Public-domain ebook
The Tribes and Castes of the Central Provinces of India, Volume 4
Language: en3,408 downloads on Project Gutenberg
Subjects
In: History - Other·Archaeology & Anthropology
Public-domain ebook sourced from Project Gutenberg #20668.
Public-domain ebook
Language: en3,408 downloads on Project Gutenberg
Subjects
In: History - Other·Archaeology & Anthropology
Public-domain ebook sourced from Project Gutenberg #20668.
The work is a scholarly ethnographic survey of the Kumhar caste, a community of potters in the Central Provinces of India, written by R. V. Russell as part of a multi‑volume series on the region’s tribes and castes. It opens with a practical guide to the pronunciation of Hindi vowels and a brief note on English plural formation, then moves immediately into a detailed article on the Kumhars. The author presents their mythic origins, sub‑caste divisions, social customs, occupational techniques, and even the ritual role of pig‑sacrifices, all supported by census figures from 1911 and citations of earlier scholars such as Sir H. Risley and Sir Monier Williams. The text is dense with historical anecdotes, measurements of currency, and descriptive passages on pottery making, offering a comprehensive snapshot of the community’s place in the colonial administrative record.
Written in the formal, descriptive style of early‑20th‑century British anthropology, the book reflects the period’s penchant for exhaustive cataloguing and reliance on colonial sources. Its tone is academic rather than narrative, employing extensive footnotes and comparative mythology. Readers with an interest in Indian social history, caste studies, or the anthropology of craft production will find it rewarding, as will scholars tracing the evolution of ethnographic methodology in the British Raj.
The opening · free to read
Kumhar, Kumbhar.--The caste of potters, the name being derived from the Sanskrit kumbh, a water-pot. The Kumhars numbered nearly 120,000 persons in the Central Provinces in 1911 and were most numerous in the northern and eastern or Hindustani-speaking Districts, where earthen vessels have a greater vogue than in the south. The caste is of course an ancient one, vessels of earthenware having probably been in use at a very early period, and the old Hindu scriptures consequently give various accounts of its origin from mixed marriages between the four classical castes. "Concerning the traditional parentage of the caste," Sir H. Risley writes, [1] "there seems to be a wide difference of opinion among the recognised authorities on the subject. Thus the Brahma Vaivartta Purana says that the Kumbhakar or maker of water-jars (kumbka), is born of a Vaishya woman by a Brahman father; the Parasara Samhita makes the father a Malakar (gardener) and the mother a Chamar; while the Parasara Padhati holds that the ancestor of the caste was begotten of a Tili woman by a Pattikar or weaver of silk cloth." Sir Monier Williams again, in his Sanskrit Dictionary, describes them as the offspring of a Kshatriya woman by a Brahman. No importance can of course be attached to such statements as the above from the point of view of actual fact, but they are interesting as showing the view taken of the formation of castes by the old Brahman writers, and also the position given to the Kumhar at the time when they wrote. This varies from a moderately respectable to a very humble one according to the different accounts of his lineage. The caste themselves have a legend of the usual Brahmanical type: "In the Kritayuga, when Maheshwar (Siva) intended to marry the daughter of Hemvanta, the Devas and Asuras [2] assembled at Kailas (Heaven). Then a question arose as to who should furnish the vessels required for the ceremony, and one Kulalaka, a Brahman, was ordered to make them. Then Kulalaka stood before the assembly with folded hands, and prayed that materials might be given to him for making the pots. So Vishnu gave his Sudarsana (discus) to be used as a wheel, and the mountain of Mandara was fixed as a pivot beneath it to hold it up. The scraper was Adi Kurma the tortoise, and a rain-cloud was used for the water-tub. So Kulalaka made the pots and gave them to Maheshwar for his marriage, and ever since his descendants have been known as Kumbhakar or maker of water-jars."
The Kumhars have a number of subcastes, many of which, as might be expected, are of the territorial type and indicate the different localities from which they migrated to the Central Provinces. Such are the Malwi from Malwa, the Telenga from the Telugu country in Hyderabad, the Pardeshi from northern India and the Maratha from the Maratha Districts. Other divisions are the Lingayats who belong to the sect of this name, the Gadhewal or Gadhere who make tiles and carry them about on donkeys (gadha), the Bardia who use bullocks for transport and the Sungaria who keep pigs (suar). Certain endogamous groups have arisen simply from differences in the method of working. Thus the Hathgarhia [3] mould vessels with their hands only without using the wheel; the Goria [4] make white or red pots only and not black ones; the Kurere mould their vessels on a stone slab revolving on a stick and not on a wheel; while the Chakere are Kumhars who use the wheel (chak) in localities where other Kumhars do not use it. The Chhutakia and Rakhotia are illegitimate sections, being the offspring of kept women.
Girls are married at an early age when their parents can afford it, the matches being usually arranged at caste feasts. In Chanda parents who allow a daughter to become adolescent while still unwed are put out of caste, but elsewhere the rule is by no means so strict. The ceremony is of the normal type and a Brahman usually officiates, but in Betul it is performed by the Sawasa or husband of the bride's paternal aunt. After the wedding the couple are given kneaded flour to hold in their hands and snatch from each other as an emblem of their trade. In Mandla a bride price of Rs. 50 is paid.
The Kumhars recognise divorce and the remarriage of widows. If an unmarried girl is detected in criminal intimacy with a member of the caste, she has to give a feast to the caste-fellows and pay a fine of Rs. 1-4 and five locks of her hair are also cut off by way of purification. The caste usually burn the dead, but the Lingayat Kumhars always bury them in accordance with the practice of their sect. They worship the ordinary Hindu deities and make an offering to the implements of their trade on the festival of Deothan Igaras. The village Brahman serves as their priest. In Balaghat a Kumhar is put out of caste if a dead cat is found in his house. At the census of 1901 the Kumhar was ranked with the impure castes, but his status is not really so low. Sir D. Ibbetson said of him: "He is a true village menial; his social standing is very low, far below that of the Lohar and not much above the Chamar. His association with that impure beast, the donkey, the animal sacred to Sitala, the smallpox goddess, pollutes him and also his readiness to carry manure and sweepings." As already seen there are in the Central Provinces Sungaria and Gadheria subcastes which keep donkeys and pigs, and these are regarded as impure. But in most Districts the Kumhar ranks not much below the Barhai and Lohar, that is in what I have designated the grade of village menials above the impure and below the cultivating castes. In Bengal the Kumhars have a much higher status and Brahmans will take water from their hands. But the gradation of caste in Bengal differs very greatly from that of other parts of India.
The potter is not particular as to the clay he uses and does not go far afield for the finer qualities, but digs it from the nearest place in the neighbourhood where he can get it free of cost. Red and black clay are employed, the former being obtained near the base of hills or on high-lying land, probably of the laterite formation, and the latter in the beds of tanks or streams. When the clay is thoroughly kneaded and ready for use a lump of it is placed on the centre of the wheel. The potter seats himself in front of the wheel and fixes his stick or chakrait into the slanting hole in its upper surface. With this stick the wheel is made to revolve very rapidly, and sufficient impetus is given to it to keep it in motion for several minutes. The potter then lays aside the stick and with his hands moulds the lump of clay into the shape required, stopping every now and then to give the wheel a fresh spin as it loses its momentum. When satisfied with the shape of his vessel he separates it from the lump with a piece of string, and places it on a bed of ashes to prevent it sticking to the ground. The wheel is either a circular disc cut out of a single piece of stone about a yard in diameter, or an ordinary wooden wheel with spokes forming two diameters at right angles. The rim is then thickened with the addition of a coating of mud strengthened with fibre. [6] The articles made by the potter are ordinary circular vessels or gharas used for storing and collecting water, larger ones for keeping grain, flour and vegetables, and surahis or amphoras for drinking-water. In the manufacture of these last salt and saltpetre are mixed with the clay to make them more porous and so increase their cooling capacity. A very useful thing is the small saucer which serves as a lamp, being filled with oil on which a lighted wick is floated. These saucers resemble those found in the excavations of Roman remains. Earthen vessels are more commonly used, both for cooking and eating purposes among the people of northern India, and especially by Muhammadans, than among the Marathas, and, as already noticed, the Kumhar caste musters strong in the north of the Province. An earthen vessel is polluted if any one of another caste takes food or drink from it and is at once discarded. On the occasion of a death all the vessels in the house are thrown away and a new set obtained, and the same measure is adopted at the Holi festival and on the occasion of an eclipse, and at various other ceremonial purifications, such as that entailed if a member of the household has had maggots in a wound. On this account cheapness is an indispensable quality in pottery, and there is no opening for the Kumhar to improve his art. Another product of the Kumhar's industry is the chilam or pipe-bowl. This has the usual opening for inhaling the smoke but no stem, an impromptu stem being made by the hands and the smoke inhaled through it. As the chilam is not touched by the mouth, Hindus of all except the impure castes can smoke it together, passing it round, and Hindus can also smoke it with Muhammadans.
It is a local belief that, if an earthen pot is filled with salt and plastered over, the rains will stop until it is opened. This device is adopted when the fall is excessive, but, on the other hand, if there is drought, the people sometimes think that the potter has used it to keep off the rain, because he cannot pursue his calling when the clay is very wet. And on occasions of a long break in the rains, they have been known to attack his shop and break all his vessels under the influence of this belief. The potter is sometimes known as Prajapati or the 'The Creator,' in accordance with the favourite comparison made by ancient writers of the moulding of his pots with the creation of human beings, the justice of which will be recognised by any one who watches the masses of mud on a whirling wheel growing into shapely vessels in the potter's creating hands.
Certain Kumhars as well as the Dhimars make the breeding of pigs a means of subsistence, and they sell these pigs for sacrifices at prices varying from eight annas (8d.) to a rupee. The pigs are sacrificed by the Gonds to their god Bura Deo and by Hindus to the deity Bhainsasur, or the buffalo demon, for the protection of the crops. Bhainsasur is represented by a stone in the fields, and when crops are beaten down at night by the wind it is supposed that Bhainsasur has passed over them and trampled them down. Hindus, usually of the lower castes, offer pigs to Bhainsasur to propitiate him and preserve their crops from his ravages, but they cannot touch the impure pig themselves. What they have to do, therefore, is to pay the Kumhar the price of the pig and get him to offer it to Bhainsasur on their behalf. The Kumhar goes to the god and sacrifices the pig and then takes the body home and eats it, so that his trade is a profitable one, while conversely to sacrifice a pig without partaking of its flesh must necessarily be bitter to the frugal Hindu mind, and this indicates the importance of the deity who is to be propitiated by the offering. The first question which arises in connection with this curious custom is why pigs should be sacrificed for the preservation of the crops; and the reason appears to be that the wild pig is the animal which, at present, mainly damages the crops.
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