Storieta
Sign up

The opening · free to read

Hendrik Conscience

Author of The Curse of the Village, The Happiness of Being Rich, Veva, The Lion of Flanders, Count Hugo of Craenhove, Wooden Clara, Ricketicketack, The Demon of Gold, The Village Inn-Keeper, The Conscript, Blind Rosa, The Amulet, The Miser, The Fisherman's Daughter, etc.

Translated Expressly for this Edition.

Preface to the American Edition.

The story of "THE POOR GENTLEMAN," now given in our language for the first time, is one of the series in which M. Conscience has delineated various grades of female character in positions of trial. In "The Village Innkeeper" he has shown the weaker traits of woman distracted between an inborn sense of propriety and a foolish ambition for high, life. In the "Conscript" his heroine displays the nobler virtues of uncorrupted humble life; and, with few characters, taken from the lowest walks, he shows the triumph of honest, straightforward earnestness and pertinacious courage, even when they are brought in conflict with authority. "The Poor Gentleman" closes the series; and, selecting a heroine from the educated classes of his country-people M. Conscience has demonstrated how superior a genuine woman becomes to all the mishaps of fortune, and how successfully she subdues that imaginary fate before which so many are seen to fall.

It would be difficult to describe this remarkable work without analyzing the tale and criticizing its personages. This would anticipate the author and mar the interest of his story. We must confine ourselves, therefore, to general remarks on its structure and characteristics.

Pontmartin, the distinguished French feuilletonist, says, in one of his "Literary Chats," that these simple stories are "pearls set in Flemish gold,--a gold which alchemysts seek for in alembics and furnaces, but which Conscience has found in the inexhaustible veins of nature." "The Poor Gentleman," he remarks, "is a tale of not more than a hundred and fifty pages; but I would not give its shortest chapter for all the romances I ever read. The perplexed De Vlierbeck--who ought to have had Caleb Balderstone for a servant--is one of those characters that engrave themselves indelibly on our memory." In every trait and detail the author has attained a photographic minuteness; which, while it is distinct and sharp, never interferes with that motion, breadth, and picturesque effect that impart life and reality to a story. Nor can we doubt that it will be read and re-read as long as there is a particle of that feeling among us which installed the Vicar of Wakefield, Paul and Virginia, the Crock of Gold, the Sketch-book, and the Tales of a Traveller, among the heirlooms of every tasteful household. The "Tales of Flemish Life" are additions to that rare stock of home-literature which is at once amiable and gentle, simple and affectionate, familiar and tender, and which meets a quick response from every honest heart and earnest spirit.

If it be objected that the stories are too short and sketchy for the praise that has been bestowed on them, it may be answered that in their translation we have had the best opportunity to observe the skill, power, and perception of character which constitute their real merit. Simple as they seem, they are written with masterly art. In design, elaborateness, tone, and finish, they resemble the works of the Flemish School which have made us familiar with the Low Countries and their people through the pictures of Ruysdael, Teniers, and Ostade. There is scarcely a leaf that does not display some of those recondite or evanescent secrets of human nature which either escape ordinary writers, or, when found by them, are spread out over volume instead of being condensed into a page.

Baltimore, August, 1856.

THE TRANSLATOR.

Near the end of July, 1842, an open calèche might have been seen rolling along one of the three highways that lead from the frontiers of Holland toward Antwerp. Although the vehicle had evidently been cleaned with the utmost care, every thing about it betokened decay. Its joints were open, discolored, and weather-beaten, and it swung from side to side on its springs like a rickety skeleton. Its patched leathers shone in the sunshine with the oil that had been used to freshen them, but the borrowed lustre could not hide the cracks and repairs with which they were defaced. The door-handles and other parts of the vehicle that were made of copper had been carefully polished, and the vestiges of silver-plating, still visible in the creases of the ornaments, denoted a former richness which had been almost entirely worn out by time and use.

The calèche was drawn by a stout, heavy horse, whose short and lumbering gait intimated very clearly that he was oftener employed in the plough and cart than in carrying his owner toward the capital.

A peasant-boy of seventeen or eighteen was perched on the driver's seat. He was in livery; a tarnished gold band adorned his hat, and brass buttons glistened on his coat; but the hat fell over his ears, and the coat was so large that the driver seemed lost in it as in a bag. The garments had been worn by many of the lackey's predecessors on the box, and, in a long series of years, had doubtless passed from coachman to coachman till they descended to their present possessor.

The only person in the vehicle was a man about fifty years old. He was unquestionably the master of both servant and cabriolet, for his look and deportment commanded respect and consideration. With head depressed and moody air, he sat motionless and dreamy in his seat till he heard the approach of other vehicles, when, suddenly lifting his eyes, he would salute the strangers graciously and then instantly relapse into his former attitude. A moment's glance at this person was sufficient to excite an interest in him. His face, though hard and wrinkled, was so regular and noble in its contour, his look so mild and yet so earnest and penetrating, his broad brow so clear and lofty, that the most careless observer could not doubt that he was endowed with the best qualities of human nature. Besides this, there were unquestionable indications that he had been a sufferer. If a simple glance at his features did not impress one with a conviction of this fact, it was confirmed by the fringe of silvery hair that straggled over his temples, and the sombre, melancholy fire that glimmered in his eyes like the last rays of expiring hope.

His dress was in perfect keeping with his physiognomy. It was of that neat and simple style which always characterizes a man of the world who is governed by refined and elegant tastes. His linen was spotlessly white, his cloth extremely fine, and his well-brushed hat shone smartly in the sunshine. Occasionally, as some one passed on the road, he might be seen to draw forth a handsome gold snuff-box and inhale a pinch with so graceful an air that an observer would be convinced he belonged to the highest classes of society. A malicious eye, it is true, might have discovered by close inspection that the brush had been too familiar with his coat and worn it threadbare, that his silk hat had been doctored to preserve its lustre and smoothness, and that his gloves were elaborately darned. If an inquisitive critic could have pried into the bottom of the vehicle, he would have detected a large crack in the side of the left boot, beneath which a gray stocking had been carefully masked with ink. Still, all these signs of poverty were so artfully concealed, and his dress worn with so careless an air of opulence and ease, that every body might have supposed the traveller did not put on better clothes only because he had a whim for bad ones.

The calèche had rolled along rapidly for about two hours, when the driver suddenly drew up at a small inn on the dike outside of the city of Antwerp. The landlady and groom instantly sallied forth, and by their profound salutations and civility exhibited their marked respect for a well-known stranger.

"It's a fine day, Monsieur Vlierbeck, isn't it?" said the dame; "yet it's a trifle warm, however. Don't you think it would be well for the high-grounds if we had a sprinkle more of rain, Monsieur Vlierbeck? Shall we give the horse some hay, Monsieur Vlierbeck? But stay: I see, now, your coachman has brought his hay with him. Will you take anything, Monsieur Vlierbeck?"

While the hostess was pouring forth this torrent of questions, Monsieur De Vlierbeck got out of the vehicle, and, entering the house, addressed the most flattering compliments to the dame about her good looks, inquired as to the health of each of her children, and finished by apprizing her that he was obliged to be in town instantly. Thereupon, shaking her cordially by the hand, yet with a condescending air that marked and preserved the distance between them, he gave his orders to his lackey, and, with a farewell bow, walked toward the bridge leading into the city.

At a solitary spot on the outer rampart Monsieur De Vlierbeck stopped, looked round as if to see if any one was observing him, dusted his garments, brushed his hat with a handkerchief, and then passed on through the Porte Rouge into the city of Antwerp.

As he entered a town where he was likely to find himself constantly an object of notice, he assumed a lofty carriage and self-satisfied air, which might have deceived any one into the belief that he was the happiest man on earth. And yet--alas, poor gentleman!--he was a prey to the profoundest agony! He was, perhaps, about to suffer humiliation,--a humiliation that would cut him to the very heart! But there was a being in the world whom he loved better than his life or honor,--his only child, his daughter! For her--how frequently had he already sacrificed his pride, how frequently had he suffered the pangs of martyrdom! Still, so great a slave was he to this passionate love that every new endurance, every new trial, raised him in his own estimation and exalted his pain into something that ennobled and sanctified his very nature!

His heart beat violently as he entered deeper and deeper into the heart of the city and approached the house he was about to visit. Soon after he stopped at a door, and, as he pulled the bell, his hand trembled violently in spite of extraordinary self-control; but as soon as a servant answered the summons he became master of himself again.

"Is the notary in?" inquired the old gentleman. The servant replied affirmatively, and, showing the visitor into a small room, went to apprize his master.

As soon as Monsieur De Vlierbeck was alone, he put his right foot over the left to hide the rent in his boot, drew forth the gold snuff-box, and made ready to take a pinch.

The notary came in. He was a spare, business-looking man, and was preparing to salute his guest graciously, but no sooner did he perceive who it was than his face grew dark and assumed that reserved air with which a cautious man arms himself when he expects a request which he is predetermined to refuse. Instead, therefore, of lavishing on Monsieur De Vlierbeck the compliments with which he habitually welcomed his visitors, the notary confined himself to a few cold words of recognition and then sat down silently in front of him.

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from FrankensteinIllustrated scene from The Great GatsbyIllustrated scene from Pride and Prejudice

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.