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The opening · free to read

Produced by Nick Hodson of London, England

Witness to the Deed, by George Manville Fenn.

________________________________________________________________________ This is indeed rather an extraordinary book, in many ways not in the usual style of Fenn, yet in others in a style that few but Fenn could rise to.

One of the problems with this book is that, at least in the early chapters, there are flashbacks in the text, most unusual in the nineteenth century, though regrettably an oft-used device in the writing of today. This does make it difficult to follow the story, but you just have to push on with the work, and you will be rewarded in the end.

A young girl, the daughter of an admiral, had previously married a man who turned out to be a forger, and who was believed to have died. The hero of the book was due that day to marry her, and was very much in love with her. Just as he is departing for the church, a visitor appears, and states that, far from being dead, he is the girl's husband. He demands money: there is a fight; two pistol-shots are fired; the bridegroom-to-be does not turn up at the wedding; several people are seriously upset, and remain so throughout the book. Matters do not clear up until the very end of the book.

You could probably call this a psychological novel, and, as such, it is not really suitable for children, as most of Fenn's novels are. It is quite a long book, longer than most others by Fenn, and it demands great concentration throughout. If you are reading it for the second or third time, you could listen to an audio version of it, but we would advise reading it from the screen when first you read this book.

The type used was very clear, and the book was easily digitised, but unfortunately there were numerous type-setting errors, which all had to be sought out and corrected. Hopefully there are very few left. Be a brave soul and try this book, taking your time over it.

________________________________________________________________________ WITNESS TO THE DEED, BY GEORGE MANVILLE FENN.

Malcolm Stratton, F.Z.S., naturalist, a handsome, dark-complexioned man of eight-and-twenty, started and flushed like a girl as he hurriedly thrust the photograph he had been apostrophising into his breast pocket, and ran to the deep, dingy window of his chambers to look at the clock over the old hall of Bencher's Inn, E.C. It was an unnecessary piece of business, for there was a black marble clock on the old carved oak chimney-piece nestling among Grinling Gibbons' wooden flowers and pippins, and he had been dragging his watch from his pocket every ten minutes since he had risen at seven, taken his bath, and dressed; but he had forgotten the hour the next minute, and gone on making his preparations, haunted by the great dread lest he should be too late.

"Quarter to ten yet," he muttered. "How slowly the time goes!" As he spoke he sniffed slightly and smiled, for a peculiar aromatic incense-like odour had crept into the room through the chinks in a door.

He stepped back to where a new-looking portmanteau lay upon the Turkey carpet, and stood contemplating it for a few moments.

"Now, have I forgotten anything?"

This question was followed by a slow look round the quaint, handsomely furnished old oak-panelled room, one of several suites let out to bachelors who could pay well, and who affected the grim old inn with its plane trees, basin of water, and refreshing quiet, just out of the roar of the busy city street. And as Malcolm Stratton looked round his eyes rested on his cases of valuable books and busts of famous naturalists, and a couple of family portraits, both of which seemed to smile at him pleasantly; and then on and over natural history specimens, curious stuffed birds, a cabinet of osteological preparations, and over and around the heavy looking carvings and mouldings about the four doorways, and continued from the fireplace up to the low ceiling. But, look where he would, he could see nothing but a beautiful face with large, pensive eyes, gazing with loving trust in his as he had seen them only a few hours before when he had said "good-night."

"Bah! I shall never be ready," he cried, with an impatient laugh, and crossing to one of the doorways--all exactly alike--he disappeared for a moment or two, to return from his bedroom with a black bag, which he hastily strapped, set down, paused to think for a moment, and then taking out his keys opened the table-drawer, took out a cheque book, and sat down to write.

"May as well have enough," he said merrily. "I've waited long enough for this trip, and a man does not get married every day. One--fifty. Signature. Bah! Don't cross it, stupid!"

He tore out the cheque, threw back the book, and locked the drawer, before going to a door on the right-hand side of the fireplace, bending forward and listening.

"Wonder he has not been in," he muttered. "Now let's see. Anything else? How absurd! Haven't finished my coffee."

He took the cup from the table, drained it, and, after another look round, turned to the left side of the fireplace, where he opened a door corresponding to the one at which he had listened, went in, and returned directly with an ice axe and an alpenstock.

"May as well take them," he said. "Myra can use you."

He gave the alpenstock a rub with the table napkin before placing it and his old mountaineering companion against the bag. Then, bending down, he was busily strapping the portmanteau and forcing the tongue of the last buckle into its proper hole when there was a knock at the door behind him, and he started to his feet.

"Come in!"

The answer was a second knock, and with an impatient ejaculation the occupant of the chambers threw open the fourth door.

"I forgot the bolt was fastened, Mrs Brade," he said, as he drew back to admit a plump looking, neatly dressed woman in cap and apron, one corner of which she took up to begin rolling between her fingers as she stood smiling at the edge of the carpet.

"Yes, sir," she said, "if I might make so bold, and I don't wonder at it. Oh, my dear--I mean Mr Stratton, sir--how handsome you do look this morning!"

"Why, you silly old woman!" he cried, half laughing, half annoyed.

"Oh, no, excuse me, sir, not a bit. Handsome is as handsome does, they say, and you is and does too, sir, and happiness and joy go with you, sir, and your dear, sweet lady too, sir."

"Oh, thank you, thank you, Mrs Brade, but--"

"I always thought as you would marry some day, sir, as was only natural, but I never thought as a widow would be your lot."

"Mrs Brade!" cried Stratton impatiently, and with his brows contracting a little. "I am very busy--not a moment to spare."

"Of course, sir, and no wonder; but I do wish it hadn't been such a dull morning."

"Dull?" cried Stratton, rushing to the window; "I thought it was all sunshine."

"Of course you did, sir; so did I; and well I remember it, though it's forty years ago."

"Mrs Brade, I told you I was busy. I thank you for your congratulations, and I gave you all your instructions yesterday, so pray what do you want?"

Mrs Brade, wife of the inn porter, lifted the corner of her apron to her mouth, and made a sound like the stifling of a laugh.

"I beg your pardon, sir, I'm sure, and of course it's natural at such a time. I came because you sent word by the waiter that I was to--"

"Of course, yes: about ten. I'm so busy, I forgot," cried Stratton hastily. "Look here, Mrs Brade, I want you to go over to the bank; it will be open by the time you get across. Cash this cheque for me; bring all notes--tens and fives."

"A hundred and fifty pounds, sir?"

"Yes; take a hand bag with you. Don't get robbed."

"Oh, no, sir. I know too much of the ways of London town."

"That's right. Excuse my being hurried with you."

"Of course, sir; I know well what your feelings must be. (Sniff, sniff.) Why, you can smell Mr Brettison a-smoking his ubble-bubble with that strange tobacco right in here."

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