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About this book

Andersen’s Fairy Tales gathers a variety of short narratives drawn from the Danish tradition, each rendered in English translation. The collection opens with “Leap‑Frog,” a whimsical contest in which a flea, a grasshopper, and a leap‑frog vie for a royal prize, their exaggerated self‑portraits and absurd wagers setting a tone of playful satire. The tale quickly moves to “The Elderbush,” in which a sick child, his mother, and a loquacious old man spin a story about a magical tea‑pot that sprouts a towering elder tree, an old woman in green, and a fantastical ride that blurs the line between imagination and everyday life. Both pieces showcase Andersen’s penchant for blending the ordinary with the extraordinary, inviting readers into a world where courtly pomp, animal characters, and domestic scenes converge in a single, lively narrative thread.

The voice is distinctly 19th‑century Danish, filtered through a lyrical yet conversational English style that balances humor with moral reflection. Andersen’s language is rich in detail, often bordering on the theatrical, while his characters speak with a mix of earnestness and irony. Readers who enjoy clever fables that comment on vanity, ambition, and the power of storytelling, especially those who appreciate a blend of the absurd and the heartfelt, will find these opening stories an engaging entry point into the broader collection.

The opening · free to read

“I will give my daughter to him who jumps highest,” exclaimed the King; “for it is not so amusing where there is no prize to jump for.”

The Flea was the first to step forward. He had exquisite manners, and bowed to the company on all sides; for he had noble blood, and was, moreover, accustomed to the society of man alone; and that makes a great difference.

Then came the Grasshopper. He was considerably heavier, but he was well-mannered, and wore a green uniform, which he had by right of birth; he said, moreover, that he belonged to a very ancient Egyptian family, and that in the house where he then was, he was thought much of. The fact was, he had been just brought out of the fields, and put in a pasteboard house, three stories high, all made of court-cards, with the colored side inwards; and doors and windows cut out of the body of the Queen of Hearts. “I sing so well,” said he, “that sixteen native grasshoppers who have chirped from infancy, and yet got no house built of cards to live in, grew thinner than they were before for sheer vexation when they heard me.”

It was thus that the Flea and the Grasshopper gave an account of themselves, and thought they were quite good enough to marry a Princess.

The Leap-frog said nothing; but people gave it as their opinion, that he therefore thought the more; and when the housedog snuffed at him with his nose, he confessed the Leap-frog was of good family. The old councillor, who had had three orders given him to make him hold his tongue, asserted that the Leap-frog was a prophet; for that one could see on his back, if there would be a severe or mild winter, and that was what one could not see even on the back of the man who writes the almanac.

“I say nothing, it is true,” exclaimed the King; “but I have my own opinion, notwithstanding.”

Now the trial was to take place. The Flea jumped so high that nobody could see where he went to; so they all asserted he had not jumped at all; and that was dishonorable.

The Grasshopper jumped only half as high; but he leaped into the King's face, who said that was ill-mannered.

The Leap-frog stood still for a long time lost in thought; it was believed at last he would not jump at all.

“I only hope he is not unwell,” said the house-dog; when, pop! he made a jump all on one side into the lap of the Princess, who was sitting on a little golden stool close by.

Hereupon the King said, “There is nothing above my daughter; therefore to bound up to her is the highest jump that can be made; but for this, one must possess understanding, and the Leap-frog has shown that he has understanding. He is brave and intellectual.”

And so he won the Princess.

“It's all the same to me,” said the Flea. “She may have the old Leap-frog, for all I care. I jumped the highest; but in this world merit seldom meets its reward. A fine exterior is what people look at now-a-days.”

The Flea then went into foreign service, where, it is said, he was killed.

The Grasshopper sat without on a green bank, and reflected on worldly things; and he said too, “Yes, a fine exterior is everything--a fine exterior is what people care about.” And then he began chirping his peculiar melancholy song, from which we have taken this history; and which may, very possibly, be all untrue, although it does stand here printed in black and white.

The Elderbush

Once upon a time there was a little boy who had taken cold. He had gone out and got his feet wet; though nobody could imagine how it had happened, for it was quite dry weather. So his mother undressed him, put him to bed, and had the tea-pot brought in, to make him a good cup of Elderflower tea. Just at that moment the merry old man came in who lived up a-top of the house all alone; for he had neither wife nor children--but he liked children very much, and knew so many fairy tales, that it was quite delightful.

“Now drink your tea,” said the boy's mother; “then, perhaps, you may hear a fairy tale.”

“If I had but something new to tell,” said the old man. “But how did the child get his feet wet?”

“That is the very thing that nobody can make out,” said his mother.

“Am I to hear a fairy tale?” asked the little boy.

“Yes, if you can tell me exactly--for I must know that first--how deep the gutter is in the little street opposite, that you pass through in going to school.”

“Just up to the middle of my boot,” said the child; “but then I must go into the deep hole.”

“Ah, ah! That's where the wet feet came from,” said the old man. “I ought now to tell you a story; but I don't know any more.”

“You can make one in a moment,” said the little boy. “My mother says that all you look at can be turned into a fairy tale: and that you can find a story in everything.”

“Yes, but such tales and stories are good for nothing. The right sort come of themselves; they tap at my forehead and say, 'Here we are.'”

“Won't there be a tap soon?” asked the little boy. And his mother laughed, put some Elder-flowers in the tea-pot, and poured boiling water upon them.

“Do tell me something! Pray do!”

“Yes, if a fairy tale would come of its own accord; but they are proud and haughty, and come only when they choose. Stop!” said he, all on a sudden. “I have it! Pay attention! There is one in the tea-pot!”

And the little boy looked at the tea-pot. The cover rose more and more; and the Elder-flowers came forth so fresh and white, and shot up long branches. Out of the spout even did they spread themselves on all sides, and grew larger and larger; it was a splendid Elderbush, a whole tree; and it reached into the very bed, and pushed the curtains aside. How it bloomed! And what an odour! In the middle of the bush sat a friendly-looking old woman in a most strange dress. It was quite green, like the leaves of the elder, and was trimmed with large white Elder-flowers; so that at first one could not tell whether it was a stuff, or a natural green and real flowers.

“What's that woman's name?” asked the little boy.

“The Greeks and Romans,” said the old man, “called her a Dryad; but that we do not understand. The people who live in the New Booths [*] have a much better name for her; they call her 'old Granny'--and she it is to whom you are to pay attention. Now listen, and look at the beautiful Elderbush.

* A row of buildings for seamen in Copenhagen.

“Just such another large blooming Elder Tree stands near the New Booths. It grew there in the corner of a little miserable court-yard; and under it sat, of an afternoon, in the most splendid sunshine, two old people; an old, old seaman, and his old, old wife. They had great-grand-children, and were soon to celebrate the fiftieth anniversary of their marriage; but they could not exactly recollect the date: and old Granny sat in the tree, and looked as pleased as now. 'I know the date,' said she; but those below did not hear her, for they were talking about old times.

“'Yes, can't you remember when we were very little,' said the old seaman, 'and ran and played about? It was the very same court-yard where we now are, and we stuck slips in the ground, and made a garden.'

“'I remember it well,' said the old woman; 'I remember it quite well. We watered the slips, and one of them was an Elderbush. It took root, put forth green shoots, and grew up to be the large tree under which we old folks are now sitting.'

“'To be sure,' said he. 'And there in the corner stood a waterpail, where I used to swim my boats.'

“'True; but first we went to school to learn somewhat,' said she; 'and then we were confirmed. We both cried; but in the afternoon we went up the Round Tower, and looked down on Copenhagen, and far, far away over the water; then we went to Friedericksberg, where the King and the Queen were sailing about in their splendid barges.'

“'But I had a different sort of sailing to that, later; and that, too, for many a year; a long way off, on great voyages.'

“'Yes, many a time have I wept for your sake,' said she. 'I thought you were dead and gone, and lying down in the deep waters. Many a night have I got up to see if the wind had not changed: and changed it had, sure enough; but you never came. I remember so well one day, when the rain was pouring down in torrents, the scavengers were before the house where I was in service, and I had come up with the dust, and remained standing at the door--it was dreadful weather--when just as I was there, the postman came and gave me a letter. It was from you! What a tour that letter had made! I opened it instantly and read: I laughed and wept. I was so happy. In it I read that you were in warm lands where the coffee-tree grows. What a blessed land that must be! You related so much, and I saw it all the while the rain was pouring down, and I standing there with the dust-box. At the same moment came someone who embraced me.'

“'Yes; but you gave him a good box on his ear that made it tingle!'

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