Tudor and Stuart Love Songs
Public-domain ebook
Tudor and Stuart Love Songs
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Public-domain ebook sourced from Project Gutenberg #26398.
About this book
The volume is an anthology of love poetry composed in England between the early Tudor era and the late Stuart period, roughly 1503‑1702. It opens with a concise historical overview that explains how the Renaissance influx of Italian sonnet forms and courtly travel inspired English aristocrats, figures such as Sir Thomas Wyatt and the Earl of Surrey, to adopt and adapt Petrarchan conventions. The editor then outlines the scope of the collection, noting that it draws on the most respected verses preserved in early printed miscellanies, and presents a chronological list of 113 poems by seventy‑one writers, from Henry VIII’s courtiers to early Georges. The introductory essay stresses that only the “best examples” have been retained, while biographical details are limited to birth and death dates drawn from the Dictionary of National Biography.
The language of the poems reflects the formal, often ornate diction of early‑modern English verse, with frequent use of rhyme, classical allusion, and the shepherd‑lover motif. Readers who enjoy the lyrical elegance of Renaissance sonnets, the playful wit of Elizabethan court poets, and the occasional moralizing turn of later Stuart writers will find this compilation rewarding. It appeals especially to students of literary history, poets seeking a model of early‑modern love lyric, and anyone fascinated by the cultural exchange that shaped English poetry from the sixteenth to the seventeenth century.
Who appears in Tudor and Stuart Love Songs
- Sir Thomas WyattMiddle‑aged Tudor gentleman, dark hair, trimmed beard, ruff collar, embroidered doublet, holding a quill
- the Earl of SurreyYoung aristocratic courtier, fair hair, clean‑shaven face, ornate lace collar, velvet doublet, poised with a scroll
- Henry the EighthRobust king in early 16th‑century armor, full beard, regal crown, elaborate tabard, commanding presence
The opening · free to read
E. P. Dutton and Co. 31 W. 23^rd Street New York
INTRODUCTION.
The spirit of reform which was developed during the early part of the sixteenth century brought about a desire on the part of young men of means to travel on the continent of Europe. This was for the purpose of making themselves acquainted with the politics, social life, literature, art, science, and commerce of the various nations of the same, especially of France, Spain, and Italy. These young Englishmen on their return introduced into the society in which they mixed not only the politenesses of these countries, but the wit of Italy, and the character of the poetry which was then in vogue in Southern Europe. Among these travellers during the reign of Henry the Eighth were Sir Thomas Wyatt and the Earl of Surrey. These courtiers possessed the poetical faculty, and therefore paid special attention to literary form. As a result they introduced the Sonnet of the Petrarchan type into England. The amorous verse of the inhabitants of these sunny climes took hold of the young Englishmen. Many men of rank and education, who did not regard themselves as of the world of letters, penned pleasant verse, much of it being of an amatory character based upon that of the Italians. During the reign of "Good Queen Bess" England was full of song. Of the writers of love verses William Watson occupied a very high, probably the highest, position during the time of Elizabeth. A glance at the Table of Contents of this volume will show that some of the best poets who were born between the years 1503 and 1679 have handed down to us poetical contributions of this character.
Of the Elizabethan amatory verses only a small portion has been transmitted to us. That which possessed least literary merit did not long survive, and, no doubt, some of considerable merit has been lost too. The best has been preserved. Selections from these, arranged in chronological order, appear in this anthology. Richard Tottel printed his "Miscellany" in 1557. It is to this work, and to Richard Edwards' "Paradise of Dainty Devices," issued nineteen years later, that much of the best poetical literature of the sixteenth century has come down to us. The first-named passed through eight editions during thirty years: the last issue being dated 1587.
From the amatory verses produced by seventy-one writers during the reign of Henry the Eighth and down to those of the early Georges one hundred and thirteen appear in this love anthology. The limitation of space prevents further biographical particulars being given than the years of birth and death, which will be found in the Table of Contents. As writers do not always agree in this respect, "The Dictionary of National Biography" has been taken as the authority.
Whatever labour has been bestowed on the preparation of this anthology has not been in bulking it out to its present dimensions, but rather in keeping it within the prescribed limits; and, at the same time, furnishing these best examples of the love verses of the numerous authors who have been requisitioned for the purpose of this volume of "Tudor and Stuart Love Songs."
J. P. B.
CONTENTS.
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