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About this book

The Journal of Negro History, Volume 4 (1919) gathers a series of contemporary reports, speeches, and Senate testimony concerning the post‑Reconstruction migration of African Americans from the Southern states to the North. The volume opens with a succession of footnoted excerpts that first describe vivid chromolithographs of a Kansas “Freedman’s Home,” then present Frederick Douglass’s vehement opposition to the so‑called “exodus,” and finally reproduce the full text of a Senate resolution and its ensuing investigative report on the movement. These pieces are linked by their focus on the political and social arguments of the era, offering a documentary snapshot of how newspapers, politicians, and Black leaders framed the debate over migration, labor, and civil rights in the late 1870s.

The language is formal and reportorial, reflecting the journalistic and legislative style of the 1880s and 1890s while retaining the scholarly tone of a historical periodical. Readers interested in Reconstruction‑era politics, African‑American press history, or the early civil‑rights discourse will find the volume’s primary‑source material and detailed Senate proceedings especially rewarding. It appeals to scholars, students, and general readers who appreciate dense, document‑driven narratives that illuminate the complexities of race, migration, and policy in the United States at the turn of the century.

Who appears in The Journal of Negro History, Volume 4, 1919

  • Frederick DouglassElderly African‑American man, white hair and full beard, dignified 1870s suit, solemn expression

Opening lines

Footnotes: [1] These proceedings appeared in The Vicksburg Commercial Daily Advertiser , May 5, 1879. HOW THE NEGROES WERE DUPED [1] Washington Letter to New York Herald . Gorgeously illuminated chromo-lithographs of Kansas scenes have been distributed among the blacks. The gentleman who has seen some of these chromos writes that the most ravishing presentment of rural life in Kansas is depicted. The Negroes look on the State as a second paradise, compared with which old Canaan is a Florida swamp. One of these pictures, entitled "A Freedman's Home," represents a fine landscape, with fields of ripening grain stretching away to the setting sun. In the foreground, illuminated by a marvelous sunset, stood the freedman's home. It was a picturesque cottage with gables, dormer windows and wide verandas.

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