
Public-domain ebook
Things near & far
Language: en4,780 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #78106.

Public-domain ebook
Language: en4,780 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #78106.
The work is an autobiographical memoir by Arthur Machen, the Welsh author best known for his horror and fantasy stories. It opens with a lyrical, almost travel‑guide description of the road from Newport to Caerleon, where the narrator paints the landscape of the Usk river, the ruined Roman walls, and the shadowy St. Julian’s Wood. From this vivid setting he moves into a nostalgic scene of two sisters leaving the vicarage, their conversation drifting among parish duties, university ambitions, and the arrival of their brother John from Oxford. The narrative then slips into a melancholy recollection of family deaths, a brief interlude on Machen’s own early literary attempts, and a contemplation of his youthful wanderings through the Welsh countryside. The opening thus establishes a blend of personal history, local colour, and the wistful tone that will carry the memoir forward.
Machen’s voice is richly descriptive, steeped in the cadence of late‑Victorian prose, and his style weaves together detailed observation with a reflective, sometimes elegiac mood. The memoir will appeal to readers who enjoy literary autobiography, especially those interested in the cultural backdrop of 19th‑century Wales, the formative years of a writer who later shaped horror fiction, and anyone who appreciates a narrative that balances the ordinary, family life, university hopes, with the lingering presence of ancient ruins and the natural world.
The opening · free to read
The road from Newport to Caerleon-on-Usk winds, as it comes near to the old Roman, fabulous city, with the winding of the tawny river which I have always supposed must be somewhat of the colour of the Tiber. This road was made early in the nineteenth century when stage-coaching came to perfection, for the old road between the two towns passed over the Roman bridge--blown down the river by a great storm in the seventeen-nineties--and climbed the break-neck hill to Christchurch. Well, this new road as I remember it was terraced, as it were, high above the Usk to the west, and above it to the east rose a vast wood, or what seemed a vast wood in 1870, called St. Julian’s Wood, of some fame as a ghostly place. It was cut down long ago by an owner who thought timber of high growth better than ghosts.
On the one side, then, the steep dark ascent of St. Julian’s Wood; on the other, the swift fall of the bank to the yellow river, where, likely enough, there would be a man in a coracle fishing for salmon. And then there came a certain turn, where suddenly one saw the long, great wall of the mountain in the west, and the high dome of Twyn Barlwm, a prehistoric tumulus; and down below, an island in the green meadows by the river, the little white Caerleon, shining in the sun. There is a grey wall on one side of it, a very old and mouldering wall to look at, and indeed it is old enough, for it is all that remains of the Roman wall of Isca Silurum, headquarters of the Second Augustan Legion.
But there, white in the sun of some summer afternoon of fifty years ago or so, Caerleon still stands for me shining, beautiful, a little white city in a dream, with the white road coming down the hill, from Newport, down out of St. Julian’s Wood, and so to the level river meadows, and so winding in a curve and coming to the town over the bridge.
That is my vision of the place where I was born; no doubt the recollection of driving home beside my father on some shining summer afternoon of long ago; but of later years another vision of the same white town and white road has come to me. I have “made this up,” as the children say, though, no doubt, it is all true. The time now goes back from the early ’seventies to the early ’fifties, and two young ladies are setting out from the Vicarage--it stood practically in the churchyard, pretty well in the position of that other, that illustrious Vicarage at Haworth, and my Aunt Maria could never see any reason why a vicarage should not be in a churchyard--the two young ladies closed the Vicarage door, and made their way down the deserted street, where the grass was green between the cobble-stones, and so passed over the bridge and into the Newport road. They were going to meet John, home from Jesus College, Oxford; and no doubt they talked eagerly of how well John was doing at Oxford, and wondered when he would be ordained, and where his first curacy would be, and what a good clergyman he would make, and how they hoped he would marry somebody nice, and what a pity it was that John was not at home when Mr. Tennyson came to Caerleon and stayed at the Hanbury Arms, and smoked a black clay tobacco pipe with his feet on the mantelpiece; very odd, but poets always were odd people and “Airy Fairy Lilian” was very pretty. The Vicar had called of course, and had been a little shocked at the pipe; still, Papa was always so amiable and ready to make allowances.
“Your grandfather,” Aunt Maria said to me years afterwards, “was a most amiable man, but he could not bear radishes or the Adeste fideles.”
Well, the two young ladies, Anne and Maria, shading themselves from the heat of the sun with their fringed parasols, pace decorously along the Newport road discussing these and many other matters; parish-matters, of helping poor people and old people and sick people; county matters, the great doings that there would be at the Park when Sir (?) Hanbury Leigh was to have a great party from London on August 12th to shoot grouse on the mountain; Church matters; how a Mr. Leonard had just been given the living of Kemeys Commander and had actually been heard to say, “I call myself a Catholic priest” and, in spite of the Creeds, wasn’t that going rather far? And what would John say to that? And, somehow, I fancy the talk came circling again and again back to John, and how glad he would be to be at home again, and how lucky it was that Mrs. Williams Pantyreos had come in that very morning because John always said that he never got butter like the Pantyreos butter anywhere, and how it was to be hoped that the weather would keep up till Wednesday when they were all going to drive to Aunt Mary’s at Abergavenny--except Mamma, who said, “Young gadabout ne’er won a clout”--and how this beautiful sunshine must be doing Cousin Blanche’s cough a great deal of good: John would like to see Cousin Blanche again.
And so on, and so on, and the two sisters walk along the white limestone road, picking a flower now and again, for Anne paints flowers and Maria is much interested in Botany--I am not sure whether she had acquired Miss Pratt’s three-volume work on the subject at that date. And the evening draws along, and the sun hangs over the huge round of Mynydd Maen in the west, and the scents of St. Julian’s dark, deep wood fill the stilled air; till Maria says suddenly: “Anne! here is the omnibus at last, and, there! I believe I can see John’s face.”
The old dim yellow and faded chocolate omnibus from the Bull--I remember it in its last days just before they made the line, and never will I speak of this omnibus as a ’bus--comes lumbering on its way, and the old driver, recognising the “two Miss Joneses the Vicarage” and knowing that Master John is inside, causes it to stop. John, a mild-looking young man with little side whiskers, gets out and kisses his sisters; and the three then get in, and the omnibus lumbers down the hill towards Caerleon, the three chattering of Oxford, of plans and prospects, of Caerleon news and how happy Papa looked at breakfast. And so the evening draws on and the shadows deepen and the walls of white Caerleon glimmer and grow phantasmal like the old grey Roman wall as they cross the bridge and the Usk swims to high tide, the tawny yellow tinged with something of the sunset redness that glows over the mountain. The three are talking and chattering all the while, making plans for holidays and happiness and long bright years and the joy of life--a correct joy, but still joy--before them, and John is enquiring eagerly after Cousin Blanche and nodding and smiling to the Bluecoat boys and girls and saying: “I’ll unpack my box to-night and show you my prizes--Parker’s ‘Gothic Architecture,’ in three volumes, and Hooker and a lot more,” and they are hoping again and again that Wednesday will be fine, and Blanche is sure to be quite well by this, and John is feeling his young cheeks grow a little red when--it is night.
Alas! They are all dead, years and years ago. The kind Vicar and his grim, good wife are dead. Poor Cousin Blanche perished of consumption in her fresh youth; no summer sun could allay the racking of that cough of hers. Anne followed her, by the same way to the same end: I have the “Holy Dying” that John, my father, gave her. There are two inscriptions in it; one facing the rubricated title-page, now “foxed” with time. This runs:
To Anne E. Jones from her affectionate Brother John Edward On her Birthday, and in remembrance of the 29th September, 1857[A] April 16th, 1858.
[A] The date, I think, of their father’s death.
The other, on the recto of the leaf, is as follows:
Johannes Edvardus Jones, In memoriam A.E.J.J. Quæ obdormivit in Jesu 29 mo Martii MDCCCLIX
And those of the party that lived longer knew more of sorrow, and more of broken hopes and of dreams that never came true. And thus, advisedly, I begin this second chapter in the story of a young man’s dreams and hopes and adventures. _Ego quoque_--I am forgetting my Latin tags--I, too, have walked on the white road to Caerleon.
To walk a little faster, to comply, in fact, with the request of the whiting in Lewis Carroll’s beautiful Idyll, the end of 1884 and the beginning of 1885 found me in something of a backwater. “The Anatomy of Tobacco,” the book I had written in the 10 by 6 cell in Clarendon Road, Notting Hill Gate, had been published in the autumn of 1884, and soon after I had set about the translating of the “Heptameron.” Every evening I worked at this task till it was ended; and now it was done, and there seemed nothing to do next. I wandered up and down the country about Llanddewi Rectory in my old way, lost myself in networks of deep lanes, coming out of them to view woods that were strange and the prospect of hills that guarded undiscovered lands. Thus on my wider and more prolonged travels, but I had haunts near home, nooks and retreats where nobody ever came. There was an unfrequented lane, very dark, very deep, that led from a hamlet called Common Cefn Llwyn--the Ridge of the Grove--to Llanfrechfa, used scarcely at all save by labouring men going to their work in the early morning and returning in the evening. All the length of this lane there was only one house in sight--the farms in Gwent are mostly in the heart of the fields, remote even from the by-ways--and this one house must have fallen into ruin eighty or a hundred years ago. From what remained one judged that it had been the petit manoir of some dead and forgotten race of little squires; it was of grey stone, of fifteenth-century workmanship, and the corbels supporting the chimney were still sound and clean cut. All about the old broken house were the ruins of the garden, apple trees and plum trees run wild, hedges that had become brakes, a confusion of degenerate flowers; and by the tumbledown stile that led to this deserted place I would linger for an hour or more, wondering and dreaming and setting my heart on the hopeless endeavour of letters. Weather made no difference to my goings; a heavy greatcoat, boots with soles an inch thick, and leather gaiters up to the knee, made a wild wet winter’s day a thing to be defied and enjoyed; and indeed I loved to get abroad on such days and see all the wells of the hills overflowing and rushing down to swell the Soar or the Canthwr, red and foaming, and making whirlpools of barmy froth as they fell into the brooks. And then, when the rain changed to snow, what a delight to stand on some high, lonely place and look out on the wide, white land, and on the hills where the dark pines stood in a ring about some ancient farm: to see the wonder of the icy sunlight, of the violet winter sky. These were my great adventures, and I know not whether in reality there are any greater, since it is a great thing to stand on the very verges of an unknown world.
So the winter of ’84–85 went on and I dreamed and wondered and did nothing, though I was nearing the age at which many a young man has produced his first novel with success and acclaim. I never could do these things, and still I cannot do them. I knew that I had no business to be loafing and mooning about the rectory, a burden on my poor father--the “John” of that happy return of the ’fifties had by this time experienced sorrows and pains and miseries of all sorts. My mother had been a hopeless invalid for fifteen years, my father’s health had failed and he had become very deaf, the poor “living” of Llanddewi Fach had grown poorer still through the agricultural smash of 1880, he was in dire and perpetual straits for money, he underwent most of the mortifications which are allotted to the poor. It makes me grieve to this day to remember with what piteous sadness he would lean his head on his hand; he had lost hope; nothing had any savour for him any more. And seeing this, I was distressed to be an additional weight in the heavy pack of sorrows and trials that he bore daily, and I tried to get all sorts of employments for which I was utterly unfit, which would not have harboured me for twenty-four hours. Nothing came of these attempts, and so the time went on till we were in June, 1885. Then there was a letter from the publisher of “The Anatomy of Tobacco” to the effect that he thought he could find me some odd jobs of work if I would come up to London; and so I returned again to the well-remembered cell in Clarendon Road.
The book keeps going
Reading is free forever. Sign up and watch scenes appear while you read.



Scenes Storieta drew for other classics.
New illustrated classics
Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.