Storieta
English
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About this book

Mountain Blood is a work of regional fiction set in the rugged hills of Virginia, where the daily rhythms of mountain life shape the narrative. The novel opens with a vivid sunrise over the town of Stenton, as the Greenstream stage, an old‑fashioned surrey pulled by powerful horses, begins its arduous trek toward the isolated valley beyond. The opening passage introduces a cast of passengers, an austere priest, a chatty schoolgirl, a flamboyantly dressed young man, and the hard‑working driver Gordon Makimmon, while the landscape shifts from dusty plains to steep, fern‑lined gorges, establishing a sense of place that will permeate the story.

The prose reflects the late‑19th‑century sensibility of a writer attuned to both the physical harshness and the social intricacies of a mountain community. Its detailed description, measured dialogue, and occasional humor convey a voice that is at once earthy and slightly formal, echoing the period’s regional novels. Readers who enjoy immersive settings, character‑driven tales of frontier societies, and a measured, descriptive style will find this novel a rewarding glimpse into a bygone Virginia world.

Characters in Mountain Blood

  • Gordon MakimmonSturdy late‑19th‑century stage driver, weather‑worn face, broad hat, work‑worn shirt, strong hands

The opening · free to read

Ii

It was a mountain surrey, with a top and rolled curtains, three rigid seats, and drawn by ugly, powerful horses in highly simplified harness. At the rear a number of mailbags, already coated with a dun film, were securely strapped.

The driver lounged forward, skilfully picking flies with his whip from the horses' backs. He had a smooth countenance, deeply tanned, and pale, clear blue eyes. At his side sat a priest in black, a man past middle age, with ashen, embittered lips, and a narrowed, chilling gaze. They were silent, contemplative; but, from the seat behind them, flowed a constant, buoyant, youthful chatter. A girl with a shining mass of chestnut hair gathered loosely on a virgin neck was recounting the thrilling incidents of "commencement week" for the benefit of a heavily-built young man with a handsome, masklike countenance. On the last seat a carelessly-garbed male was drawing huge clouds of smoke from a formidable cigar.

Gordon Makimmon, the driver, did not know the latter. He had engaged and paid for his seat the night before, evading such indirect query as Makimmon had addressed to him. It was a fundamental principle of Greenstream conduct that the direct question was inadmissible; at the same time, the inhabitants of that far, isolated valley were, on all occasions, coldly curious about such strangers, their motives and complexions of mind, as reached their self-sufficient territory. This combined restriction and necessity produced a wily type of local inquisitor. But here Gordon's diplomacy had been in vain, his surmising at sea. The others were intimate and familiar figures:

Father Merlier's advent into Greenstream had occurred a number of years before. He had arrived with papers of introduction to one of the few papist families in that rigorously protestant neighborhood; and, immediately, had erected outside the village of Greenstream a small mission school and dwelling, where he addressed himself to the herculean task of gaining converts to his faith. At first he had been regarded with unconcealed distrust--boys, when the priest's back was turned, had thrown stones at him; the turbulent element, on more than one occasion, had discussed the advisability of "running" him from the community. But it was true of both boys and men that, when they had confronted the beady, black glitter of Merlier's unfaltering gaze, encountered the patent contempt of his rigid lips, they had subsided into an unintelligible mutter, and had been glad to escape.

He became an habitual sight, riding a blooded mare through the valley, over lonely trails, and was finally accepted as a recognized local institution. His title and exotic garb, the grim quality of his manhood, his austere disregard for bodily welfare, his unmistakable courage--more than any other human quality extolled throughout Greenstream--became a cause of prideful boasting in the County.

Gordon Makimmon had known Lettice Hollidew, now speaking in little, girlish rushes behind him, since her first appearance in a baby carriage, nineteen or twenty years back. He had watched her without particular interest, the daughter of the richest man in Greenstream, grow out of sturdy, barelegged childhood into the girl he had now for five years been driving, in early summer and fall, to and from the boarding school at Stenton.

She was, he had noted, reserved. Other schoolgirls, in their passages from their scattered upland homes, were eager to share Gordon's seat by the whip; and, with affected giggling, or ringing bursts of merriment, essayed to drive the wise, heedless mountain horses. But Lettice Hollidew had always shrunk from the prominent place on the stage; there was neither banter nor invitation in her tones as she greeted him at the outset of their repeated trips, or as she gravely thanked him at the end of the day's journey.

Her father--he was reputed to possess almost half a million dollars--was a silent man, suspicious and wary in his contact and dealings with the world; and it was probable that those qualities had been softened in Pompey Hollidew's daughter to a habit of diffidence, to a customary, instinctive repression.

No such characteristics laid their restraint on Buckley Simmons, her present companion. His immobile face, with its heavy, good features and slow-kindling comprehension, was at all times expressive of loud self-assertion, insatiable curiosity, facile confidence; from his clean shaven lips fell always satisfied comment, pronouncement, impatient opinion. If Hollidew was the richest man in Greenstream Valentine Simmons was a close second. Indeed, one might be found as wealthy as the other; as a matter of fact, the Simmons holdings in real estate, scattered broadcast over the county, would realize more than Hollidew could readily command--thus Valentine Simmons' son, Buckley.

He was elaborately garbed in grey serge, relentlessly shaped to conform to an exaggerated, passing fashion, a flaring china silk tie with a broadly displayed handkerchief to match, yellow-red shoes with wide ribbands, and a stiff, claret-colored felt hat.

Gordon Makimmon, with secret dissatisfaction, compared himself with this sartorial model. Gordon's attire, purely serviceable, had apparently taken on a protective coloring from the action of time and the elements; his shirt had faded from a bright buff to a nondescript shade which blended with what had once been light corduroy trousers; his heavy shoes, treated only the evening before to a coat of preservative grease, were now covered with muck; and, pulled over his eyes, a shapeless canvas hat completed the list of the visible items of his appearance.

He swore moodily to himself as he considered the picture he must present to the dapper youth and immaculate girl behind him. He should have remembered that Lettice Hollidew would be returning from school to-day, and at least provided an emergency collar. His sister Clare was always scolding him about his clothes ... but Clare's was very gentle scolding.

A species of uncomfortable defiance, a studied contempt for appearance, possessed him: he was as good any day as Buckley Simmons, the clothes on whose back had probably been stripped from the desperate need of some lean mountain inhabitant trading at the parental Simmons' counter. The carefully cherished sense of injury grew within him; he suspected innuendoes, allusions to his garb, in the half-heard conversation behind him; he spoke to his horses in hard, sharp tones, and, without reason, swept the whip across their ears.

Iii

Meanwhile, they drew steadily over the plain; the mountains before them gradually lost their aspect of mere silhouette; depths were discernible; the blue dissolved to green, to towering slopes dense with foliage. Directly before them a dark shadow steadily grew darker, until it was resolved into a cleft through the range. They drew nearer and nearer to the pierced barrier, the road mounted perceptibly, the trees thickened by the wayside. A covey of dun partridge fluttered out of the underbrush.

The sun was high in a burning grey vault, and flooded the plain with colorless, bright light. The stage paused before entering the opening in the rocky wall; the stranger in the rear seat turned for a comprehensive, last survey. Simmering in a calorific envelope the distant roofs and stacks of Stenton were visible, isolated in the white heat of the pitiless day. Above the city hung a smudge, a thumbprint of oily black smoke, carrying the suggestion of an intolerable concentration, a focal point of the fiery discomfort. In the foreground a buzzard wheeled, inevitable, depressing.

With a sharp flourish of his whip Gordon urged the stage into the cold humidity of the gorge. Stenton and the plain were lost as it passed between close, dripping rocks, rank verdure, masses of gigantic, paleolithic fern.

Iv

The dank, green smell hung in their nostrils after they had left the ravine for a fertile tableland. They trotted through a village strung along the road, a village of deeply-scrolled eaves under the thick foliage of maples, of an incredible number of churches--"Reformed," "Established," qualified Methodist, uncompromising Baptist. They were all built of wood, and in varying states of repair that bore mute witness to the persuasive eloquence of their several pastors.

Beyond, the way rose once more, sunny and dusty and monotonous. The priest was absorbed, muttering unintelligibly over a small, flexible volume. The conversation between Lettice Hollidew and Buckley fell into increasing periods of silence. The stranger lit a fresh cigar, the smoke from which hung out back in such clouds that the power of the stage might well have been mistaken for steam.

The road grew steeper still, and, fastening the reins about the whipstock, Gordon swung out over the wheel and walked. He was a spare man, sinewy and upright, and past the golden age of youth. He lounged over the road in a careless manner that concealed his agile strength, his tireless endurance. This indolent carriage and his seemingly slight build had, on more than one occasion, been disastrously misleading to importunate or beery strangers. He could, and did, fight whenever chance offered, with a cold passion, a destructive abandon, that had won him, throughout the turbulent confines of Greenstream, a flattering measure of peace.

In this manner his father, just such another, had fought before him, and his grandfather before that. Nothing further back was known in Greenstream, It was well known that the first George Gordon Makimmon--the Mac had been speedily debauched by the slurring, local speech--had made his way to Virginia from Scotland, upon the final collapse of a Lost Cause. The instinct of the highlander had led him deep into the rugged ranges, where he had lived to see the town and county of Greenstream crystallize about his log walls and stony patch.

There, finally breaking down the resistance of a heroic constitution, he had succeeded in drinking himself to death. His son had grown up imbued with local tradition and ideas, and was settling seriously to a repetition of the elder's fate, when the Civil War offered him a wide, recognized field for the family belligerent spirit. He was improving this chance to the utmost with Morley's Raiders when a slug ended his activities in the second year of the war.

It was characteristic of the Makimmons that they should each have left their family in precarious circumstances. They were not, they would contemptuously assert, farmers or merchants. When the timber was cut from the valley, the underbrush burned, and the superb cloth of grass started that had formed the foundation of a number of comfortable fortunes, the Makimmons, scornful of the effort, had remained outside the profit.

Such income as they enjoyed had been obtained from renting their acres to transient and indifferent farmers. In the crises of life and death, or under the desire for immediate and more liquor, they sold necessary slices. This continued until nothing remained for the present Gordon Makimmon but the original dwelling--now grotesquely misshapen from the addition of casual sheds and extensions--and a small number of acres on the outskirts of town.

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