Poems Teachers Ask For, Book Two

Home

It takes a heap o' livin' in a house t' make it home, A heap o' sun an' shadder, an' ye sometimes have t' roam Afore ye really 'preciate the things ye left behind, An' hunger fer 'em somehow, with 'em allus on yer mind. It don't make any differunce how rich ye get t' be, How much yer chairs an' tables cost, how great yer luxury; It ain't home t' ye, though it be the palace of a king, Until somehow yer soul is sort o' wrapped 'round everything.

Home ain't a place that gold can buy or get up in a minute; Afore it's home there's got t' be a heap o' livin' in it: Within the walls there's got t' be some babies born, and then Right there ye've got t' bring 'em up t' women good, an' men; And gradjerly, as time goes on ye find ye wouldn't part With anything they ever used--they've grown into yer heart; The old high chairs, the playthings, too, the little shoes they wore Ye hoard; an' if ye could ye'd keep the thumbmarks on the door.

Ye've got t' weep t' make it home, ye've got t' sit and sigh An' watch beside a loved one's bed, an' know that Death is nigh; An' in the stillness o' the night t' see Death's angel come, An' close the eyes o' her that smiled, an' leave her sweet voice dumb. Fer these are scenes that grip the heart, an' when yer tears are dried, Ye find the home is dearer than it was, an' sanctified; An' tuggin' at ye always are the pleasant memories O' her that was an' is no more--ye can't escape from these.

Ye've got t' sing and dance fer years, ye've got t' romp an' play, An' learn t' love the things ye have by usin' 'em each day; Even the roses 'round the porch must blossom year by year Afore they 'come a part o' ye, suggestin' someone dear Who used t' love 'em long ago, an' trained 'em jes' t' run The way they do, so's they would get the early mornin' sun; Ye've got t' love each brick an' stone from cellar up t' dome: It takes a heap o' livin' in a house f' make it home.

Edgar A. Guest.

The House with Nobody In It

Whenever I walk to Suffern along the Erie track I go by a poor old farm-house with its shingles broken and black; I suppose I've passed it a hundred times, but I always stop for a minute And look at the house, the tragic house, the house with nobody in it.

I've never seen a haunted house, but I hear there are such things; That they hold the talk of spirits, their mirth and sorrowings. I know that house isn't haunted and I wish it were, I do, For it wouldn't be so lonely if it had a ghost or two.

This house on the road to Suffern needs a dozen panes of glass, And somebody ought to weed the walk and take a scythe to the grass. It needs new paint and shingles and vines should be trimmed and tied, But what it needs most of all is some people living inside.

If I had a bit of money and all my debts were paid, I'd put a gang of men to work with brush and saw and spade. I'd buy that place and fix it up the way that it used to be, And I'd find some people who wanted a home and give it to them free.

Now a new home standing empty with staring window and door Looks idle perhaps and foolish, like a hat on its block in the store, But there's nothing mournful about it, it cannot be sad and lone For the lack of something within it that it has never known.

But a house that has done what a house should do, a house that has sheltered life, That has put its loving wooden arms around a man and his wife, A house that has echoed a baby's laugh and helped up his stumbling feet, Is the saddest sight, when it's left alone, that ever your eyes could meet.

So whenever I go to Suffern along the Erie track I never go by the empty house without stopping and looking back, Yet it hurts me to look at the crumbling roof and the shutters fallen apart, For I can't help thinking the poor old house is a house with a broken heart.

Joyce Kilmer.

Color in the Wheat

Like liquid gold the wheat field lies, A marvel of yellow and russet and green, That ripples and runs, that floats and flies, With the subtle shadows, the change, the sheen, That play in the golden hair of a girl,-- A ripple of amber--a flare Of light sweeping after--a curl In the hollows like swirling feet Of fairy waltzers, the colors run To the western sun Through the deeps of the ripening wheat.

Broad as the fleckless, soaring sky, Mysterious, fair as the moon-led sea, The vast plain flames on the dazzled eye Under the fierce sun's alchemy. The slow hawk stoops To his prey in the deeps; The sunflower droops To the lazy wave; the wind sleeps-- Then swirling in dazzling links and loops, A riot of shadow and shine, A glory of olive and amber and wine, To the westering sun the colors run Through the deeps of the ripening wheat.

O glorious land! My western land, Outspread beneath the setting sun! Once more amid your swells, I stand, And cross your sod-lands dry and dun. I hear the jocund calls of men Who sweep amid the ripened grain With swift, stern reapers; once again The evening splendor floods the plain, The crickets' chime Makes pauseless rhyme, And toward the sun, The colors run Before the wind's feet In the wheat!

Hamlin Garland.

The Broken Pinion

I walked through the woodland meadows, Where sweet the thrushes sing; And I found on a bed of mosses A bird with a broken wing. I healed its wound, and each morning It sang its old sweet strain, But the bird with a broken pinion Never soared as high again.

I found a young life broken By sin's seductive art; And touched with a Christlike pity, I took him to my heart. He lived with a noble purpose And struggled not in vain; But the life that sin had stricken Never soared as high again.

But the bird with a broken pinion Kept another from the snare; And the life that sin had stricken Raised another from despair. Each loss has its compensation, There is healing for every pain; But the bird with a broken pinion Never soars as high again.