Storieta
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About this book

A Man of Two Countries is a political‑fiction set against the rugged backdrop of Montana and the Canadian frontier, where the disappearance of buffalo and Indigenous peoples frames a world in flux. The novel opens with a sweeping, almost lyrical address to readers who love the “splendid Commonwealth of Montana” and the “great Province of Alberta,” then plunges into a bustling river scene on the Missouri at Bismarck. Here Philip Danvers, a young Englishman, and a cast of rough‑spoken frontiersmen, traders, and recruits clash over boarding rights, enlistments, and the promise of law and commerce. The opening chapter, “Twisting the Lion’s Tail,” mixes vivid river imagery with rapid dialogue, establishing a tapestry of rivalries, friendships, and the looming contest between American ambition and British‑Canadian authority.

The prose is dense and ornate, echoing late‑19th‑century adventure narratives that blend regional “local color” with political intrigue. Harriman’s style is dialogue‑heavy, peppered with dialect and long, descriptive passages that evoke the era’s frontier optimism and tension. Readers who enjoy historical sagas rich in period speech, complex social dynamics, and a setting that moves from river rapids to prairie towns will find this work engaging. It appeals especially to those fascinated by the interplay of American expansionism and Canadian nation‑building, as well as lovers of early Western literary textures.

Characters in A Man of Two Countries

  • Philip DanversYoung Englishman, crisp waistcoat, high-collared shirt, straw hat, neat moustache

The opening · free to read

To one who came to know and to love the region after the surging tide had exterminated the buffalo and worse than exterminated the Indian,--to one who appreciates the limitless possibilities of the splendid Commonwealth of Montana on the one side and the great Province of Alberta on the other of that invisible line which now draws together instead of separating men of a common tongue, this period seems tremendously interesting. The "local color" has, perhaps, not been squeezed from too many tubes. Types stand out; never individuals.

As types, therefore, the characters of this book weave their story as the shuttle of time, filled with the woof of hidden purpose and open deed, runs through the warp of their friendships and enmities.

And with the less attractive strands the shifting harness of place and circumstance enmeshes a thread of Love's gold.

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