Storieta
English
Save & sign up

About this book

The work is a Victorian‑era compendium that gathers together the legends, travelogues and early natural histories of fantastical beasts and “wild men.” Ashton opens with a reflective essay on how modern travelers have displaced the credulous age of medieval voyages, and he explains his purpose: to rescue the old stories from oblivion by presenting selected passages in their original, often Latin‑derived, language, accompanied by wood‑engraved illustrations. The table of contents reveals a sprawling inventory, from Amazons and giants to sea monsters such as the Kraken, and from mythic hybrids like the centaur and sphynx to more mundane creatures like the fox and the walrus, each treated as a zoological curiosity rather than a scholarly dissertation.

The voice is that of a learned but conversational antiquarian, steeped in the prose of the late nineteenth century, with frequent allusions to classical authors, early explorers and the emerging ideas of Darwin. Its style blends earnest description with occasional wit, and the language retains the formal diction of its time. Readers who enjoy the intersection of folklore, early scientific speculation and richly detailed period illustrations, particularly fans of Victorian natural history, mythography and the romantic allure of forgotten travel narratives, will find this collection both engaging and evocative.

The opening · free to read

London John C. Nimmo 14, King William Street, Strand 1890

PREFACE.

“Travellers see strange things,” more especially when their writing about, or delineation of, them is not put under the microscope of modern scientific examination. Our ancestors were content with what was given them, and being, as a rule, a stay-at-home race, they could not confute the stories they read in books. That age of faith must have had its comforts, for no man could deny the truth of what he was told. But now that modern travel has subdued the globe, and inquisitive strangers have poked their noses into every portion of the world, “the old order changeth, giving place to new,” and, gradually, the old stories are forgotten.

It is to rescue some of them from the oblivion into which they were fast falling, that I have written, or compiled, this book. I say compiled it, for I am fonder of letting old authors tell their stories in their old-fashioned language, than to paraphrase it, and usurp the credit of their writings, as is too much the mode now-a-days.

It is not given to every one to be able to consult the old Naturalists; and, besides, most of them are written in Latin, and to read them through is partly unprofitable work, as they copy so largely one from another. But, for the general reader, selections can be made, and, if assisted by accurate reproductions of the very quaint wood engravings, a book may be produced which, I venture to think, will not prove tiring, even to a superficial reader.

Perhaps the greatest wonders of the creation, and the strangest forms of being, have been met with in the sea; and as people who only occasionally saw them were not draughtsmen, but had to describe the monsters they had seen on their return to land, their effigies came to be exceedingly marvellous, and unlike the originals. The Northern Ocean, especially, was their abode, and, among the Northern nations, tales of Kraken, Sea-Serpents, Whirlpools, Mermen, &c., &c., lingered long after they were received with doubt by other nations; but perhaps the most credulous times were the fourteenth and fifteenth centuries, when no travellers’ tales seem too gross for belief, as can well be seen in the extreme popularity, throughout all Europe, of the “Voyages and Travels of Sir John Maundeville,” who, though he may be a myth, and his so-called writings a compilation, yet that compilation represented the sum of knowledge, both of Geography, and Natural History, of countries not European, that was attainable in the first half of the fourteenth century.

All the old Naturalists copied from one another, and thus compiled their writings. Pliny took from Aristotle, others quote Pliny, and so on; but it was reserved for the age of printing to render their writings available to the many, as well as to represent the creatures they describe by pictures (“the books of the unlearned”), which add so much piquancy to the text.

Mine is not a learned disquisition. It is simply a collection of zoological curiosities, put together to suit the popular taste of to-day, and as such only should it be critically judged.

JOHN ASHTON.

CONTENTS.

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from Pride and PrejudiceIllustrated scene from Alice's Adventures in WonderlandIllustrated scene from The Adventures of Sherlock Holmes

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.