Public-domain ebook
The Adventures of Pinocchio
Language: en8,290 downloads on Project Gutenberg
Subjects
In: Children & Young Adult Reading·Novels·Classics of Literature
Public-domain ebook sourced from Project Gutenberg #500.
Public-domain ebook
Language: en8,290 downloads on Project Gutenberg
Subjects
In: Children & Young Adult Reading·Novels·Classics of Literature
Public-domain ebook sourced from Project Gutenberg #500.
The Adventures of Pinocchio is a fairy‑tale narrative that follows the wooden puppet’s desperate quest after the death of the “Lovely Fairy with Azure Hair.” The opening chapter plunges the reader into Pinocchio’s grief, his frantic search for his father Geppetto, and a series of surreal encounters, a compassionate pigeon, a storm‑tossed sea, and a dolphin that warns of a monstrous shark. The prose moves swiftly from mournful monologue to frantic dialogue, charting the puppet’s emotional extremes as he leaps from cliffs, rides a giant bird, and finally dives into a turbulent ocean to rescue his creator. The episode is framed by vivid descriptions of the landscape, marble slabs, towering oaks, and an island of busy bees, creating a vivid, episodic adventure that blends sorrow with relentless motion.
Collodi’s voice is unmistakably nineteenth‑century Italian, translated into a richly descriptive English style that mixes lyrical melancholy with brisk, almost theatrical dialogue. The language is ornate yet accessible, peppered with moral reflections and fantastical imagery that echo the period’s didactic fairy tales. Readers who enjoy stories that combine moral lessons with imaginative travel, fans of classic children’s literature, folklore enthusiasts, and those who appreciate a protagonist whose growth is measured by trials rather than triumphs, will find Pinocchio’s relentless wanderings both compelling and emotionally resonant.
The opening · free to read
“Oh, my Fairy, my dear, dear Fairy, why did you die? Why did I not die, who am so bad, instead of you, who are so good? And my father--where can he be? Please dear Fairy, tell me where he is and I shall never, never leave him again! You are not really dead, are you? If you love me, you will come back, alive as before. Don’t you feel sorry for me? I’m so lonely. If the two Assassins come, they’ll hang me again from the giant oak tree and I will really die, this time. What shall I do alone in the world? Now that you are dead and my father is lost, where shall I eat? Where shall I sleep? Who will make my new clothes? Oh, I want to die! Yes, I want to die! Oh, oh, oh!”
Poor Pinocchio! He even tried to tear his hair, but as it was only painted on his wooden head, he could not even pull it.
Just then a large Pigeon flew far above him. Seeing the Marionette, he cried to him:
“Tell me, little boy, what are you doing there?”
“Can’t you see? I’m crying,” cried Pinocchio, lifting his head toward the voice and rubbing his eyes with his sleeve.
“Tell me,” asked the Pigeon, “do you by chance know of a Marionette, Pinocchio by name?”
“Pinocchio! Did you say Pinocchio?” replied the Marionette, jumping to his feet. “Why, I am Pinocchio!”
At this answer, the Pigeon flew swiftly down to the earth. He was much larger than a turkey.
“Then you know Geppetto also?”
“Do I know him? He’s my father, my poor, dear father! Has he, perhaps, spoken to you of me? Will you take me to him? Is he still alive? Answer me, please! Is he still alive?”
“I left him three days ago on the shore of a large sea.”
“What was he doing?”
“He was building a little boat with which to cross the ocean. For the last four months, that poor man has been wandering around Europe, looking for you. Not having found you yet, he has made up his mind to look for you in the New World, far across the ocean.”
“How far is it from here to the shore?” asked Pinocchio anxiously.
“More than fifty miles.”
“Fifty miles? Oh, dear Pigeon, how I wish I had your wings!”
“If you want to come, I’ll take you with me.”
“How?”
“Astride my back. Are you very heavy?”
“Heavy? Not at all. I’m only a feather.”
“Very well.”
Saying nothing more, Pinocchio jumped on the Pigeon’s back and, as he settled himself, he cried out gayly:
“Gallop on, gallop on, my pretty steed! I’m in a great hurry.”
The Pigeon flew away, and in a few minutes he had reached the clouds. The Marionette looked to see what was below them. His head swam and he was so frightened that he clutched wildly at the Pigeon’s neck to keep himself from falling.
They flew all day. Toward evening the Pigeon said:
“I’m very thirsty!”
“And I’m very hungry!” said Pinocchio.
“Let us stop a few minutes at that pigeon coop down there. Then we can go on and be at the seashore in the morning.”
They went into the empty coop and there they found nothing but a bowl of water and a small basket filled with chick-peas.
The Marionette had always hated chick-peas. According to him, they had always made him sick; but that night he ate them with a relish. As he finished them, he turned to the Pigeon and said:
“I never should have thought that chick-peas could be so good!”
“You must remember, my boy,” answered the Pigeon, “that hunger is the best sauce!”
After resting a few minutes longer, they set out again. The next morning they were at the seashore.
Pinocchio jumped off the Pigeon’s back, and the Pigeon, not wanting any thanks for a kind deed, flew away swiftly and disappeared.
The shore was full of people, shrieking and tearing their hair as they looked toward the sea.
“What has happened?” asked Pinocchio of a little old woman.
“A poor old father lost his only son some time ago and today he built a tiny boat for himself in order to go in search of him across the ocean. The water is very rough and we’re afraid he will be drowned.”
“Where is the little boat?”
“There. Straight down there,” answered the little old woman, pointing to a tiny shadow, no bigger than a nutshell, floating on the sea.
Pinocchio looked closely for a few minutes and then gave a sharp cry:
The book keeps going
Reading is free forever. Sign up and watch scenes appear while you read.



Scenes Storieta drew for other classics.
New illustrated classics
Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.