Three girls and especially one

Mr. Merrick was too busied with making money for his flock--in which he was wonderfully successful--to realize what it meant to be the father of a genius; but Mrs. Merrick felt with pride that Marcella was not like other girls, and her sisters and brothers realized it too, but with more annoyance than pleasure.

Marcella--or Marcy as she was called--was only twelve, but she had made up her mind to do something to amaze the world. She was not sure whether she should be the greatest singer, or the greatest painter, or the greatest poet of her day; but she should be one of these things, and that which she finally decided upon she was to be in the superlative degree.

In the mean time she wrote pretty bad verses, and made sketches in which nothing ever seemed to have the appearance it had in nature; and these bulls of the promise of her future greatness were carefully treasured by her mother, to whom alone--and the genius herself--they were beautiful. Marcy was a pretty child, and would have been much prettier had not her delicate face been written over with thoughts of self, and there were in it possibilities of great beauty if the nobler side of her childish character should be ever aroused.

Mr. Merrick was occupied with business; his children did not feel very well acquainted with him. Poor Mrs. Merrick had social ambition, and was eagerly pursuing an upward course in life, trying, as she said, “to make a place in the world for her children,” which left her less time than was needed to make them fit to occupy a place in the world as fine men and women. Happily she sent the children to Catholic schools, and, being healthy and sweet-natured little souls, they were growing up better than one might have feared they would in a home where the highest standards were lacking.

There were Marcy, and Inez--whose name was Agnes, but whose mother preferred the Spanish form as less common--and Bob, and Hugh, and Grace, and little Lucy, the baby, who resented the title, being arrived at the dignity of three years.

Bob and Hugh managed to get a good deal of pleasure out of each other, but the rest were not especially congenial; and though Inez was but a year younger than Marcy, they had scarcely any interest in common. Marcy took refuge in a land of dreams, and spent most of her time in the house curled up in a favorite window that gave her a glimpse of the grass of Central Park and full view of the tree-tops, in dreamy idleness, which Bob scornfully called “mooning,” and from which, if any one disturbed her, she was likely to emerge very cross.

Poor little Marcy “dreamed noble deeds all day long,” but did not do them; nor had it ever occurred to her that there was no poem, or song, or picture so beautiful as an unselfish life.

Marcy sat in her own particular nook one bright October afternoon. For fully twenty minutes she had not taken her eyes from the floating clouds over the swaying tree-tops, nor had she touched the pencil, poised in mid-air, to the sheet of paper laid ready on her lap. The sheet was long, but so far there was but one line on it, written very fine near the top, to leave plenty of room for the long poem of which it was intended to be the beginning.

Clump! clump! clump! came a rapid and sturdy tread up the stairs. The door burst open, and Hugh appeared. “Say,” he began before he was in sight, “fix my marble bag? It’s got a big hole in it, and I’ve lost my new agate. Oh, I thought Norah was here! Where’s Norah?”

“My goodness! how should I know?” cried Marcy impatiently.

“Well, I want her to sew up my marble bag. I’ve lost my agate and some alleys, only I can’t tell how many, ’cause I’ve forgotten how many Will Easton won off me. Where’s Norah?”

“I tell you, I don’t know!” cried Marcy. “Go find her if you want your bag sewed up. And, Hugh, never say he won them ‘_off_ me’; you don’t have marbles on you. Say ‘he won them from me.’”

“What d’you s’pose I care?” retorted Hugh, and departed to find Norah, leaving the door open behind him. Marcy shut it with unnecessary emphasis, and reseated herself with a sigh.

Presently some one came down-stairs from the floor above at such a rate as could only be done by casting the body over the banisters, and letting the feet follow as they could. This time it was Bob.

“Say, where are my bicycle stockings?” he cried. “Oh! I thought Norah was here. I want my bicycle stockings, and I can’t find them. Where’s Norah?”

“Bob, I don’t know,” said Marcy.

“Well, don’t take my head off. I want my stockings; the boys are waiting. Couldn’t you come help me find them?”

“No, I could not. Go away; you’ve spoiled my rhyme, and I’ve just thought of a good one,” said Marcy despairingly.

“And you don’t care a cent if my ride’s spoiled; glad I’m not such a mean thing as you are,” retorted Bob, going off in high dudgeon.

Marcy settled herself once more, feeling very much abused, and had only succeeded in forgetting Bob when down-stairs, one step at a time, came the tread of little feet.

“Nonie, where’s Nonie?” cried Lucy, coming in. “I want Nonie to fitz my dolly. Marcy, you fitz her; her dwess is all cwooked.”

“Lucy, I can’t fix your doll. Go find Norah,” cried Marcy. “Go away this moment, and don’t bother me.”

“Naughty Marcy!” said Lucy severely. “I’ll wite Santa Closet not to bwing you any pwesents Cwistmus.”

Bob met her in the doorway; he looked dangerous; the boys had gone without him. He had not found Norah nor the stockings; his ride was spoiled, and he was ready for mischief. “Hold on, Lu; where’re you going?” he cried, seizing a curl in each hand and holding Lucy fast. “Stay here; I want you. ‘Linger longer, Lucy, linger longer, Lu,’” he sang tantalizingly.

Lucy raised her voice in vigorous protest. “Let me ’lone, Bob Mehwick!” she screamed. “Let me go! I want Nonie. Marcy, make Bob let go me.”

“Bob,” cried Marcy, springing up, “let go of Lulie’s hair, and stop bothering me. I’d box your ears for a cent.”

“I won’t offer one,” cried Bob, sticking his head around the door from the hall whither he had fled, while Lucy went up-stairs one step at a time, talking to her doll indignantly all the way.

Marcy shut the door in profound disgust. “I wonder if Madeleine Greene knows how lucky she is to be an only child?” she said aloud as she picked up the paper and pencil she had dropped in her rush on Bob. “There’s no peace in this house for one single minute.”

Ten minutes later the door opened, and a pretty but angry face peeped in, followed by the odor of violets, and a slender girl entered, saying:

“Oh, here you are, Marcy! I was looking for you.”

“Now, Inez, what do you want? I do wish you’d let me alone!” cried Marcy.

But Inez was too vexed to quarrel with her sister, to whom she wished to pour out her grievance. “I’ve got something to tell you,” she said, laying off her hat with a tragic gesture. “What do you think May Vanderberg’s done?”

“I don’t know,” said Marcy in a tone that meant, “and, what is more, I don’t care.”

“She hasn’t invited me to her party!” said Inez, as if she defied the world to produce another such wrong.

“Well, what of it? She didn’t ask me either, did she? I wish you’d go away and let me write, Inez,” said Marcy.

“Of course she didn’t ask you,” said Inez, ignoring the latter part of her sister’s remark. “But you don’t care. I heard she said she didn’t want us.”

Marcy almost laughed. “Well, since she didn’t ask us, I suppose that’s so,” she said.

“Yes, and if you had one bit of pride you’d care,” cried Inez.

“H’m! I don’t see that,” retorted Marcy. “That’s a funny pride to want May Vanderberg’s invitation. I don’t care about going to her house one bit more than she cares to have me. I don’t think she’s a very nice girl. She stayed overnight with Mary Whiting once, and you know she made fun and told about everything they had and did just because they’re poor. And a girl that will do that isn’t a lady, and I don’t care about knowing her.”

Inez gasped. “Not a lady! Why, Marcy Merrick! the Vanderbergs are one of the old New York families; mamma said so.”