Conjure wife

Norman Saylor, professor of ethnology at Hempnell College, was not the sort of man to go snooping around in his wife's dressing room. That was partly the reason why he did it. He was sure nothing could touch the security of the relationship between him and Tansy.

The house was very quiet. Spring sunshine and balmy air were sluicing gently through the bedroom windows. It wasn't five minutes since he had put in the final staccato burst of typing on his "Negro Recruit" brochure for the War Office. It looked as if for once they would have a lazy evening to themselves.

Totem, the cat, rose from her sun-warmed spot on the neatly piled silk quilt and indulged in a titanic, disruptive-looking yawn, neatly folded her white paws under her black waistcoat, and stared solemnly at Norman. Norman copied her yawn, and felt a partial unkinking of the twelve-work-hours-a-day tension that had traced lines on his chunky face and smudged shadows under his clear, yellow-brown eyes. Such moments as this did not come often these days, but when they did come, they sure felt good.

The door of Tansy's dressing room stood invitingly open. It was a tiny room, just a big closet, with no windows. But it was more than a rack of dresses and a creamy dressing table. It was Tansy. On the neat side, but not fussy. A slight pleasant disorder. Very sane--he wondered why that particular word came to his mind, but it hit the spot. A faint perfume conjured up amiable memories.

He studied the photographs on either side of the mirror. One of Tansy and himself in modified Indian costume, from three summers back when he had been studying the Yumas. They both looked rather solemn. Another, slightly faded, of an uproarious Negro baptizing in midriver. That was from when he had held the Hazelton Fellowship and been gathering material for his "Social Patterns of the Southern Negro" and his later "Feminine Element in Superstition." Tansy had done more work than two secretaries that busy year when he was hammering out a reputation.

There was an ample array of cosmetics--Tansy had been the first of the Hempnell faculty wives to use lipstick and lacquer her nails; there had been covert criticism and talk of "setting the students a bad example," but she had stuck it out. Flanked by cold-cream jars was a photograph of himself, with a little pile of small change, dimes and quarters, in front of it.

Idly he slid out a drawer, scanned the pile of stocking rolls, pushed it in, pulled at another, which jammed, so he had to give it a sharp tug. A large cardboard box toward the back caught his eyes. He edged up the cover and took out one of the tiny glass-stoppered bottles. What sort of cosmetic would this be? Too dark for face powder. More like a geologist's soil specimen. An ingredient for a mud pack?

The dry, dark-brown granules shifted smoothly, like sand in an hourglass, as he rotated the glass cylinder. The label appeared, in Tansy's clear script. "Julia Trock, Roseland." A cosmetician? Was Roseland a part of the name, or a place? And why should the idea that it might be a place seem distasteful? His hand knocked aside the cardboard cover as he reached for a second bottle, identical with the first, except that the contents had a somewhat reddish tinge, and the label read, "Philip Lassiter, Hill." A third, contents same color as the first: "J. P. Thorndyke, Roseland." Then a handful, quickly snatched up, of three: "Emelyn Scatterday, Roseland." "Mortimer Pope, Hill." "The Rev. Bufort Ames, Roseland."

The silence in the house grew thunderous; even the sunlight seemed to sizzle and fry, as his mind rose to a sudden pitch of concentration on the puzzle. "Roseland and Hill, Roseland and Hill, Roseland and Hill," like a nursery rhyme somehow turned nasty, making the glass cylinders repugnant to his fingers. "Roseland Hill--"

Abruptly the answer came.

The two local cemeteries.

Graveyard dirt.

Soil specimens all right. Graveyard dirt from particular graves. A chief ingredient of Negro conjure magic.

With a soft thud Totem landed on the table and began to sniff inquisitively at the bottles, but sprang away as Norman plunged his hand into the drawer. He felt smaller boxes behind the big one, yanked suddenly at the whole drawer, so it fell to the floor. In one of the boxes were bent, rusty, worn bits of iron--horseshoe nails. In the other were calling-card envelopes, filled with snippings of hair, each labeled like the bottles, but some of these names he knew. And in one--fingernail clippings.

In the third drawer he drew blank. But the fourth yielded a varied harvest. Packets of small dried leaves and powdered vegetable matter--so that was what came from Tansy's herb garden along with kitchen seasonings? Vervain, vinmoin, devil's snuff. Bits of lodestone, iron filings clinging to them. Goose quills which spilled quicksilver when he shook them. Small squares of flannel, the sort that Negro conjure doctors employed for their "tricken-bags" or "hands." A box of old silver coins and silver filings--strong protective magic; giving significance to the coins, all silver, in front of his photograph.

But Tansy was so sane--so healthily contemptuous of palmistry, astrology, numerology and all the other superstitious fads. A hard-headed New Englander. So well versed, from her work with him, in the psychological background of superstition and primitive magic. And yet--

He found himself thumbing through a dog-eared copy of his own "Parallelisms in Superstition and Neurosis." It looked like the one he had lost around the house--was it eight years ago? Beside a formula for conjuration was a marginal notation in Tansy's script: "Doesn't work. Substitute copper filings for brass. Try in dark of moon instead of full."

"Norman--"

Tansy was standing in the doorway, her hand stopped in the moment of drawing off the little half hat of deep-rose felt that matched her trim dress.

Never before had he had such a feeling that a human face was only an arbitrary arrangement of curved surfaces and colors. The tapering chin--an ellipsoid. The full lips--a complex arrangement of cycloids and other curves. The eyes--white spheres inscribed with gray-green circles centered with black. Without familiarity or significance. And yet, in the same instant he felt that it was desperately important that he spy out a significance. For a faint distortion of those angles and curves--a distortion so subtle as to be almost indiscernible--might signify ... yes, why not say it?... insanity.

The ghost of a smile curved Tansy's lips, and familiarity flooded back into her face.

"So you've found out," she sighed. And although it seemed incredible, he thought she sighed with relief.

For a moment he stood there confused, like a district attorney caught arranging evidence. Then he began his cross-examination.

"It all started so foolishly," she was saying soon. "Just before you came to Hempnell. I felt it was tremendously important that you get the appointment and just to relieve my nerves--no other reason--I did silly things. Put mild curses on the two other applicants, to confuse their thoughts during the interviews. I got the curses from your notes. I surrounded you with a web of protective magic, charmed the sociology faculty to make them regard you favorably.

"Well, you got the job, and I forgot all about my stupid private joke.