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The work is a scholarly edition of Robert Herrick’s poetry, presented in two volumes that retain the original numbering of the poems and include an Appendix of Epigrams. The opening pages explain that a numbering discrepancy appears at poem 569, which concludes Volume I and re‑opens Volume II, and that the editor’s notes detail how such irregularities have been resolved. The edition is carefully annotated: original spelling and punctuation are preserved, Greek words are transliterated, and typographic errors are corrected while additional emendations are recorded in extensive endnotes. An editor’s note outlines the purpose of the numbering system, the inclusion of a detachable Appendix, and the aim of the footnotes to clarify difficult phrases or allusions. The prefatory material situates Herrick within the late‑Elizabethan lyric tradition, acknowledges earlier scholars, and offers a biographical sketch that links his life events to the poems’ references.

The text reflects the late‑Victorian habit of exhaustive commentary, combining a formal, reverent tone with a wealth of literary and historical references. Its style is dense and erudite, appealing to readers who enjoy close reading of early‑modern English verse and appreciate detailed scholarly apparatus. Those with an interest in the interplay between poetry and its classical sources, or in the editorial history of a canonical poet, will find the edition rewarding, while its rich footnotes and biographical context will satisfy students and specialists of 17th‑century English lyricism.

Who appears in The Hesperides & Noble Numbers

  • ElectraClassical Greek woman, long dark hair, solemn expression, flowing white chiton, marble backdrop
  • the GracesThree youthful maidens, golden hair, radiant smiles, pastel gowns, surrounded by laurel wreaths

The opening · free to read

"I've more to bear my charge than way to go";

the line, however, is a translation from his favourite Seneca, Ep. 77.

Besides patrons, such as Pembroke, Westmoreland, Newark, Buckingham, Herrick had less distinguished friends at Court, Edward Norgate, Jack Crofts and others. He composed the words for two New Year anthems which were set to music by Henry Lawes, and he was probably personally known both to the King and Queen. Outside the Court he reckoned himself one of Ben Jonson's disciples, "Sons of Ben" as they were called, had friends at the Inns of Court, knew the organist of Westminster Abbey and his pretty daughters, and had every temptation to live an amusing and expensive life. His poems were handed about in manuscript after the fashion of the time, and wherever music and poetry were loved he was sure to be a welcome guest.

Mr. Hazlitt's conjecture that Herrick at this time may have held some small post in the Chapel at Whitehall is not unreasonable, but at what date he took Holy Orders is not known. In 1627 he obtained the post of chaplain to the unlucky expedition to the Isle of Rhé, and two years later (September 30, 1629) he was presented by the King to the Vicarage of Dean Prior, in Devonshire, which the promotion of its previous incumbent, Dr. Potter, to the Bishopric of Carlisle, had left in the royal gift. The annual value of the living was only £50 (£250 present value), no great prize, but the poem entitled Mr. Robert Hericke: his farwell unto Poetrie (not printed in Hesperides, but extant in more than one manuscript version) shows that the poet was not unaware of the responsibilities of his profession. "But unto me," he says to his Muse:

"But unto me be only hoarse, since now (Heaven and my soul bear record of my vow) I my desires screw from thee and direct Them and my thoughts to that sublime respect And conscience unto priesthood. 'Tis not need (The scarecrow unto mankind) that doth breed Wiser conclusions in me, since I know I've more to bear my charge than way to go; Or had I not, I'd stop the spreading itch Of craving more: so in conceit be rich; But 'tis the God of nature who intends And shapes my function for more glorious ends."

Perhaps it was at this time too that Herrick wrote his Farewell to Sack, and although he returned both to sack and to poetry we should be wrong in imagining him as a "blind mouth," using his office merely as a means of gain. He celebrated the births of Charles II and his brother in verse, perhaps with an eye to future royal favours, but no more than Chaucer's good parson does he seem to have "run to London unto Seynte Poules" in search of the seventeenth century equivalent for a chauntry, and many of his poems show him living the life of a contented country clergyman, sharing the contents of bin and cruse with his poor parishioners, and jotting down sermon-notes in verse.

The great majority of Herrick's poems cannot be dated, and it is idle to enquire which were written before his ordination and which afterwards. His conception of religion was medieval in its sensuousness, and he probably repeated the stages of sin, repentance and renewed assurance with some facility. He lived with an old servant, Prudence Baldwin, the "Prew" of many of his poems; kept a spaniel named Tracy, and, so says tradition, a tame pig. When his parishioners annoyed him he seems to have comforted himself with epigrams on them; when they slumbered during one of his sermons the manuscript was suddenly hurled at them with a curse for their inattention.

In the same year that Herrick was appointed to his country vicarage his mother died while living with her daughter, Mercy, the poet's dearest sister (see 818), then for some time married to John Wingfield of Brantham in Suffolk (see 590), by whom she had three sons and a daughter, also called Mercy. His eldest brother, Thomas, had been placed with a Mr. Massam, a merchant, but as early as 1610 had retired to live a country life in Leicestershire (see 106). He appears to have married a wife named Elizabeth, whose loss Herrick laments (see 72). Nicholas, the next brother was more adventurous. He had become a merchant trading to the Levant, and in this capacity had visited the Holy Land (see 1100). To his wife Susanna, daughter of William Salter, Herrick addresses two poems (522 and 977). There were three sons and four daughters in this family, and Herrick wrote a poem to one of the daughters, Bridget (562), and an elegy on another, Elizabeth (376). When Mrs. Herrick died the bulk of her property was left to the Wingfields, but William Herrick received a legacy of £100, with ten pounds apiece to his two children, and a ring of twenty shillings to his wife. Nicholas and Robert were only left twenty-shilling rings, and the administration of the will was entrusted to William Herrick and the Wingfields. The will may have been the result of a family arrangement, and we have no reason to believe that the unequal division gave rise to any ill-feeling. Herrick's address to "his dying brother, Master William Herrick" (186), shows abundant affection, and there is every reason to believe that it was addressed to the William who administered to Mrs. Herrick's will.

While little nephews and nieces were springing up around him, Herrick remained unmarried, and frequently congratulates himself on his freedom from the yoke matrimonial. He imagined how he would bid farewell to his wife, if he had one (465), and wrote magnificent epithalamia for his friends, but lived and died a bachelor. When first civil troubles and then civil war cast a shadow over the land, it is not very easy to say how he viewed the contending parties. He was devoted to Charles and Henrietta Maria and the young Prince of Wales, and rejoiced at every Royalist success. Many also of his poems breathe the spirit of unquestioning loyalty, but in others he is less certain of kingly wisdom. Something, however, must be allowed for his evident habit of versifying any phrase or epigram which impressed him, and not all his poems need be regarded as expressions of his personal opinions. But with whatever doubts his loyalty was qualified, it was sufficiently obvious to procure his ejection from his living in 1648; and, making the best of his loss, he bade farewell to Dean Prior, shook the dust of "loathed Devonshire" off his feet, and returned gaily to London, where he appears to have discarded his clerical habit and to have been made abundantly welcome by his friends.

Free from the cares of his incumbency, and free also from the restraints it imposed, Herrick's thoughts turned to the publication of his poems. As we have said, in his old Court-days these had found some circulation in manuscript, and in 1635 one of his fairy poems was printed, probably without his leave (see Appendix). In 1639 his poem (575) The Apparition of his Mistress calling him to Elysium was licensed at Stationers' Hall under the title of His Mistress' Shade, and it was included the next year in an edition of Shakespeare's Poems (see Notes). On April 29, 1640, "The severall poems written by Master Robert Herrick," were entered as to be published by Andrew Crook, but no trace of such a volume has been discovered, and it was only in 1648 that Hesperides at length appeared. Two years later upwards of eighty of the poems in it were printed in the 1650 edition of Witt's Recreations, but a small number of these show considerable variations from the Hesperides versions, and it is probable that they were printed from the poet's manuscript. Compilers of other miscellanies and song books laid Herrick under contribution, but, with the one exception of his contribution to the Lacrymæ Musarum in 1649, no fresh production of his pen has been preserved, and we know nothing further of his life save that he returned to Dean Prior after the Restoration (August 24, 1662), and that according to the parish register "Robert Herrick, Vicker, was buried y^e 15th day October, 1674."

In this edition some trifling errors, which had crept into the text and the numeration of the poems, have been corrected, and many fresh illustrations of Herrick's reading added in the notes, which have elsewhere been slightly compressed to make room for them. Almost all of the new notes have been supplied from the manuscript collections of a veteran student of Herrick who placed himself in correspondence with me after the publication of my first edition. To my great regret I am not allowed to make my acknowledgments to him by name.

A. W. P.

HESPERIDES: OR, THE WORKS BOTH HUMANE & DIVINE OF ROBERT HERRICK Esq.

OVID.

Effugient avidos Carmina nostra Rogos.

LONDON.

Printed for John Williams, and Francis Eglesfield, and are to be sold by Tho: Hunt, Book-seller in Exon. 1648.

TO THE MOST ILLUSTRIOUS AND MOST HOPEFUL PRINCE. CHARLES, PRINCE OF WALES.

Well may my book come forth like public day When such a light as you are leads the way, Who are my work's creator, and alone The flame of it, and the expansion. And look how all those heavenly lamps acquire Light from the sun, that inexhausted fire, So all my morn and evening stars from you Have their existence, and their influence too. Full is my book of glories; but all these By you become immortal substances.

HESPERIDES.

1. THE ARGUMENT OF HIS BOOK.

I sing of brooks, of blossoms, birds and bowers, Of April, May, of June and July-flowers; I sing of May-poles, hock-carts, wassails, wakes, Of bridegrooms, brides and of their bridal cakes; I write of youth, of love, and have access By these to sing of cleanly wantonness; I sing of dews, of rains, and piece by piece Of balm, of oil, of spice and ambergris; I sing of times trans-shifting, and I write How roses first came red and lilies white; I write of groves, of twilights, and I sing The Court of Mab, and of the Fairy King; I write of hell; I sing (and ever shall) Of heaven, and hope to have it after all.

Hock-cart, the last cart from the harvest-field. Wakes, village festivals, properly on the dedication-day of a church. Ambergris, 'grey amber,' much used in perfumery.

2. TO HIS MUSE.

Whither, mad maiden, wilt thou roam? Far safer 'twere to stay at home, Where thou mayst sit and piping please The poor and private cottages, Since cotes and hamlets best agree With this thy meaner minstrelsy. There with the reed thou mayst express The shepherd's fleecy happiness, And with thy eclogues intermix Some smooth and harmless bucolics. There on a hillock thou mayst sing Unto a handsome shepherdling, Or to a girl, that keeps the neat, With breath more sweet than violet. There, there, perhaps, such lines as these May take the simple villages; But for the court, the country wit Is despicable unto it. Stay, then, at home, and do not go Or fly abroad to seek for woe. Contempts in courts and cities dwell, No critic haunts the poor man's cell, Where thou mayst hear thine own lines read By no one tongue there censured. That man's unwise will search for ill, And may prevent it, sitting still.

3. TO HIS BOOK.

While thou didst keep thy candour undefil'd, Dearly I lov'd thee as my first-born child, But when I saw thee wantonly to roam From house to house, and never stay at home, I brake my bonds of love, and bade thee go, Regardless whether well thou sped'st or no. On with thy fortunes then, whate'er they be: If good, I'll smile; if bad, I'll sigh for thee.

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