF ST. ERKENWALD. After W. Hollar.

THE TOMBS OF SEBBA AND ETHELRED. After W. Hollar.

THE MONUMENT OF JOHN OF GAUNT AND BLANCHE OF LANCASTER. After W. Hollar.

THE MONUMENT OF BISHOP ROGER NIGER. After W. Hollar.

THE MONUMENT OF SIR JOHN BEAUCHAMP, POPULARLY KNOWN AS DUKE HUMPHREY'S. After W. Hollar.

BRASSES OF BISHOP BRAYBROOKE, JOHN MOLINS, AND RALPH DE HENGHAM. After W. Hollar.

ST. FAITH'S CHURCH IN THE CRYPT OF ST. PAUL'S. After W. Hollar.

PORTRAIT OF BISHOP FISHER. From the Drawing by Holbein. British Museum.

ST. MATTHEW: VIEW OF A MEDIAEVAL SCRIPTORIUM. From a MS. of a Book of Prayers. British Museum, Slo. 2468.

A REQUIEM MASS. From a MS. of a Book of Prayers. British Museum, Slo. 2468.

SINGING THE PLACEBO. From a MS. of the Hours of the Virgin. British Museum, Harl. 2971

SEALS OF THE DEAN AND CHAPTER. From Casts in the Library of St. Paul's Cathedral.

ORGAN AND TRUMPETS. From a Collection of Miniatures from Choral Service Books. Fourteenth Century. British Museum, 29902.

MONUMENT OF DR. DONNE. After W. Hollar.

PREACHING AT PAUL'S CROSS BEFORE JAMES I. From a Picture by H. Farley in the Collection of the Society of Antiquaries.

OLD ST. PAUL'S FROM THE THAMES. From Hollar's Long View of London.

WEST FRONT AFTER THE FIRE. From a Drawing in the Library of St. Paul's Cathedral.

OLD ST. PAUL'S IN FLAMES. After W. Hollar.

The Romans began the systematic conquest of Britain about the time of Herod Agrippa, whose death is recorded in Acts xii. London was probably a place of some importance in those days, though there is no mention of it in Caesar's narrative, written some eighty years previously. Dr. Guest brought forward reasons for supposing that at the conquest the General Aulus Plautius chose London as a good spot on which to fortify himself, and that thus a military station was permanently founded on the site of the present cathedral, as being the highest ground. If so, we may call that the beginning of historic London, and the Romans, being still heathen, would, we may be sure, have a temple dedicated to the gods close by. Old tradition has it that the principal temple was dedicated to Diana, and it is no improbable guess that this deity was popular with the incomers, who found wide and well-stocked hunting grounds all round the neighbourhood. Ages afterwards, in the days of Edward III., were found, in the course of some exhumations, vast quantities of bones of cattle and stags' horns, which were assumed to be the remains of sacrifices to the goddess. So they may have been; we have no means of knowing. An altar to Diana was found in 1830 in Foster Lane, close by, which is now in the Guildhall Museum.

But not many years can have passed before Christianity had obtained a footing among the Roman people; we know not how. To use Dr. Martineau's expressive similitude, the Faith was blown over the world silently like thistle-seed, and as silently here and there it fell and took root. We know no more who were its first preachers in Rome than we do who they were in Britain. It was in Rome before St. Paul arrived in the city, for he had already written his Epistle to the Romans; but evidently he made great impression on the Praetorian soldiers. And we may be sure that there were many "of this way" in the camp in London by the end of the first century. For the same reason we may take it for granted that there must have been a place of worship, especially as before the Romans left the country Christianity was established as the religion of the Empire. Only two churches of the Roman period in England can now be traced with certainty. Mr. St. John Hope and his fellow-explorers a few years ago unearthed one at Silchester, and the foundations of another may be seen in the churchyard of Lyminge in Kent.

And this is really all we can say about the Church in London during the Roman occupation. The story of King Lucius and that of the church of St. Peter in Cornhill are pure myths, without any sort of historical foundation, and so may be dismissed without more words.

The Romans went away in the beginning of the fifth century, and by the end of the same century the English conquest had been almost entirely accomplished. For awhile the new comers remained heathens; then came Augustine and his brother monks, and began the conversion of the English people to Christ. The king of Kent was baptized in 596, and Canterbury became the mother church. Pope Gregory the Great sent Augustine a reinforcement of monks in 601. Two of these, Laurentius and Mellitus, were consecrated by Augustine as missionary bishops to convert West Kent and the East Saxon Kingdom to the faith. The chief town of the former district was Rochester, and of the latter London. This city had much grown in importance, having established a busy trade with the neighbouring states both by land and sea. The king of the East Saxons was Sebert, nephew of Ethelbert of Kent, and subject to him. He, therefore, received Mellitus with cordiality, and as soon as he established his work in the city, King Ethelbert built him a church wherein to hold his episcopal see, and, so it is said, endowed it with the manor of Tillingham, which is still the property of the Dean and Chapter of St. Paul's. There is no portion of that old church remaining. It was in all probability built mostly of wood, and it perished by fire, as so many Anglo-Saxon churches did, on July 7th, 1087. Some historical incidents connected with that early building will be found on a subsequent page.

In the year before this calamity (April 5th, 1086), Maurice, chaplain and chancellor to William the Conqueror, had been consecrated Bishop of London by Lanfranc. Unlike most of William's nominees to bishoprics, Maurice's moral character was disreputable; but he was a man of energy, and he set to work at once to rebuild his cathedral, and succeeded in getting from the king abundance of stone for the purpose, some of it from the remains of the Palatine tower by the side of the Fleet River, which was just being pulled down, having been hopelessly damaged by the fire[1], and some direct from Caen. William also at the same time gave him the manor and castle of Bishop Stortford, thus making him a baronial noble. There was need for haste, for the Conqueror died at Rouen on the 9th of September that same year.

So began the great Cathedral of St. Paul, the finest in England in its time, which, witnessing heavy calamities, brilliant successes, scenes both glorious and sad, changes--some improvements and others debasements--lasted on for nearly six centuries, and then was destroyed in the Great Fire. We have first to note the main features of the architectural history.

Bishop Maurice began in the Norman style, as did all the cathedral-builders of that age, and splendid examples of their work are still to be seen in our cities. Bishop Maurice's, as I have said, was the finest of them all in its inception, but he really did little more than design it and lay the foundations, though he lived until 1108. He seems to have been too fond of his money. His successor, Richard Belmeis, exerted himself very heartily at the beginning of his episcopate, spent large sums on the cathedral, and cleared away an area of mean buildings in the churchyard, around which his predecessor had built a wall. In this work King Henry I. assisted him generously; gave him stone, and commanded that all material brought up the River Fleet for the cathedral should be free from toll; gave him moreover all the fish caught within the cathedral neighbourhood, and a tithe of all the venison taken in the County of Essex. These last boons may have arisen from the economical and abstemious life which the bishop lived, in order to devote his income to the cathedral building.

Belmeis also gave a site for St. Paul's School; but though he, like his predecessor, occupied the see for twenty years, he did not see the completion of the cathedral. He seems to have been embittered because he failed in attaining what his soul longed for--the removal of the Primatial chair from Canterbury to London. Anselm, not unreasonably, pronounced the attempt an audacious act of usurpation. Belmeis's health broke down. He was attacked with creeping paralysis, and sadly withdrew himself from active work, devoting himself to the foundation of the monastery of St. Osyth, in Essex. There, after lingering four years, he died, and there he lies buried.

King Henry I. died nearly at the same time, and as there was a contest for the throne ensuing on his death, so was there for the bishopric of London. In the interval, Henry de Blois, the famous Bishop of Winchester, was appointed to administer the affairs of St. Paul's, and almost immediately he had to deal with a calamity. Another great fire broke out at London Bridge in 1135, and did damage more or less all the way to St. Clement Danes. Matthew Paris speaks of St. Paul's as having been destroyed. This was certainly not the case, but serious injury was done, and the progress of the building was greatly delayed. Bishop Henry called on his people of Winchester to help in the rebuilding, putting forward the plea that though St. Paul was the great Apostle of the West, and had planted so many churches, this was the only cathedral dedicated to him. During these years Architecture was ever on the change, and, as was always the custom, the builders in any given case did not trouble themselves to follow the style in which a work had been begun, but went on with whatever was in use then.

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