Drawn from who shares scenes with whom in the original text. Each bond is labeled from the pair's first scene together, so the map stays spoiler-light.
Also known as Victor, Frankenstein, the stranger, my guest
A brilliant and ambitious Swiss scientist who becomes obsessed with the secret of life, ultimately creating a sentient being that leads to his downfall.
Bonds:ElizabethAdopted sisterHenryFriendsCreatureAdversariesAlphonseFather
Also known as the monster, monster, the wretch, the fiend, the dæmon, the daemon, the being
A being brought to life through Victor's scientific experiments; he is highly intelligent and sensitive but driven to violence by societal rejection and loneliness.
Bonds:ElizabethHostile encounterHenryFriendshipVictorAdversaries
Also known as the captain
An Arctic explorer and the narrator of the frame story who rescues Victor and listens to his tragic tale.
Also known as my dear Elizabeth, sweet Elizabeth
Victor's childhood companion and eventual wife, who serves as a symbol of innocence and domestic peace in his life.
Bonds:VictorAdopted sisterWilliamBrother and sisterCreatureHostile encounterCarolineLinked
Also known as my friend Henry
Victor's closest friend, characterized by his romantic nature and appreciation for literature and chivalry.
Bonds:VictorFriendsCreatureFriendshipWaldmanMentorKrempeMentor
Also known as my father, father, Alphonse
Victor's father, a respected and kind man who provides a stable, loving upbringing for his son.
Bonds:VictorFatherHenryFriends
Also known as the child
A character mentioned as being among the deceased friends of Victor.
Bonds:ElizabethBrother and sisterCarolineMother and sonRobertLinked
Also known as Caroline, Caroline Beaufort, my mother, mother
Victor's devoted mother, Beaufort's daughter, who marries Alphonse Frankenstein and later dies of scarlet fever caught while nursing Elizabeth.
As drawn: a gentle, graceful woman in her forties with soft features, kind hazel eyes, and dark brown hair pinned softly up, wearing a modest elegant late-1700s Genevese gown in muted blue
Also known as Krempe, M. Krempe
The gruff professor of natural philosophy at Ingolstadt who ridicules Victor's reading of the old alchemists.
As drawn: a short, squat man with a gruff voice, blunt heavy features, thick brows and untidy grey hair, in dark professorial robes
Bonds:HenryMentor
Also known as Waldman, M. Waldman
The benevolent chemistry professor at Ingolstadt whose lecture on modern science sets Victor on his fateful path.
As drawn: a kindly professor of about fifty, short but remarkably erect, black hair greying at the temples, a sweet expressive face and calm voice, in neat dark academic dress
Bonds:HenryMentor
Storieta keeps this cast at your side while you read Frankenstein — portraits, names, and an ask-anything assistant that only knows what you've read so far. No spoilers, ever.
Full text of Frankenstein — the complete public-domain ebook, free.
Mary Shelley’s Frankenstein; Or, The Modern Prometheus is a work that straddles science‑fiction, horror, and gothic fiction, foregrounding the uneasy marriage of scientific ambition and monstrous creation. The opening pages begin not with the famous creature’s first steps but with a reflective authorial preface that situates the novel’s origin in a summer of rainy Swiss evenings, a literary circle that included Lord Byron, and a challenge to write a ghost story that would “curdle the blood.” Shelley recounts how a vivid, night‑time vision of a “pale student of unhallowed arts” and his half‑animated creation sparked the narrative that would follow. This framing situates the tale within the era’s fascination with galvanism and speculative physiology, promising a story that uses a speculative scientific premise to explore deeper human passions.
The prose is unmistakably early‑19th‑century, marked by elaborate, lyrical sentences that echo the Romantic poets while maintaining a clear, narrative drive. Shelley’s voice is both intimate, she shares personal recollections of childhood imagination and literary salons, and philosophically probing, inviting readers to contemplate the consequences of “mock[ing] the stupendous mechanism of the Creator.” Readers who enjoy richly atmospheric gothic settings, thoughtful examinations of scientific hubris, and the psychological depth of a creator confronting his own invention will find this novel compelling.
Every cast illustrated from the original text.
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