Storieta
English
Save & sign up

About this book

Frank Harris’s My Life and Loves opens with a sprawling foreword that frames the work as a personal manifesto rather than a conventional autobiography. He situates himself in an August heat in New York, reflecting on a career of wartime journalism that earned him government prosecutions, a ruined magazine, and a lifelong battle against what he sees as oppressive moral and literary conventions. Harris declares his intent to recount his “pilgrimage” with unflinching honesty, positioning the narrative as a corrective to the “puritan” restraint he believes has dulled English prose since the Victorian era. The opening pages already blend political grievance, literary criticism, and a promise to explore sexual experience with the candor of French writers, setting the tone for a work that intertwines personal confession with broader cultural critique.

The voice is unmistakably Harris’s, brazen, erudite, and unapologetically candid, echoing the late‑Victorian and early‑modernist sensibilities of a man who lived from 1856 to 1931. His prose is dense, peppered with allusions to Shakespeare, French literature, and contemporary politics, while his style oscillates between polemic and memoir. Readers who relish provocative, intellectually vigorous writing, particularly those interested in the intersections of sexuality, politics, and literary history, will find this volume compelling. It appeals to scholars of 19th‑ and 20th‑century English biography, as well as to anyone drawn to a forthright, historically situated exploration of love, liberty, and the costs of dissent.

Who appears in My Life and Loves, Vol. 1 (of 4)

  • Frank HarrisMiddle‑aged Victorian gentleman, dark beard, round spectacles, waistcoat, pocket watch, thoughtful expression
  • Sir Walter RaleighElizabethan explorer, high ruff collar, curled hair, trimmed beard, doublet, sword at side, confident gaze

The opening · free to read

Here in the blazing heat of an American August, amid the hurry and scurry of New York, I sit down to write my final declaration of Faith, as a preface or foreword to the Story of my Life. Ultimately it will be read in the spirit in which it has been written and I ask no better fortune. My journalism during the war and after the Armistice brought me prosecutions from the Federal Government. The authorities at Washington accused me of sedition and though the third Postmaster General, Ex-Governor Dockery, of Missouri who was chosen by the Department as the Judge, proclaimed my innocence and assured me I should not be prosecuted again, my magazine (Pearson’s) was time and again held up in the post, and its circulation reduced thereby to one-third. I was brought to ruin by the illegal persecution of President Wilson and his Arch-Assistant Burleson, and was laughed at when I asked for compensation. The American Government, it appears, is too poor to pay for its dishonorable blunders.

I record the shameful fact for the benefit of those Rebels and Lovers of the Ideal who will surely find themselves in a similar plight in future emergencies. For myself I do not complain. On the whole I have received better treatment in life than the average man and more lovingkindness than I perhaps deserved. I make no plaint.

If America had not reduced me to penury I should probably not have written this book as boldly as the ideal demanded. At the last push of Fate (I am much nearer seventy than sixty) we are all apt to sacrifice something of Truth for the sake of kindly recognition by our fellows and a peaceful ending. Being that “wicked animal”, as the French say, “who defends himself when he is attacked” I turn at length to bay, without any malice, I hope, but also without any fear such as might prompt compromise. I have always fought for the Holy Spirit of Truth and have been, as Heine said he was, a brave soldier in the Liberation War of Humanity: now one fight more, the best and the last.

There are two main traditions of English writing: the one of perfect liberty, that of Chaucer and Shakespeare, completely outspoken, with a certain liking for lascivious details and witty smut, a man’s speech: the other emasculated more and more by Puritanism and since the French Revolution, gelded to tamest propriety; for that upheaval brought the illiterate middle-class to power and insured the domination of girl-readers. Under Victoria, English prose literature became half childish, as in stories of “Little Mary”, or at best provincial, as anyone may see who cares to compare the influence of Dickens, Thackeray and Reade in the world with the influence of Balzac, Flaubert and Zola.

Foreign masterpieces such as “Les Contes Drolatiques” and “L’Assommoir” were destroyed in London as obscene by a magistrate’s order; even the Bible and Shakespeare were expurgated and all books dolled up to the prim decorum of the English Sunday-school. And America with unbecoming humility worsened the disgraceful, brainless example.

All my life, I have rebelled against this old maid’s canon of deportment, and my revolt has grown stronger with advancing years.

In the “Foreword” to “The Man Shakespeare” I tried to show how the Puritanism that had gone out of our morals had gone into the language, enfeebling English thought and impoverishing English speech.

At long last I am going back to the old English tradition. I am determined to tell the truth about my pilgrimage through this world, the whole truth and nothing but the truth, about myself and others, and I shall try to be at least as kindly to others as to myself.

Bernard Shaw assures me that no one is good enough or bad enough to tell the naked truth about himself; but I am beyond good and evil in this respect.

French literature is there to give the cue and inspiration: it is the freest of all in discussing matters of sex and chiefly by reason of its constant preoccupation with all that pertains to passion and desire, it has become the world literature to men of all races.

“Women and Love”, Edmond de Goncourt writes in his journal, “always constitute the subject of conversation wherever there is a meeting of intellectual people socially brought together by eating and drinking. Our talk at dinner was at first smutty (polissonne) and Tourgueneff listened to us with the open-mouthed wonder (l’étonnement un peu medusé) of a barbarian who only makes love (fait l’amour) very naturally (très naturellement).”

Whoever reads this passage carefully will understand the freedom I intend to use. But I shall not be tied down even to French conventions. Just as in painting, our knowledge of what the Chinese and Japanese have done, has altered our whole conception of the art, so the Hindoos and Burmese too have extended our understanding of the art of love. I remember going with Rodin through the British Museum and being surprised at the time he spent over the little idols and figures of the South Sea Islanders: “Some of them are trivial”, he said, “but look at that, and that, and that—sheer masterpieces that anyone might be proud of—lovely things!”

Art has become coextensive with humanity, and some of my experiences with so-called savages may be of interest even to the most cultured Europeans.

I intend to tell what life has taught me, and if I begin at the A. B. C. of love, it is because I was brought up in Britain and the United States; I shall not stop there.

Of course I know the publication of such a book will at once justify the worst that my enemies have said about me. For forty years now I have championed nearly all the unpopular causes, and have thus made many enemies; now they will all be able to gratify their malice while taking credit for prevision. In itself the book is sure to disgust the “unco guid” and the mediocrities of every kind who have always been unfriendly to me. I have no doubt too, that many sincere lovers of literature who would be willing to accept such license as ordinary French writers use, will condemn me for going beyond this limit. Yet there are many reasons why I should use perfect freedom in this last book.

First of all, I made hideous blunders early in life and saw worse blunders made by other youths, out of sheer ignorance: I want to warn the young and impressionable against the shoals and hidden reefs of life’s ocean and chart, so to speak, at the very beginning of the voyage when the danger is greatest, the ‘unpath’d waters’.

On the other hand I have missed indescribable pleasures because the power to enjoy and to give delight is keenest early in life, while the understanding both of how to give and how to receive pleasure comes much later, when the faculties are already on the decline.

I used to illustrate the absurdity of our present system of educating the young by a quaint simile. “When training me to shoot”, I said, “my earthly father gave me a little single-barreled gun, and when he saw that I had learned the mechanism and could be trusted, he gave me a double-barreled shot-gun. After some years I came into possession of a magazine gun which could shoot half a dozen times if necessary without reloading, my efficiency increasing with my knowledge.”

My Creator, or Heavenly Father, on the other hand, when I was wholly without experience and had only just entered my teens, gave me, so to speak, a magazine gun of sex, and hardly had I learned its use and enjoyment when he took it away from me forever, and gave me in its place a double-barreled gun: after a few years, he took that away and gave me a single-barreled gun with which I was forced to content myself for the best part of my life.

Towards the end the old single-barrel began to show signs of wear and age: sometimes it would go off too soon, sometimes it missed fire and shamed me, do what I would.

I want to teach youths how to use their magazine gun of sex so that it may last for years, and when they come to the double-barrel, how to take such care that the good weapon will do them liege service right into their fifties, and the single-barrel will then give them pleasure up to three score years and ten.

Moreover, not only do I desire in this way to increase the sum of happiness in the world while decreasing the pains and disabilities of men, but I wish also to set an example and encourage other writers to continue the work that I am sure is beneficent, as well as enjoyable.

W. L. George in “A Novelist on Novels” writes: “If a novelist were to develop his characters evenly the three hundred page novel might extend to five hundred, the additional two hundred pages would be made up entirely of the sex preoccupations of the characters. There would be as many scenes in the bedroom as in the drawing-room, probably more, as more time is passed in the sleeping apartment. The additional two hundred pages would offer pictures of the sex side of the characters and would compel them to become alive: at present they often fail to come to life because they only develop, say five sides out of six.... Our literary characters are lop-sided because their ordinary traits are fully portrayed while their sex-life is cloaked, minimized or left out.... Therefore the characters in modern novels are all false. They are megalocephalous and emasculate. English women speak a great deal about sex.... It is a cruel position for the English novel. The novelist may discuss anything but the main preoccupation of life.... we are compelled to pad out with murder, theft and arson which as everybody knows, are perfectly moral things to write about.”

Pure is the snow—till mixed with mire— But never half so pure as fire.

There are graver reasons than any I have yet given why the truth should be told boldly. The time has come when those who are, as Shakespeare called them, “God’s Spies” having learned the mystery of things, should be called to counsel, for the ordinary political guides have led mankind to disaster: blind leaders of the blind!

Over Niagara we have plunged, as Carlyle predicted, and as every one with vision must have foreseen and now like driftwood we move round and round the whirlpool impotently without knowing whither or why.

One thing certain: we deserve the misery into which we have fallen. The laws of this world are inexorable and don’t cheat! Where, when, how have we gone astray? The malady is as wide as civilization which fortunately narrows the enquiry to time.

Ever since our conquest of natural forces began, towards the end of the eighteenth century, and material wealth increased by leaps and bounds, our conduct has deteriorated. Up to that time we had done the gospel of Christ mouth-honor at least; and had to some slight extent shown consideration if not love to our fellowmen: we did not give tithes to charity; but we did give petty doles till suddenly science appeared to reinforce our selfishness with a new message: progress comes through the blotting out of the unfit, we were told, and self-assertion was preached as a duty: the idea of the Superman came into life and the Will to Power and thereby Christ’s teaching of love and pity and gentleness was thrust into the background.

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from The Great GatsbyIllustrated scene from Pride and PrejudiceIllustrated scene from Alice's Adventures in Wonderland

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.