Emily Brontë

The Rue d'Isabelle had a character of its own. It lies below your feet as you stand in the Rue Royale, near the statue of General Beliard. Four flights of steps lead down to the street, half garden, half old houses, with at one end a large square mansion, owning the garden that runs behind it and to the right of it. The house is old; a Latin inscription shows it to have been given to the great Guild of Cross-bowmen by Queen Isabelle in the early years of the 17th century. The garden is older; long before the Guild of the Cross-bowmen of the Great Oath, in deference to the wish of Queen Isabelle, permitted the street to be made through it, the garden had been their exercising place. There Isabelle herself, a member of their order, had shot down the bird. But the garden had a yet more ancient past; when apple-trees, pear-trees and alleys of Bruges cherries, when plots of marjoram and mint, of thyme and sweet-basil, filled the orchard and herbary of the Hospital of the Poor. And the garden itself, before trees or flowers were planted, had resounded with the yelp of the Duke's hounds, when, in the thirteenth century, it had been the Fosse-aux-chiens. This historic garden, this mansion, built by a queen for a great order, belonged in 1842 to Monsieur and Madame Heger, and was a famous Pensionnat de Demoiselles.

There the Vicar of Haworth brought his two daughters one February day, spent one night in Brussels and went straight back to his old house on the moors, so modern in comparison with the mansion in Rue d'Isabelle. A change, indeed, for Emily and Charlotte. Even now, Brussels (the headquarters of Catholicism far more than modern Rome) has a taste for pageantry that recalls mediaeval days. The streets decked with boughs and strewn with flowers, through which pass slowly the processions of the Church, white-clad children, boys like angels scattering roses, standard-bearers with emblazoned banners. Surpliced choristers singing Latin praises, acolytes in scarlet swinging censers, reliquaries and images, before which the people fall down in prayer; all this to-day is no uncommon sight in Brussels, and must have been yet more frequent in 1842.

The flower-market out of doors, with clove-pinks, tall Mary-lilies and delicate roses d'amour, filling the quaint mediaeval square before the beautiful old facade of the Hotel de Ville. Ste.-Gudule with its spires and arches; the Montagne de la Cour (almost as steep as Haworth street), its windows ablaze at night with jewels; the little, lovely park, its great elms just coming into leaf, its statues just bursting from their winter sheaths of straw; the galleries of ancient pictures, their walls a sober glory of colours, blues, deep as a summer night, rich reds, brown golds, most vivid greens.

All this should have made an impression on the two home-keeping girls from Yorkshire; and Charlotte, indeed, perceived something of its beauty and strangeness. But Emily, from a bitter sense of exile, from a natural narrowness of spirit, rebelled against it all as an insult to the memory of her home--she longed, hopelessly, uselessly, for Haworth. The two Brontes were very different to the Belgian school-girls in Madame Heger's Pensionnat. They were, for one thing, ridiculously old to be at school--twenty-four and twenty-six--and they seemed to feel their position; their speech was strained and odd; all the "sceptical, wicked, immoral French novels, over forty of them, the best substitute for French conversation to be met with," which the girls had toiled through with so much singleness of spirit, had not cured the broadness of their accent nor the artificial idioms of their Yorkshire French. Monsieur Heger, indeed, considered that they knew no French at all. Their manners, even among English people, were stiff and prim; the hearty, vulgar, genial expansion of their Belgian schoolfellows must have made them seem as lifeless as marionettes. Their dress--Haworth had permitted itself to wonder at the uncouthness of those amazing leg-of-mutton sleeves (Emily's pet whim in and out of fashion), at the ill-cut lankness of those skirts, clumsy enough on round little Charlotte, but a very caricature of mediaevalism on Emily's tall, thin, slender figure. They knew they were not in their element and kept close together, rarely speaking. Yet Monsieur Heger, patiently watching, felt the presence of a strange power under those uncouth exteriors.

An odd little man of much penetration, this French schoolmaster. "_Homme de zele et de conscience, il possede a un haut degre l'eloquence du bon sens et du coeur._" Fierce and despotic in the exaction of obedience, yet tender of heart, magnanimous and tyrannical, absurdly vain and absolutely unselfish. His wife's school was a kingdom to him; he brought to it an energy, a zeal, a faculty of administration worthy to rule a kingdom. It was with the delight of a botanist discovering a rare plant in his garden, of a politician detecting a future statesman in his nursery, that he perceived the unusual faculty which lifted his two English pupils above their schoolfellows. He watched them silently for some weeks. When he had made quite sure, he came forwards and, so to speak, claimed them for his own.

Charlotte at once accepted the yoke. All that he set her to do she toiled to accomplish; she followed out his trains of thought; she adopted the style he recommended; she gave him in return for all his pains the most unflagging obedience, the affectionate comprehension of a large intelligence. She writes to Ellen of her delight in learning and serving: "It is very natural to me to submit, very unnatural to command."

Not so with Emily. The qualities which her sister understood and accepted, irritated her unspeakably. The masterfulness in little things, the irritability, the watchfulness of the fiery little professor of rhetoric were utterly distasteful to her. She contradicted his theories to his face; she did her lessons well, but as she chose to do them. She was as indomitable, fierce, unappeasable, as Charlotte was ready and submissive. And yet it was Emily who had the larger share of Monsieur Heger's admiration. Egotistic and exacting he thought her, who never yielded to his petulant, harmless egoism, who never gave way to his benevolent tyranny; but he gave her credit for logical powers, for a capacity for argument unusual in a man, and rare, indeed, in a woman. She, not Charlotte, was the genius in his eyes, although he complained that her stubborn will rendered her deaf to all reason, when her own determination, or her own sense of right, was concerned. He fancied she might be a great historian, so he told Mrs. Gaskell. "Her faculty of imagination was such, her views of scenes and characters would have been so vivid and so powerfully expressed, and supported by such a show of argument that it would have dominated over the reader, whatever might have been his previous opinions or his cooler perception of the truth. She should have been a man: a great navigator!" cried the little, dark, enthusiastic rhetorician. "Her powerful reason would have deduced new spheres of discovery from the knowledge of the old; and her strong imperious will would never have been daunted by opposition or difficulty; never have given way but with life!"

Yet they were never friends; though Monsieur Heger could speak so well of Emily at a time, be it remembered, when it was Charlotte's praises that were sought, when Emily's genius was set down as a lunatic's hobgoblin of nightmare potency. He and she were alike too imperious, too independent, too stubborn. A couple of swords, neither of which could serve to sheathe the other.

That time in Brussels was wasted upon Emily. The trivial characters which Charlotte made immortal merely annoyed her. The new impressions which gave another scope to Charlotte's vision were nothing to her. All that was grand, remarkable, passionate, under the surface of that conventional Pensionnat de Demoiselles, was invisible to Emily. Notwithstanding her genius she was very hard and narrow.