Public-domain ebook
by Evelyn Lilian Hazeldine Carrington Martinengo-Cesaresco
Language: en1,769 downloads on Project Gutenberg
Subjects
In: History - Ancient·Archaeology & Anthropology·Philosophy & Ethics
Public-domain ebook sourced from Project Gutenberg #65720.
The book is a scholarly survey that treats animals as subjects of religious, mythic, and philosophical inquiry. It opens with a recounting of a 1908 Oxford congress where Count Goblet d’Alviella linked the psychology of animals to the history of religions, a prompt that the author, Evelyn Lilian Hazeldine Carrington Martinengo‑Cesaresco, uses to frame a series of essays ranging from ancient Greek conceptions to modern ideas about animal welfare. The introductory passage explains that the chapters were assembled with the help of museum directors, diplomats, and other specialists, and that the work blends textual analysis with illustrations drawn from collections in London, Copenhagen, Rome, and beyond. The contents list reveals a systematic exploration of animal symbolism in Vedic texts, Roman art, Persian reliefs, and Eastern fiction, promising a comprehensive, though not exhaustive, treatment of how humans have imagined and treated beasts throughout history.
Written in a cultivated early‑20th‑century voice, the text combines erudite prose with occasional poetic flourishes, reflecting the period’s fascination with comparative religion and the emerging field of animal psychology. Its style will appeal to readers who enjoy intellectual histories that interweave anthropology, art history, and philosophy, particularly scholars, students, or enthusiasts of religious studies, folklore, and the cultural history of animal welfare. Those who appreciate richly illustrated, source‑driven arguments rather than narrative storytelling will find this work both rewarding and thought‑provoking.
The opening · free to read
AT the Congress held at Oxford in September, 1908, those who heard Count Goblet d’Alviella’s address on the “Method and Scope of the History of Religions” must have felt the thrill which announces the stirring of new ideas, when, in a memorable passage, the speaker asked “whether the psychology of animals has not equally some relation to the science of religions?” At any rate, these words came to me as a confirmation of the belief that the study which has engaged my attention for several years, is rapidly advancing towards recognition as a branch of the inquiry into what man is himself. The following chapters on the different answers given to this question when extended from man to animals, were intended, from the first, to form a whole, not complete, indeed, but perhaps fairly comprehensive. I offer them now to the public with my warmest acknowledgments to the scholars whose published works and, in some cases, private hints have made my task possible. I also wish to thank the Editor of the Contemporary Review for his kindness in allowing me to reprint the part of this book which appeared first in that periodical.
Some chapters refer rather to practice than to psychology, and others to myths and fancies rather than to conscious speculation, but all these subjects are so closely connected that it would be difficult to divide their treatment by a hard-and-fast line.
With regard to the illustrations, I am glad to bear grateful testimony to the facilities afforded me by the Directors of the British Museum, the Victoria and Albert Museum, the Hague Gallery, the National Museum at Copenhagen, the Egypt Exploration Fund, and by the Secretary of State for India. H.E. Monsieur Camille Barrère, French Ambassador at Rome, has allowed me to include a photograph of his remarkably fine specimen of a bronze cat; and I have obtained the sanction of Monsieur Marcel Dieulafoy for the reproduction of one of Madame Dieulafoy’s photographs which appeared in his magnificent work on “L’Art Antique de la Perse.” Messrs. Macmillan & Co., Limited, and Messrs. Chapman and Hall, Limited, have permitted photographs to be taken of two plates in books published by them. Finally, Dr. C. Waldstein and Mr. E. B. Havell have been most kind in helping me to give the correct description of some of the plates.
SALÒ, LAGO DI GARDA.
February 15, 1909.
------------------------------------------------------------------------
The book keeps going
Reading is free forever. Sign up and watch scenes appear while you read.
Scenes Storieta drew for other classics.
New illustrated classics
Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.
