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About this book

The second volume of Elizabeth Barrett Browning’s correspondence gathers letters written between 1851 and 1861, a decade in which the poet‑wife and her husband Robert travelled extensively through Italy, France and England while she composed the later parts of Casa Guidi Windows. The book opens with a detailed editorial frontispiece and a contents list that maps the letters onto chronological chapters, each anchored by a specific locale, Venice, Milan, Paris, Florence, Rome, and by the political events of the day, from the Franco‑Austrian War to the Crimean conflict. The opening letter to Miss Blagden, dated May 1 1851, sets the tone: a candid, sometimes rambling account of travel plans, financial anxieties, and the emotional turbulence that accompanies their itinerant life. From there the letters flow into vivid descriptions of Venetian canals, reflections on poetry, and debates on religion, all interspersed with personal pleas for forgiveness and affection.

The voice is unmistakably Victorian, combining the formal epistolary conventions of the era with Browning’s own lyrical intensity and occasional colloquial digressions. Her prose is rich in detail, peppered with references to contemporary politics, literary circles, and the practicalities of 19th‑century travel. Readers who relish historical letters, especially those that illuminate the intertwining of personal sentiment and public events, will find this collection rewarding. Scholars of Romantic poetry, admirers of Browning’s Sonnets from the Portuguese, and anyone interested in the cultural crossroads of Italy and England during the mid‑1800s will appreciate the intimate glimpse into a poet’s life and the broader social currents that shaped her work.

Who appears in The Letters of Elizabeth Barrett Browning (Volume 2 of 2)

  • Elizabeth Barrett BrowningVictorian woman, dark hair pulled back, delicate features, modest high‑neck dress, holding a quill
  • Robert BrowningMiddle‑aged Victorian gentleman, full beard, waistcoat and frock coat, thoughtful expression
  • Miss BlagdenYoung Victorian lady, light hair in ringlets, simple bonnet, modest gown, gentle smile

Opening lines

[Transcriber's Notes: The letter "o" with a macron is indicated as [=o] in this text. The oe ligature has been replaced with the letters "oe". The original text had the word "Madame" written two ways: "Mad" followed by superscripted "me" and "Ma" followed by superscripted "dme". All have been rendered as Madme.]

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