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About this book

Richard Brinsley Sheridan’s The School for Scandal is an 18th‑century English comedy that opens with a meta‑theatrical preface explaining the provenance of the text. The edition presents Sheridan’s own manuscript, preserved at Frampton Court, and notes the many variations between this version and the one traditionally performed. The introductory notes stress that earlier printed editions were altered for theatrical effect, while this copy retains the playwright’s original punctuation, spelling and stage directions, even if they appear uneven. The drama then launches into a flamboyant prologue that summons “prim adepts in Scandal’s school” and proceeds to a bustling scene in Lady Sneerwell’s drawing‑room, where gossip‑monger Verjuice and the scheming Lady herself plot to manipulate the social entanglements of Sir Peter Teazle, his young wife, and their circle of acquaintances.

Sheridan’s voice is sparkling, witty, and sharply observant, employing rhymed verse and rapid repartee that capture the manners and foibles of aristocratic London. The language reflects the polished yet occasionally clumsy hand of an 18th‑century playwright, offering a blend of elegant epigram and lively banter. Readers who relish incisive social satire, enjoy period dialogue, and appreciate a play that both mocks and celebrates the rituals of gossip will find this work rewarding.

Characters in The School for Scandal

  • Lady SneerwellElegant aristocratic woman, powdered hair, low-cut silk gown, delicate fan, 18th‑century London
  • Sir Peter TeazleMiddle‑aged gentleman, white powdered wig, frock coat, cravat, dignified bearing, powdered beard
  • VerjuiceYoung male gossip‑monger, modest coat, waistcoat, slight moustache, clever eyes, 18th‑century attire

Opening lines

The text of THE SCHOOL FOR SCANDAL in this edition is taken, by Mr. Fraser Rae's generous permission, from his SHERIDAN'S PLAYS NOW PRINTED AS HE WROTE THEM. In his Prefatory Notes (xxxvii), Mr. Rae writes: "The manuscript of it [THE SCHOOL FOR SCANDAL] in Sheridan's own handwriting is preserved at Frampton Court and is now printed in this volume. This version differs in many respects from that which is generally known, and I think it is even better than that which has hitherto been read and acted. As I have endeavoured to reproduce the works of Sheridan as he wrote them, I may be told that he was a bad hand at punctuating and very bad at spelling. . . . But Sheridan's shortcomings as a speller have been exaggerated." Lest "Sheridan's shortcomings" either in spelling or in punctuation should obscure the text, I have, in this edition, inserted in brackets some explanatory suggestions.

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