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Hours with the Mystics is a scholarly survey of the development of mystic thought, assembled after many years of diligent research by Robert Alfred Vaughan. The work opens with a self‑conscious justification for its re‑publication, noting that the first edition appeared in 1856 and that the author’s extensive reading and revisions, completed posthumously by his father and widow, rendered the text indispensable for those interested in the history of religious opinion. Vaughan’s preface traces his own literary journey from youthful poetry through early essays on Origen, dramatic pieces, and theological studies in Germany, culminating in the two‑volume treatise that maps mysticism from the Eastern Fathers to the French and German mystics of the fourteenth century. The narrative is framed by personal anecdotes, contemporary commendations, and a catalogue of the languages he mastered to pursue his subject.

The volume reflects the earnest, Victorian‑era voice of a scholar‑pastor who combined rigorous scholarship with a poetic sensibility. Its prose is dense yet earnest, interweaving biographical detail with critical commentary, and it retains the occasional flourish of the period’s moral earnestness. Readers who appreciate 19th‑century intellectual history, the interplay of theology and literature, or the meticulous tracing of doctrinal currents will find Vaughan’s methodical yet heartfelt approach rewarding.

The opening · free to read

New York Charles Scribner’s Sons 743 & 745 Broadway 1893

PREFACE TO THE THIRD EDITION.

The work which is now again published was the result of too many years’ steady application, and has served too great an intellectual use in the special department of thought of which it treats, to be allowed to fall into oblivion. Certainly the reading which the author thought it necessary to accomplish before he presented his conclusions to the public was vast, and varied. That the fruit of his labours was commensurate may be gathered from the honest admiration which has been expressed by men knowing what hard study really means. The first edition of the ‘Hours with the Mystics’ appeared in 1856; the second was, to a great extent, revised by the author, but it did not appear until after his death. It was edited by his father, though most of the work of correction and verification was done by the author’s widow.

There is no intention of writing a memoir here. That has already been done. But it has been suggested that it might be interesting to trace how Mysticism gradually became the author’s favourite study. To do that it may be well to give a very short sketch of his literary career.

From the time he was quite a child he had the fixed idea that he must be a literary man. In his twenty-first year (1844) he published a volume of poems, entitled ‘The Witch of Endor, and other Poems.’ The poetry in this little volume—long since out of print—was held to give promise of genius. It was, of course, the production of youth, and in after years the author was fully conscious of its defects. But even though some critics (and none could be a harder critic of his own work than himself) might point out an ‘overcrowding of metaphor’ and a ‘want of clearness,’ others could instance evidences of ‘high poetical capability’ and ‘happy versification.’ But at the time it was thought desirable that the young poet should turn his attention to prose composition with the same earnestness. With that object his father proposed to him the study of the writings of Origen, with a view to an article on the subject in the British Quarterly Review. When just twenty-two the author finished this task, his first solid contribution to the literature of the day. The article showed signs of diligence and patient research in gaining a thorough knowledge of the opinions of the great thinker with whom it dealt. ‘It is nobly done,’ Judge Talfourd wrote. ‘If there is some exuberance of ornament in the setting forth of his (Origen’s) brilliant theories, it is only akin to the irregular greatness and the Asiatic splendour of the mind that conceived them.’ And the words of the late Sir James Stephen were not less flattering: ‘If I had been told that the writer of it (the article) was a grandfather, I should have wondered only that the old man had retained so much spirit and been able to combine it with a maturity of judgment so well becoming his years.’ We believe it is no presumption to say that the article has not ceased to be useful to those who wish to gain an idea of the character of one whose name has often been the subject of bitter wordy war between Christian men.

In 1846, a dramatic piece by Alfred Vaughan, entitled ‘Edwin and Elgiva,’ appeared in the London University Magazine. The subject was one of a most sensational character, and was treated accordingly. Dunstan and his companions are painted in very black colours, and any doubts as to the reality of the cruelties alleged to have been practised on the unhappy Queen are not entertained. Two poems, the ‘Masque of Antony’ and ‘Disenchantment,’ though not published until later, were written about the same date.

At this time, the author was attending the theological course at Lancashire Independent College, of which his father was the president. Having completed his term of residence there, he went over to Halle in order to spend a year in a German University, before entering upon any fixed pastoral work. There he had a good opportunity of studying the state of German religious thought. The following extract from his journal shows the effect produced on his mind:—‘If I am spared to return, I will preach more of what is called the Gospel than I did before. _The talk about adapting religion to the times which is prevalent here, even among the religious, appears to me a miserable mistake. It never needed adapting so much as when the apostles preached it, but they made no such effort._’ It was, too, while studying German speculations that the author adopted the system of philosophy, distinct alike from sceptical and mystical, which is apparent in this his chief work.

It is, we believe, impossible for an earnest mind to go through life without periods of sad and painful doubt. The author was no exception to this rule, and while at Halle he seems to have suffered bitterly. But he knew the one refuge for the doubting heart, and turned to it. In the ‘Dream of Philo,’ written at this time and published in the volumes of ‘Essays and Remains,’ we see some reflection of his own feelings, and the following verses which we venture to quote must, we think, strike a responsive chord in many a heart yearning for peace amidst the turmoil of the world:—

Not a pathway in life’s forest, Not a pathway on life’s sea; Who doth heed me, who doth lead me, Ah, woe is me!

Vain the planting and the training, For life’s tree on every side Ever launches useless branches, Springs not high but spreadeth wide.

Ah, my days go not together In an earnest solemn train, But go straying for their playing, Or are by each other slain.

Listen, listen, thou forgettest Thou art one of many more; All this ranging and this changing Has been law to man of yore.

And thou canst not in life’s city Rule thy course as in a cell There are others, all thy brothers, Who have work to do as well.

Some events that mar thy purpose May light them upon their way; Our sun-shining in declining Gives earth’s other side the day.

Every star is drawn and draweth Mid the orbits of its peers; And the blending thus unending Makes the music of the spheres.

If thou doest one work only, In that one work thou wilt fail; Use thou many ropes if any For the shifting of thy sail.

Then will scarce a wind be stirring But thy canvas it shall fill; Not the near way as thou thoughtest, But through tempest as thou oughtest, Though not straightly, not less greatly, Thou shalt win the haven still.

These verses have been called ‘Alfred Vaughan’s Psalm of Life.’ The lessons taught may be an encouragement to others, as they have been to the author’s son, in times of trial and disappointment.

But it must not be supposed that at this time the author’s thoughts were all devoted to painful doubts and yearnings. He determined while in Germany to unite the labours of a literary man to the work of a pastor. His first plan was to take special periods of Church History and lay them before his readers in the form of dramas. He thus describes his idea:—‘I shall commence the series with Savonarola. I think it will not be necessary to pay regard to chronological order in the order of composition. I may afterwards take up Chrysostom, perhaps Hildebrand, endeavouring in all not merely to develop the character of the principal personage, but to give an exact picture of the religious and political spirit of the times. They must be dramas on the principles of King John or Henry IV., rather than those of Hamlet or Macbeth.’ With this scheme his father did not entirely agree, and the consequence was a considerable correspondence. Dr. Vaughan never doubted the genius of his son, or that something definite would come of his literary tastes, but he appears to have thought that the dramatic form was not a good way in which to bring the result of genuine hard work before the public. As it happened, none of these dramas saw the light, though the plan of the ‘Hours with the Mystics’ shows the strong attachment the author felt for that kind of writing, and it also shows the way in which he could overcome any difficulties arising from its peculiarities. The notion of gentlemen discussing the Mystics, over their wine and walnuts, or in the garden with the ladies in the twilight of a summer evening, has had to encounter the sneers of some harsh critics, but we cannot help thinking that advantage is gained by the device of these conversations, because the talking by various speakers affords an easy opportunity of glancing over many varying theories upon any subject at the same time, while the essayist would find it difficult to keep his line of argument clear, and at the same moment state the divergent lines of thought necessary for the right understanding of the position generally.

The author began definite ministerial work at Bath in 1848. The thoroughness with which he performed his pastoral duties did not give him much time for literary work. The articles written during his stay in that city were those on Schleiermacher and Savonarola. The materials for both essays were collected while at Halle. When writing to inform his father of the completion of the first of the articles, he refers to the Mystics in the following way:—

‘I shall not begin to write another article at once. But I should like to fix on one to have more-or-less in view. There are three subjects on which I should like to write some time or other—(1) Savonarola, for which I have much material; (2) on Mysticism, tracing it in the East, in the Greek Church, in the German Mystics of the 14th century, in the French Mystics, and lastly in those most recent; (3) Leo the Great and his stirring times. I should like to do the Savonarola next. But I should also like to know what you think on these subjects, or on any other you would perhaps like better. The first and third would consist largely of interesting narrative. The second would be rather less popular but more novel.’

The ‘second’ subject was worked up into the two volumes now republished. As it gradually became his favourite study, he felt that the field was expanding before him, and that it would be necessary, if he did justice to his theme, to treat it at a greater length than could be allowed to a magazine article. In the British Quarterly Review articles appeared on ‘Madame Guyon,’ and ‘The Mystics and the Reformers,’ which were simply the first results of his reading for the great work. It was at Birmingham that most of this writing was done: while there he was an indefatigable student. ‘There,’ says a writer in the Eclectic Review, Nov. 1861, p. 508, ‘he made himself familiar with many languages—the old German, the Spanish, even the Dutch, adding these to the Italian, French, Latin, and Greek in the classical and later forms, and all as preparations to the History of Mysticism to which he had pledged himself. The Mystics had thrown a spell upon him. Seldom have they wrought their charms without seducing to their bewildering self-abandonment.... In the case of Alfred Vaughan it was not so; he continued faithful to the high duties of life. He trod the sphere of action and compelled the ghostly band he visited, or who visited him, to pay tribute to the highest religious teaching of Christian truth and life.’ But the body would not keep pace with his mind. In 1855 he was obliged to resign his pastoral charge at Birmingham, and from that time he devoted himself entirely to literature. He wrote several articles and criticisms, chiefly in the British Quarterly amongst these, one on Kingsley’s ‘Hypatia,’ which we believe was much appreciated by the future Canon of Westminster. An article on ‘Art and History’ appeared in Fraser’s Magazine about the same time. And now we reach the first publication of his greater achievement, the ‘Hours with the Mystics.’ In August, 1855, the printing of the original edition began, and was completed in the February of the following year. The author lived long enough afterwards to witness its success, and then swiftly came the end. In October, 1857, Alfred Vaughan passed away into another world where he has doubtless found many of those on whose characters he loved to muse. We will not attempt any analysis of his character, but we cannot resist the impulse to insert one loving tribute to his memory, which appeared in a Birmingham paper (Aris’ Gazette, Nov. 27th, 1857). ‘It has seemed fit to the All-Wise Disposer of events to withdraw from this world one of its holiest and most gifted inhabitants, one who, had his life been prolonged, bade fair to have taken rank among its brightest lights and most distinguished ornaments.... The strength and sweetness, so happily blended in his character, were apparent in his preaching; he was tender enough for the most womanly heart, he was intellectual enough for the most masculine mind. As a writer he had already attained considerable reputation, and promised to become one of the chief luminaries of the age. As a Christian, he was sound in faith, benignant in spirit, and most holy in life; a delighter in the doctrine of God, his Saviour, and an eminent adorner of that doctrine.’

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