Storieta
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About this book

The work is a biographical narrative of Thomas Wolsey, the great cardinal and chief minister of Henry VIII, drawn from the memoirs of his intimate servant George Cavendish. The opening pages set the stage by placing Wolsey’s career amid the tumult of early‑sixteenth‑century Europe, citing the captivity of the French king and the Pope, the sack of Rome, and Henry’s divorce as the backdrop against which Wolsey rose from humble origins to unrivaled power and then fell precipitously. Cavendish describes his own role as a faithful attendant who witnessed both the cardinal’s triumphs and his downfall, promising a “faithful picture of his life” that blends personal anecdote with the larger political currents of England, France and Spain. The introduction also notes the manuscript’s complex transmission history, from its 1641 printing to modern scholarly editions, and the presence of supplementary material on Anne Boleyn and comparative essays.

The text reads in a conversational, almost conversational style that eschews the formal classical rhetoric of earlier biographies. Cavendish’s voice is that of a sincere, sometimes plaintive eyewitness, offering direct dialogue and vivid scene‑setting that make the reader feel present at courtly events. The language, while occasionally archaic in spelling, retains a natural eloquence that modern readers find accessible. Scholars of Tudor history, admirers of Henry VIII’s court, and anyone interested in the interplay of politics, religion, and personality in early modern England will appreciate the blend of personal memoir and historical detail.

Who appears in The Life of Cardinal Wolsey

  • Thomas WolseyBald high forehead, thin beard, scarlet cardinal robes, jeweled mitre, dignified Tudor portrait
  • Henry VIIIRobust middle‑aged king, dark beard, white ruff, lavish embroidered doublet, regal posture
  • Queen KatherineSpanish‑heritage queen, dark hair, modest veil, fine silk gown, pearl necklace, dignified expression

The opening · free to read

Obedient Humble Servant,

S. W. SINGER.

PREFACE.

Perhaps few periods of English history are more remarkable than that which comprised the fortunes of Wolsey; a period which had to boast the most illustrious potentates who have ever filled the thrones of Europe. The age of Henry was also that of Leo, of Charles, and of Francis:--a period big with political events of singular interest:--the captivity of the French monarch and of the Roman Pontiff,--the sacking of Rome,--the divorce of Queen Katherine,--and the train of circumstances which led the way to the Reformation,--Events in which Wolsey's hand may be often traced, and in some of which he was a principal actor. The record of his life and its vicissitudes,--his humble origin--his towering fortunes, and his sudden fall,--could not well fail of interesting even in ordinary hands:--But he has been extremely fortunate in his biographer. The narrative contained in the following pages, of course, only affords a glance at these events; it is not the work of a professed historiographer, but the production of a simple-hearted and honest eyewitness of what he relates. George Cavendish was the faithful attendant of this princely prelate in his triumphant as well as in his declining fortunes:--One who failed him not in his adversity, but shed over his fallen master the tears of affection, performed for him the last sad offices of humanity, and then in his retirement sat down with honest indignation to vindicate him from slander, and to transmit to future ages a faithful picture of his life, with a sacred regard to truth.

It is this circumstance which renders his work so much more interesting than any thing of a similar kind with which I am acquainted. We are here occasionally introduced to the secret recesses of the private life of one of the most distinguished statesmen the world ever saw; of one who not only divided the sway of empire with his monarch, but who governed or influenced the conduct alternately of France and Spain; whose power for a time was almost unlimited, and whose magnificence has never been exceeded.

There is a sincere and impartial adherence to truth, a reality in Cavendish's narrative, which bespeaks the confidence of his reader, and very much increases his pleasure. It is a work without pretension, but full of natural eloquence, devoid of the formality of a set rhetorical composition, unspoiled by the affectation of that classical manner in which all biography and history of old time was prescribed to be written, and which often divests such records of the attraction to be found in the conversational style of Cavendish. There is an unspeakable charm in the naïveté of his language--his occasional appeals to his reader--and the dramatic form of his narration, in which he gives the very words of the interlocutors, and a lively picture of their actions, making us as it were spectators of the scenes he describes. Indeed our great poet has literally followed him in several passages of his King Henry VIII. merely putting his language into verse. Add to this the historical importance of the work, as the only sure and authentic source of information upon many of the most interesting events of that reign; from which all historians have largely drawn, (through the secondary medium of Holinshed and Stowe, who adopted Cavendish's narrative,) and its intrinsic value need not be more fully expressed.

Upon the death of the Cardinal his master, Cavendish relates that the king gave him the same appointment, of Gentleman Usher, in his service, which he had filled in the household of Wolsey: yet at the close of his work he tells us that he returned to his own home in the country. Whether his retirement was only temporary, or whether he then took his final leave of the court, we have no exact means of ascertaining. In his poems he does not mention having served the king, yet dwells upon his faithful services to the Cardinal; but the information he displays upon the principal subsequent events of the reign of Henry, and that of Edward VI. seems to lead to the conclusion that he was a spectator of them. In retirement he would have hardly been able to obtain the acquaintance with public affairs which his poems show that he possessed. The circumstance of his sitting down to write in the reign of Philip and Mary[1], "to eschewe all ociosite," would seem to point to that as the period of his retirement, or otherwise his conscience had long slumbered before it accused him that his "tyme he spent in idelnes."

The fate of this Life of Wolsey has been indeed singularly unfortunate; after remaining in manuscript nearly a century, it was first printed in 1641, for party purposes, but in such a garbled form as to be hardly recognized for the same work, abridgment and interpolation having been used with an unsparing hand. Its author too had been robbed of his literary honours, which were bestowed upon his younger and more fortunate brother Sir William Cavendish, until the year 1814, when his cause was ably advocated in a Dissertation by the Rev. Joseph Hunter, F.A.S. author of the History of Hallamshire. I am indebted to the kind intervention of my friend J. H. Markland, Esq. for the privilege of reprinting that Dissertation, which the reader will find at the commencement of the volume, and will, I doubt not, be gratified in the perusal. It affords the best example of clear argumentative solution of a literary paradox from circumstantial evidence with which I am acquainted, at the same time it is so skilfully interwoven with curious matter bearing upon the question, as not only to divest it of the sterile character with which disquisitions of the same kind from less able hands have been marked, but to render it very interesting. I owe Mr. Hunter my best acknowledgements for the ready manner in which the favour was conferred, and I look to have the thanks of those, who are yet unacquainted with it, for uniting this tract with the work of George Cavendish, from which it should never again be disjoined. For all that relates to the Life of Wolsey and its author, therefore, I shall beg leave to refer to this source of information; and it will only remain for me to give an account of the present edition.

Having purchased two valuable ancient manuscript copies of the work, one of them from among the duplicates of the late Duke of Norfolk's library[2], I conceived that the text might be very much improved by collation of these and the several manuscripts in private and public libraries. Upon naming the design to my friend Mr. Douce, he mentioned to me a very curious copy in the possession of Mr. Lloyd, which contained some verses apparently by the same author, and which from this circumstance might have some claim to be considered the author's original autograph. Upon application to that gentleman, he, with a liberality which calls for my warmest thanks, immediately placed the manuscript in my hands. I at once saw that its pretensions were undoubted, and that it contained not only a more valuable text of the Life, but a series of poems, evidently in the hand writing of the author, with occasional corrections and interlineations, and thus attested:--"_per le Auctor_ G. C." in numerous places. On the first blank leaf is written in the same hand with the body of the manuscript, "_Vincit qui patitur_ q^d G. C. Maxima vindicta paciencia;" and then "Cavendysh de Cavendysh in Com. Suff. gent." and beneath, "I began this booke the 4. day of Novemb^r." On the reverse of the same leaf is another Latin sentence and the motto of Cavendish, Cavendo tutus. On a succeeding blank leaf is the name of a former possessor, C. Rossington[3], under which is written in another hand, "i. e. Clement Rossington of Dronfield, Gent. whose son Mr. James Rossington gave me this MS." It is remarkable that it should have passed into the possession of a person in Derbyshire. Those who have made Sir William Cavendish the author would have seized upon this circumstance with avidity as lending colour to their assertion, and would probably have argued that the initials G. C. by which George Cavendish has attested it as his production in so many places, were intended to designate Gulielmus Cavendish. Mr. Hunter has, however, settled the question beyond the possibility of dispute; it is sufficient to remark here that Sir William Cavendish died in 1557, and that this manuscript affords unequivocal evidence that the writer survived Queen Mary, who died at the close of 1558. Unfortunately the first leaf of the text of the Life is wanting. At the end of the Author's Address to his Book, with which the poems conclude, is the date of the completion of the manuscript, which will be found on the plate of fac-similes:

Finie et compilé le xxiiij jour de Junij.

A^o. Regnor. Philippi Rex & Regine Marie iiij^{to}. & v^{to}.

Per le Auctor G. C.

Novus Rex, nova lex, Nova sola Regina, probz. pene ruina.

This invaluable acquisition made me at once change my plan, and proceed earnestly to the work of transcription; feeling convinced that all other manuscripts were, in comparison, of little authority, I determined to follow this, as most entitled to confidence. Upon comparing it with my own manuscript copies and the text of Dr. Wordsworth, I found that it supplied the chasm which, for some unknown reason, is found in all the manuscripts that have come under my notice. The suppressed passages contain the description of a boar hunt, and an account of the libels written against Wolsey by the French[4]; the imperfection is generally indicated by a blank space being left, which in Mr. Douce's MS. is accompanied by a note saying, "in this vacante place there wanteth copy." It was at first my intention to give various readings, but upon closer comparison I found this would have been impracticable, because the text, as it appears in Dr. Wordsworth's edition and in the common manuscript copies, has been almost entirely rewritten; changes in the structure of the phrase and verbal discrepancies occur in almost every line. Under such circumstances I was obliged to content myself with indicating the most important variations, I mean such as in any way affected the meaning of the text. I have however availed myself of my own manuscript copies, or of Dr. Wordsworth's edition, to supply an occasional word or phrase which seemed necessary to the sense of a passage, but have always carefully distinguished these additions, by enclosing them in brackets.

It is not easy to account for the extraordinary difference in the language of the original autograph copy and the later manuscripts, by any other means than a supposition that the copyist thought he could improve the style of Cavendish, which is indeed sometimes involved and obscure, but many of the discrepancies have clearly arisen from the difficulty of reading his hand-writing, and the substitutions most frequently occur where the original manuscript is the most illegible. It is scarcely probable that Cavendish wrote another copy, for he was already, as he himself says, old, and probably did not survive the date of the completion of this MS. above a year. There are no additions of the least importance in the more recent copies; the few which occur have been carefully noted.

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