Storieta
English
Save & sign up

About this book

The work is a regional folklore anthology that weaves together the history, architecture, and legends of Lancashire, focusing on the ancient manor of Healey Hall and its surrounding landscape. It opens with a detailed description of the Hall’s evolution from a timber “cumbrous” dwelling to a stone house erected in 1620, complete with gables, barns, and a corn‑mill on the river below. The narrative then moves into a series of anecdotes, ranging from a 1745 Jacobite extortion attempt to the carving of a worker’s head on the north wall, before expanding into a broader discussion of Saxon place‑names, the origins of local surnames, and the natural scenery that frames the legend of the “Thrutch” gorge. The opening therefore sets a tone of meticulous local history mingled with colorful oral tradition, inviting the reader to follow a tapestry of fact and folklore tied to a single Lancashire estate.

The prose is unmistakably Victorian, reflecting John Roby’s 19th‑century antiquarian voice: formal, richly descriptive, and peppered with archaic spellings and occasional digressions into etymology. Its measured, almost scholarly cadence will appeal to readers who enjoy immersive regional studies, historical topography, and the kind of detailed storytelling that brings a county’s past to life. Those with a taste for antiquarian literature, folklore scholars, or anyone fascinated by the layered histories of English country houses and their surrounding myths will find this volume rewarding.

Characters in Traditions of Lancashire, Volume 2

  • Oliver ChadwickMiddle‑aged 17th‑century English gentleman, dark hair, trimmed beard, doublet with lace collar, standing before stone manor

The opening · free to read

C. C. DOC. T: R. C: I. C. A. C: R. B. ANO. DOM'I. 1168.

About the year 1756 the east wall gave way, and a considerable fishure appeared on the outside. This event was considered by many as the usual foretokening that its owner, Charles Chadwick, of Healey and Ridware, would speedily be removed by death from the seat of his ancestors; and so it proved, for in the course of a few months he died at Lichfield, aged eighty-two. His great age, though, will be thought the more probable token, the surer presage of approaching dissolution.

On a stone near the top of the building, on the north side, a human head was rudely carved in relief, which tradition affirms to have been a memorial of one of the workmen, accidentally killed while the house was building.

In 1773, the existing edifice was built, on the ancient site, by John Chadwick, grandfather to the present owner.

In Corry's Lancashire is the following document, furnished by the recent possessor, Charles Chadwick, Esq. It relates to the foregoing John Chadwick, his father--

"In 1745, at the rebellion, when the Pretender's son and his Highlanders reached Manchester, having obtained a list of the loyal subscribers, they began (of course) to enforce the payment of the money for their own use. An officer of the belted plaid, of the second division, came to the house of Mr C., in King Street, whilst the master of it was with his father at Ridware, and, on being told that he was from home, and his lady ill in bed, he went up-stairs, and opening the chamber-door, where she was then lying-in, beckoned her sister to come to him on the stairs, where he told her (in a mild but decided tone) that the money before mentioned must be paid quickly for the use of 'the prince (who lodged at the house in Market Street, now called the Palace Inn), or the house would be burnt down.' In this dilemma, the man-midwife calling first, and afterwards the physician, were both consulted by the ladies; when the former (a Tory) advised to send the money after them, whilst the latter (a Whig) thought it better to keep it till called for; consequently, never being called for in their hasty retreat, the money was not paid. It may be proper to add, Captain Lachlan MacLachlan, of the first division (afterwards one of the proscribed), being quartered in the same house, behaved with the greatest civility and politeness. On a party of horse coming to the door for quarters, he called for a lanthorn, and, though he had a cold (for which white wine whey was offered him, which he called 'varra good stuff'), walked as far as Salford, and there quartered them; two of his Highlanders, in the meantime, were dancing reels in the kitchen, and in the morning gave each of the maids sixpence at parting."

The name Healey Dene denotes a valley or dale, convallis, enclosed on both sides with steep hills; dene being a Saxon word, signifying a narrow valley, with woods and streams of water convenient for the feeding of cattle. Here the river Spodden, which now keeps many fulling-mills and engines at work, formerly turned one solitary corn-mill only. It was built in the narrow dingle below the hall, for the supply of the hamlet. The feudal owners of most mansions usually erected corn-mills (where practicable) within their own demesnes. After the family had removed to the more mild and temperate climate of Mavesyn-Ridware, in Staffordshire, about the year 1636, Healey Mill was converted into a fulling-mill, so that one of the principal features in our story no longer exists.

About two miles north from Rochdale lies the hamlet of Healey, a high tract of land, as its Saxon derivation seems to imply, hea{~LATIN SMALL LETTER EZH WITH CURL~}e, high, and lea{~LATIN SMALL LETTER EZH WITH CURL~} a pasture, signifying the "_high pasture_."

Our Saxon ancestors chiefly occupied their lands for grazing purposes; hence the many terminations in ley, or lea{~LATIN SMALL LETTER EZH WITH CURL~}. Pasturage is still called a "ley" for cattle in these parts.

In this remote hamlet dwelt a family, probably of Saxon origin, whose name, De Heley, from their place of residence, had, in all likelihood, been assumed soon after the Norman conquest. Their descendants, of the same name, continued to reside here until the reign of Edward III., holding their lands as abbey lands, under the abbot of Stanlaw, soon after the year 1172, in the reign of Henry II., and subsequently under the abbot of Whalley, from the year 1296.[1] In 1483, John Chadwyke, or (Ceddevyc, from the common appellation Cedde, and vyc, a mansion or vill, signifying Cedde's fort, peel, or fortified mansion) married Alice, eldest daughter and co-heir of Adam Okeden of Heley; and in her right settled at the mansion of Heley (or Healey) Hall, then a huge unsightly structure of wood and plaster, built according to the fashion of those days. An ancestor of Adam Okeden having married "_Hawise, heir of Thomas de Heley_," in the reign of Edward III., became possessed of this inheritance.

The origin of surnames would be an interesting inquiry. In the present instance it seems clear that the name and hamlet of Chadwick are derived from Cedde's vyc, or Chad's vyc. This mansion, situated on the southern extremity of Spotland, or Spoddenland, bounded on the east by that stream, and southward by the Roche, was built on a bold eminence above the river, where Cedde and his descendants dwelt, like the Jewish patriarchs, occupied in the breeding of sheep and other cattle.

"But though this hamlet had been named Ceddevic, from its subordinate Saxon chief, he himself could not have adopted it for his own surname; because surnames were then scarcely, if at all, known here. He must have continued, therefore, to use his simple Saxon name of Cedde only, and his successors likewise, with the addition of Saxon patronymics even down to the Norman conquest, when the Norman fashion of local names or surnames was first introduced into England."

But though the Norman addition of surnames "became general amongst the barons, knights, and gentry, soon after the Conquest, yet Saxon patronymics long continued in use amongst the common people, and are still not unusual here. Thus, instead of John Ashworth and Robert Butterworth, we hear of Robin o' Ben's and John o'Johnny's,"--meaning Robert the son of Benjamin, and John the son of John, "similar to the Norman Fitz, the Welsh Ap', the Scotch Mac, and the Irish O'; and this ancient mode of describing an individual sometimes includes several generations, as Thomas O'Dick's, O'Ned's, O'Sam's," &c.

But besides patronymics, nicknames (the Norman soubriquets) have been used in all ages and by all nations, and are still common here; some of them coarse and ludicrous enough: the real surname being seldom noticed, but the nickname sometimes introduced, with an alias, even in a law instrument. And why are not Poden, Muz, Listing, &c., as good as "the Bald," "the Fat," "the Simple," &c., of the French kings; or "the Unready," "the Bastard," "Lackland," "Longshanks," &c., of our own? A lad named Edmund, some generations back, attended his master's sons to Rochdale school, who latinised his name into "Edmundus;" then it was contracted into "Mundus," by which name his descendants are best known to this day: some probably knowing "Tom Mundus" well who are ignorant of his real surname. Within late years individuals have been puzzled on hearing themselves inquired after by their own surname. At Whitworth you might have asked in vain for the house of "Susannah Taylor," though any child would have taken you straight to the door of "Susy O'Yem's, O' Fair-off's at top o' th' rake."[2]

Another derivation of the surname De Heley, not at all improbable, has been suggested--viz., that Hely Dene may have been an early corruption of Holy Dene, having formerly belonged to the Church, and possibly, in remote ages, dedicated to the religious rites of the Druids. A clear rock-spring, in a gloomy dell below the Hall, is still called "the Spaw," and often frequented by youths and maidens on May mornings. Hence some have imagined that this Dene and its Spaw may have given to the river running through it the name of Spodden, or Spaw-Dene. Another spring, higher up, is called Robin Hood's Well, from that celebrated outlaw, who seems to have been the favourite champion of these parts, and who, according to some authorities, lies buried at Kirklaw, in the West Riding of York.[3]

Such holy wells were, in more superstitious if not happier ages, the supposed haunts of elves, fairies, and other such beings, not unaptly denominated the rabble of mythology.

A warm sequestered dingle here conducts the Spodden through a scene of wild, woodland, and picturesque beauty. Drayton, in his Polyolbion, has thus immortalised it:--

"First Roche, a dainty rill, which Spodden from her springs, A petty rivulet, as her attendant, brings."

From the mansion of Healey, built on an elevated slope above the dell, opens out an extensive prospect. Limepark in Cheshire, Cloud End in Staffordshire, with the Derbyshire hills, may be distinctly seen. Over the smoke of Manchester, the banks of the Mersey are visible; and upon the horizon rises up the barn-like ridge of Hellsby Tor,[4] in the forest of Delamere. Towards the west may be seen, far out, like a vast barrier, the Welsh mountains, Moel Famma (mother of mountains), with the vale of Clwyd, like a narrow cleft in the blue hills, which extend until the chain of Penmaenmawr and the Isle of Anglesey abruptly terminate in the sea. Few situations, without the toil of a laborious ascent, show so commanding a prospect; while under the very eye of the spectator, nature assumes an aspect of more than ordinary beauty.

One wild scene, the subject of our legend, the pencil, not the pen, must describe. It would be impossible, in any other manner, to convey an adequate idea of its extreme loveliness and grandeur. It is here known by its Saxon appellation, "the Thrutch," or Thrust, signifying a narrow, but deep and rugged channel in the rocks. Through this cleft the Spodden bursts with great force, forming several picturesque falls, which, though of mean height, yet, combined with the surrounding scenery, few behold without an expression of both wonder and delight.

The ancient corn-mill was here situated, just below the mansion. From the "Grist Yate," by the main road to Rochdale, a winding horse-way, paved with stones set on edge, led down the steep bank and pointed to the sequestered spot where for ages the clack of the hopper and the plash of the mill-wheel had usurped a noisy and undisputed possession.

In the reign of our fourth Edward--we know not the precise year--an occurrence, forming the basis of the following legend, is supposed to have taken place,--when fraud and feud were unredressed; when bigotry and superstition had their "perfect work;" when barbaric cruelty, and high and heroic deeds, had their origin in one corrupt and common source, the passions of man being let loose, in wild uproar, throughout the land; when the wars of the Roses had almost desolated the realm, and England's best blood flowed like a torrent. Such was the aspect of the time to which the following events relate.

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from FrankensteinIllustrated scene from The Great GatsbyIllustrated scene from Pride and Prejudice

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.