Storieta
English
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About this book

The work is a youthful travel narrative by the explorer‑author Paul Du Chaillu, who frames his account as a letter of gratitude to a benefactor before launching into a vivid description of a journey from southern Sweden to the Arctic “Land of the Long Night.” The opening pages blend personal reminiscence with a promise of adventure: the author recounts his post‑horse’s steady pace, the kindness of Scandinavian people toward their animals, and a sudden homesick yearning for the schoolchildren who call him “Friend Paul.” From this point he promises to guide readers across snow‑bound plains, reindeer‑drawn sleds, and frozen seas, while warning of the perils that await the unprepared.

Written in the earnest, descriptive style of late‑Victorian travel literature, the prose is peppered with detailed observations of customs, gear, and wildlife, and it retains a conversational tone aimed at young readers. Those who enjoy historic expedition accounts, natural‑history sketches, and a blend of personal anecdote with geographic education will find Du Chaillu’s lively, if occasionally melodramatic, voice appealing.

Who appears in The Land of the Long Night

  • Judge DalyMiddle‑aged Victorian gentleman, silver‑threaded beard, waistcoat and frock coat, dignified expression
  • Paul Du ChailluYoung late‑Victorian explorer, dark hair, moustache, wool coat, leather boots, thoughtful gaze

The opening · free to read

My Dear Young Folks:

Friend Paul has led many of you into the great Equatorial Forest of Africa. We met there many strange and wild tribes of men, and lived among cannibals and dwarfs or pygmies. We hunted together, and killed many elephants, fierce gorillas, leopards, huge crocodiles, hippopotami, buffalos, antelopes, strange-looking monkeys, wonderful chimpanzees of different varieties,--some of them white, others yellow or black,--and many other kinds of animals.

In this book I am going to take you to a very different part of the world. I am going to lead you towards the far North, to "The Land of the Long Night,"--a land where during a part of the year the sun is not seen, for it does not rise above the horizon, and in some parts of the country does not show itself for sixty-seven days, during which time the moon, stars, and the aurora borealis take its place.

"The Land of the Long Night" is a land of darkness, of snow, of wind, and at times of intense cold; and we shall have a long journey before us, and shall have to change horses and vehicles at many post stations, and at those places we shall get meals and lodgings.

When once in "The Land of the Long Night," we shall roam far and wide--east, west, north--over a vast trackless region, covered with deep snow, drawn by reindeer instead of horses, and sometimes we shall walk or run with skees, which are the snowshoes of that country, and very unlike those used by our Indians.

We shall sleep on the snow in bags made of reindeer skins, follow the nomadic Laplander and his reindeer, live with him and sleep in his kata or tent. We shall hunt wolves, bears, and different kinds of foxes and other animals, and sail and fish on the stormy Arctic seas.

We shall have plenty of fun, in spite of the snow, the terrific wind, and the cold we shall encounter; and, thanks to the houses of refuge which we shall find in our times of peril, we shall not perish in these Arctic regions. But woe to the man who wanders in that far northern land without a guide or without knowing where these houses or farms of refuge are to be found, for he will surely succumb in some one of the storms that are certain to overtake him.

We shall cross the Swedish and Norwegian mountains of the far North, which rise to a height of several thousand feet, and come to the desolate shores of the Arctic Ocean, and there live among the people.

In a sunny room at the Marlborough in Broadway I have written this book. It is a dear little room, made bright at night with electric lights, and full of delightful reminiscences of cheerful evenings with friends, all kinds of knick-knacks, tin horns, "booby" prizes, mugs, etc.,--souvenirs of frolics at which I have had fine times. My two windows look out on the roof of a church; it is all I can see; the noise of a wheel never reaches my ears. It is an ideal room to write books in.

I am surrounded by pictures of boys and girls, and many older friends; they look down upon me and cheer me, and when I write they all seem to say, "Go on, Paul," and at other times, they cry, "Stop, Paul, you have written enough to-day; go and take a walk, go and see people and life, dine with friends; you will work much better to-morrow. 'All work and no play makes Jack a dull boy.' We shall be here to welcome you when you come back."

How good it is to have friends, no matter how humble some of them are. I love them all. No one ever has too many friends, and life without them is not worth having.

Now, as I am ready to lay down my pen, I draw a long breath--"The Land of the Long Night" is ready for the printer. I am just thinking: all my books have been published in New York, and all but two have been written, in the dear old city.

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