
Public-domain ebook
Oration on Voltaire
by Hugo, Victor; Moritzen, Julius
Language: en303 downloads on Project Gutenberg
Subjects
In: Biographies·Essays, Letters & Speeches·French Literature
Public-domain ebook sourced from Project Gutenberg #76789.

Public-domain ebook
by Hugo, Victor; Moritzen, Julius
Language: en303 downloads on Project Gutenberg
Subjects
In: Biographies·Essays, Letters & Speeches·French Literature
Public-domain ebook sourced from Project Gutenberg #76789.
The opening · free to read
Delivered at Paris, May 30, 1878, the hundredth anniversary of Voltaire’s death.
A hundred years ago today a man died. He died immortal. He departed laden with years, laden with works, laden with the most illustrious and the most fearful of responsibilities, the responsibility of the human conscience informed and rectified. He went cursed and blessed, cursed by the past, blessed by the future; and these, gentlemen, are the two superb forms of glory. On his death bed he had, on the one hand, the acclaim of contemporaries and of posterity; on the other, that triumph of hooting and of hate which the implacable past bestows upon those who have combatted it. He was more than a man; he was an age. He had exercised a function and fulfilled a mission. He had been evidently chosen for the work which he had done, by the supreme will, which manifests itself as visibly in the laws of destiny as in the laws of nature.
The eighty-four years which this man lived occupy the interval that separates the monarchy at its apogee from the revolution at its dawn. When he was born Louis XIV still reigned, when he died Louis XVI reigned already; so that his cradle could see the last rays of the great throne, and his coffin the first gleams from the great abyss. [Applause.]
Before going further, let us come to an understanding, gentlemen, upon the word abyss. There are good abysses: such are the abysses in which evil is engulfed. [Bravo!]
Gentlemen, since I have interrupted myself, allow me to complete my thought. No word imprudent or unsound will be pronounced here. We are here to perform an act of civilization. We are here to make affirmation of progress, to pay respect to philosophers for the benefits of philosophy, to bring to the eighteenth century the testimony of the nineteenth, to honor magnanimous combatants and good servants, to felicitate the noble effort of peoples, industry, science, the valiant march in advance, the toil to cement human accord; in one word, to glorify peace, that sublime, universal desire. Peace is the virtue of civilization; war is its crime. [Applause.] We are here, at this grand moment, in this solemn hour to bow religiously before the moral law, and to say to the world, which hears France, this: There is only one power, conscience in the service of justice; and there is only one glory, genius in the service of truth. [Movement.] That said, I continue.
Before the revolution, gentlemen, the social structure was this:
And, at that period of human society, what was the people? It was ignorance. What was religion? It was intolerance. And what was justice? It was injustice. Am I going too far in my words? Judge.
I will confine myself to the citation of two facts, but decisive.
At Toulouse, October 13, 1761, there was found in a lower story of a house, a young man hanged. The crowd gathered, the clergy fulminated, the magistracy investigated. It was a suicide; they made of it an assassination. In what interest? In the interest of religion. And who was accused? The father. He was a Huguenot, and he wished to hinder his son from becoming a Catholic. There was here a moral monstrosity and a material impossibility; no matter! This father had killed his son; this old man had hanged this young man. Justice travailled, and this was the result. On the month of March, 1762, a man with white hair, Jean Calas, was conducted to a public place, stripped naked, stretched upon a wheel, the members bound upon it, the head hanging. Three men are there upon a scaffold, a magistrate, named David, charged to superintend the punishment, a priest to hold the crucifix, and the executioner with a bar of iron in his hand. The patient, stupefied and terrible, regards not the priest, and looks at the executioner. The executioner lifts the bar of iron, and breaks one of his arms. The victim groans and swoons. The magistrate comes forward; they make the condemned inhale salts; he returns to life. Then another stroke of the bar; another groan. Calas loses consciousness; they revive him, and the executioner begins again; and, as each limb before being broken in two places receives two blows, that makes eight punishments. After the eighth swooning the priest offers him the crucifix to kiss; Calas turns away his head, and the executioner gives him the coup de grace; that is to say, crushes in his chest with the thick end of the bar of iron. So died Jean Calas.
That lasted two hours. After his death, the evidence of the suicide came to light. But an assassination had been committed. By whom? By the judges. [Great sensation. Applause.]
Another fact. After the old man, the young man. Three years later, in 1765, at Abbeville, the day after a night of storm and high wind, there was found upon the pavement of a bridge an old crucifix of worm-eaten wood, which for three centuries had been fastened to the parapet. Who had thrown down this crucifix? Who had committed this sacrilege? It is not known. Perhaps a passerby. Perhaps the wind. Who is the guilty one? The Bishop of Amiens launches a monitoire. Note what a monitoire was: it was an order to all the faithful, on pain of hell, to declare what they knew or believed they knew of such or such a fact; a murderous injunction, when addressed by fanaticism to ignorance. The monitoire of the Bishop of Amiens does its work; the town gossip assumes the character of the crime charged. Justice discovers, or believes it discovers, that on the night when the crucifix was thrown down, two men, two officers, one named La Barre, the other d’Etallonde, passed over the bridge of Abbeville, that they were drunk, and that they sang a guard-room song. The tribunal was the Seneschalcy of Abbeville. The Seneschalcy of Abbeville was equivalent to the court of the Capitouls of Toulouse. It was not less just. Two orders for arrest were issued. d’Etallonde escaped, La Barre was taken. Him they delivered to judicial examination. He denied having crossed the bridge; he confessed to having sung the song. The Seneschalcy of Abbeville condemned him; he appealed to the Parliament of Paris. He was conducted to Paris; the sentence was found good and confirmed. He was conducted back to Abbeville in chains. I abridge. The monstrous hour arrives. They begin by subjecting the Chevalier de La Barre to the torture, ordinary and extraordinary, to make him reveal his accomplices. Accomplices in what? In having crossed a bridge and sung a song. During the torture one of his knees was broken; his confessor, on hearing the bones crack, fainted away. The next day, June 5, 1766, La Barre was drawn to the great square of Abbeville, where flamed a penitential fire; the sentence was read to La Barre; then they cut off one of his hands; then they tore out his tongue with iron pinchers; then, in mercy, his head was cut off and thrown into the fire. So died the Chevalier de La Barre. He was nineteen years of age. [Long and profound sensation.]
Then, O Voltaire! thou didst utter a cry of horror, and it will be thine eternal glory! [Thunders of applause.]
Then didst thou enter upon the appalling trial of the past; thou didst plead, against tyrants and monsters, the cause of the human race, and thou didst gain it. Great man, blessed be thou forever! [Renewed applause.]
Gentlemen, the frightful things which I have recalled were accomplished in the midst of a polite society; its life was gay and light; people went and came; they looked neither above nor below themselves; their indifference had become carelessness; graceful poets, Saint-Aulaire, Boufflers, Gentil-Bernard, composed pretty verses; the court was all festival; Versailles was brilliant; Paris ignored what was passing; and then it was that, through religious ferocity, the judges made an old man die upon the wheel, and the priests tore out a child’s tongue for a song. [Vivid emotion. Applause.]
In the presence of this society, frivolous and dismal, Voltaire alone, having before his eyes those united forces, the court, the nobility, capital; that unconscious power, the blind multitude; that terrible magistracy, so severe to subjects, so docile to the master, crushing and flattering, kneeling upon the people before the king [Bravo!] that clergy, vile melange of hypocrisy and fanaticism; Voltaire alone, I repeat it, declared war against that coalition of all the social iniquities, against that enormous and terrible world, and he accepted battle with it. And what was his weapon? That which has the lightness of the wind and the power of the thunderbolt. A pen. [Applause.]
With that weapon he fought; with that weapon he conquered.
Gentlemen, let us salute that memory.
Voltaire conquered; Voltaire waged the splendid kind of warfare, the war of one alone against all; that is to say, the grand warfare. The war of thought against matter, the war of reason against prejudice, the war of the just against the unjust, the war for the oppressed against the oppressor, the war of goodness, the war of kindness. He had the tenderness of a woman and the wrath of a hero. He was a great mind, and an immense heart. [Bravos.]
He conquered the old code and the old dogma. He conquered the feudal lord, the gothic judge, the Roman priest. He raised the populace to the dignity of people. He taught, pacificated, and civilized. He fought for Sirven and Montbailly, as for Calas and La Barre; he accepted all the menaces, all the outrages, all the persecutions, calumny, and exile. He was indefatigable and immovable. He conquered violence by a smile, despotism by sarcasm, infallibility by irony, obstinacy by perseverance, ignorance by truth.
I have just pronounced the word smile. I pause at it. Smile! It is Voltaire.
Let us say it, gentlemen, pacification (apaise-ment?) is the great side of the philosopher: in Voltaire the equilibrium always reestablishes itself at last. Whatever may be his just wrath, it passes, and the irritated Voltaire always gives place to the Voltaire calmed. Then in that profound eye the SMILE appears.
That smile is wisdom. That smile, I repeat, is Voltaire. That smile sometimes becomes laughter, but the philosophic sadness tempers it. Toward the strong, it is mockery; toward the weak, it is a caress. It disquiets the oppressor, and reassures the oppressed. Against the great, it is raillery; for the little, it is pity. Ah, let us be moved by that smile! It had in it the rays of the dawn. It illuminated the true, the just, the good, and what there is of worthy in the useful. It lighted up the interior of superstitions. Those ugly things it is salutary to see; he has shown them. Luminous, that smile was fruitful also. The new society, the desire for equality and concession, and that beginning of fraternity which called itself tolerance, reciprocal good-will, the just accord of men and rights, reason recognized as the supreme law, the annihilation of prejudices and fixed opinions, the serenity of souls, the spirit of indulgence and of pardon, harmony, peace--behold what has come from that great smile!
On the day--very near, without any doubt--when the identity of wisdom and clemency will be recognized, the day when the amnesty will be proclaimed, I affirm it, up there, in the stars, Voltaire will smile. [Triple salvo of applause. Cries, _Vive l’amnestie!_]
The book keeps going
Reading is free forever. Sign up and watch scenes appear while you read.



Scenes Storieta drew for other classics.
New illustrated classics
Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.