
Public-domain ebook
Social Civics
by Munro, William Bennett; Ozanne, Charles Eugene
Language: en3,663 downloads on Project Gutenberg
Subjects
In: History - American·Sociology·Politics
Public-domain ebook sourced from Project Gutenberg #72924.

Public-domain ebook
by Munro, William Bennett; Ozanne, Charles Eugene
Language: en3,663 downloads on Project Gutenberg
Subjects
In: History - American·Sociology·Politics
Public-domain ebook sourced from Project Gutenberg #72924.
Social Civics is a comprehensive textbook on American government and civic life, authored by William Bennett Munro, a Harvard professor of municipal government, and Charles Eugene Ozanne, a high‑school civics teacher. The work opens with a practical note on the handling of diagrams and illustrations, then moves into a frontispiece description of Edward Simmons’s mural of Justice, establishing a tone that blends visual culture with scholarly exposition. The preface outlines the authors’ intent: to go beyond conventional civics texts by linking political structures to economic, social, and international issues, while emphasizing a “central concept” that ties every topic to governmental action. The book’s structure, divided into three parts covering the American environment, the organization of government, and civic activities, promises a broad survey supported by extensive supplementary material such as reference lists, group projects, and debate topics.
The voice is that of early‑twentieth‑century academic prose, formal yet earnest, reflecting the progressive‑era belief in informed citizenship and the capacity of democratic institutions to solve complex problems. Its style combines detailed chapter outlines with occasional philosophical asides on evolution and human nature, and it is illustrated with reproductions of American mural art. Readers who enjoy systematic, interdisciplinary treatments of political science, students, teachers, or anyone interested in the historical foundations of U.S. civic education, will find the book’s methodical approach and rich ancillary resources especially rewarding.
The opening · free to read
There are a number of diagrams that cannot be directly rendered in this version. An attempt has been made for each to retain the information conveyed. For instance, the chart of the various municipal offices facing p. 205 has been rendered here as an indented list.
All illustrations, charts, tables and graphs are accompanied by a separate explanatory page, either preceding or following. Neither are included in the pagination. They have been moved to the nearest logical paragraph break, and demarcated by horizontal rules, which do not appear in the text. A chart, “The Commission Plan”, facing p. 195, is missing from the list of Maps, Charts, and Diagrams.
Minor errors, attributable to the printer, have been corrected. Please see the transcriber’s note at the end of this text for details regarding the handling of any textual issues encountered during its preparation.
The background is the doorway of the criminal court room. Justice stands before the entrance holding in one hand the conventional scales as a token of impartiality, and in the other hand a globe to symbolize the world. Over her left shoulder is draped the national flag. Condemnation and Acquittal are typified by the two children, one of whom holds a sword, the other the dove of peace.
It has been usual to prefigure the Goddess of Justice with her eyes bandaged, in token of her immunity from outside influence. Mr. Simmons, however, has here portrayed Justice with her eyes uncovered, because he believed that “Justice should have her eyes wide open—particularly in New York City”.
The artist’s wife and two children were the models for this painting.
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